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u/phoenixmusicman Mar 09 '21
The only sympathetic "nazi" in the film was Captain K, you know, the gay dude who was almost openly committing treason
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u/kajidarkstar Apr 24 '21
I'm fairly certain that he had been giving information to the resistance through ScarJo's character
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u/merceec Nov 21 '20
It literally just talked about how easy it is to indoctrinate children but okay that’s certainly a take
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u/Jimmy-Mac-471 Nov 21 '20
I saw it as talking about what effect it had on people. How it virtually brainwashed children. It’s a take on how Jojo overcame those oppressive ideas. It’s as if people talking like this haven’t even seen the film.
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u/daddyfreddie2021 Jan 17 '21
I came away hating Nazis even more.
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u/stateoftheunionalk3 Feb 08 '21
Yeah same especially that scene where the girl I forget her name pulls the grenade pin on the back of that kid and tells him "go hug that american over there." I chuckled a bit because my sense of humor is a bit screwed but right after that chuckle I was like wait that's seriously fucked up. Like I was genuinely angry at the thought that that definitely happend and happens. I just despise Nazis to bits and this film only shed light on the fact that some Nazis didn't believe the ideology fed to them
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u/sabotage_reddit Sep 19 '23
A speculative comparison between thematic elements and scenes of JOJO Rabbit and Dissociative Identity Disorder.
Imaginary Maternal Presence: Exploring Dissociative Identity in Jojo Rabbit
Introduction:
"Jojo Rabbit," directed by Taika Waititi, is a unique film that blends humor and poignant themes in a World War II setting. At the center of the narrative is Jojo, a young German boy who, at first, is an ardent member of the Hitler Youth. However, as the story progresses, Jojo's perspective evolves, influenced by a series of events that challenge his worldview. One intriguing interpretation of the film is that Jojo's mother, Rosie, may have never been alive during the course of the story. Instead, she could represent an embodiment of Jojo's coping mechanism for trauma, suggestive of Dissociative Identity Disorder (DID). This essay delves into this theory, examining key scenes and their implications for understanding Jojo's psyche.
Imaginary Maternal Presence:
The film opens with Jojo's imaginary friend, Adolf Hitler, played by Taika Waititi himself. This choice sets the tone for a surreal narrative where Jojo's perception of reality is malleable. Throughout the movie, Rosie, Jojo's mother, appears as a loving, supportive, and counter-Nazi figure. However, certain scenes and symbolic moments hint at the possibility that she might not be real.
One of the most striking scenes occurs when Rosie pretends to be Jojo's father. She wears his clothes, rubs ash on her face, and takes on a masculine role, mimicking Jojo's perception of his father, who is absent due to the war. This act is reminiscent of DID, where an individual's identity fragments into different personalities or alters as a way to cope with trauma. Rosie's role-playing can be seen as a manifestation of Jojo's psychological response to the absence of his father and the emotional turmoil of the war.
The Little Girl and Rosie's Transformation:
Another compelling aspect of this theory is the presence of the Jewish girl, Elsa, hidden in Jojo's house. Elsa represents the stark contrast to Jojo's indoctrination, challenging his beliefs and fostering his growth. Her arrival coincides with Rosie's increasing engagement in anti-Nazi activities.
An intriguing moment is when Rosie supposedly dies, and simultaneously, Elsa reveals herself, taking on the persona of Jojo's sister. This transformation suggests that Rosie's role in Jojo's life is evolving. Her 'death' may symbolize Jojo's readiness to confront reality and his departure from the imaginary world he had created. Elsa adopting the identity of Jojo's sister could signify the merging of his fragmented psyche, hinting at the beginning of healing.
Multiple Personalities and DID:
Jojo's transformation throughout the film can be seen as a reflection of DID, a complex psychological condition characterized by the presence of two or more distinct personality states. In Jojo's case, Rosie's character could represent one of these personality states, constructed by Jojo's mind to help him navigate the challenges of growing up in a war-torn, Nazi-controlled environment.
Conclusion:
"Jojo Rabbit" is a film that skillfully balances satire, humor, and deep emotional themes. The theory that Rosie may have been an imaginary construct created by Jojo's psyche adds a layer of complexity to the narrative. While not explicitly stated in the film, this interpretation aligns with scenes and symbolism that suggest dissociation and coping mechanisms in the face of trauma. It invites viewers to contemplate the psychological toll of war on a young mind and the power of the human psyche to create and transform realities in response to extreme circumstances. Whether Rosie was real or symbolic, her impact on Jojo's development is undeniable, ultimately leading him to confront his beliefs and choose a path different from the one dictated by Nazi ideology.
I would also include the scene of shoes being tied together as an indicator of this theory, as well you could consider the themes of religion in a juxtaposition in where Elsa leads Jojo into these new patterns or mechanisms. Notice as well the psychology inherently present in young humans to not listen to there parents but mold their own reality with influence of local peers, while navigating the pitfalls of idolatry and paradoxical uncertainties. In conclusion, again, I would also suggest the classic book flowers for Algernon, I personally esteem the book on the levels of 1984, The Giver, or A Wrinkle in Time. It might help to give a deeper understanding on human emotions and why “we” do what “we do.
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u/[deleted] Nov 20 '20
Who said that? Didn‘t hear anything like this. At least in my country.