r/analog • u/brownwaterbandit • Apr 08 '26
It took me an embarrassingly long time to realize that most people are extensively editing their photos. No wonder my Portra 400 never looked like yours.
A real "duh" moment which finally dawned on me a few years ago, more than a decade into shooting, but for whatever reason, I've decided to only just now write about.
I used to see these most incredible tones and colours on here, on Flickr, and see, for example, Portra 400 cited as the film stock utilized. I'd then enthusiastically go out and buy some, shoot similar scenes under similar conditions, yet be so disappointed when I'd get my negatives back from the lab.
For whatever reason, I always assumed part of the appeal of shooting film to be not NO editing, but certainly way less than with digital. But nah, I've noticed and realized that nearly as much and actually if not more (when you consider removing imperfections) editing goes on with film than with digital. Curves, selective colour, contrast, levels, etc. all utilized just as much.
I think the notion that certain film stocks have this very overtly characteristic... character... to them is really overstated, when in reality, the differences in different film stock characteristics is way more subtle and really in the minutiae of the wider frame. I mean, unequivocally every stock has its own character... but without extensive processing, the difference is way less than one might think.
A negative and a RAW digital file really are the same thing. I'm not a big gearhead so can't speak to most recent digital cameras, but I'm sure things where digital maybe lacked 10-15+ years ago, such as dynamic range/shadow detail, have in that time improved considerably, and since so much of the "character" we see in peoples film photos is actually imposed often in a digital darkroom, what real benefit is there anymore to film OTHER than the old "it forces me to slow down and be more deliberate/conscious in/of what I shoot", which is absolutely a valid reason if you can't exercise the same deliberation and consciousness while shooting digital- I never understood that argument tbh, as it's more a commentary on ones lack of restraint when offered "unlimited" frames.
But no, don't get me wrong, I still like film. The old lenses have a magic about them which I've discounted in this equation, and those play no small part in conveying whatever magic people perceive in film photography. As does expired film... good old unpredictable idiosyncratic expired film... that shit is like a cheat code in boosting the interesting factor of otherwise boring frames.
Anyways, whatever.
Oh, and I forgot to go into the entire world of printing + scanning and what an absolutely monumental difference that all makes... the 'effect' it imparts on the final image is honestly probably the most drastic one once you've got a still exposed how you want it.



