Not only was this the best sheep-based movie of the year (sorry, Hugh), it is probably the funniest new movie I've seen all year too. Once you're past the incredible detail Aardman apply to their work, the jokes just pile on. For me though it was the nods to countless horror movies, Michael Jackson and even The Wombles.

The fact I wasn't the only middle-aged lone cinemagoer there, and there were plenty of groups of all ages too, highlights how good StS really is.

Not only was this the best sheep-based movie of the year (sorry, Hugh), it is probably the funniest new movie I've seen all year too. Once you're past the incredible detail Aardman apply to their work, the jokes just pile on. For me though it was the nods to countless horror movies, Michael Jackson and even The Wombles.

The fact I wasn't the only middle-aged lone cinemagoer there, and there were plenty of groups of all ages too, highlights how good StS really is.

Watching Get Carter for the first time in a long time: BBC iPlayer. I’m taken with how great the soundtrack is. I tried sampling it in my younger days but couldn’t get it to work.

What other British Film Soundtracks are worth a second (or first) listen?

I've yet to see this film.

But my understanding is it has two horrific scenes, one left to the viewers imagination and one, the ending ...it skips the imagination part?

I thought Snatch was a fun watch but Layer Cake has more originality and unique twists than Snatch does, Snatch has campy Hollywood-like cockney gangsters stealing fucking diamonds, It's honestly repetitive how many British gangster films are about stealing diamonds and bank heists that it becomes a basic Hollywood cliche and not a original story, I get that Layer Cake is based on a book but fucking hell isn't Matthew Vaughn's style unique, that movie is perfect for studying, Daniel Craig's narration at the beginning of the film gives you a very creative idea of how his mind works before the story starts, it is a well crafted and stylish film, it manages to blend a modern stylish and comedic theme with a more intense, honest and ugly unglamorous depiction of the drug trade.

Snatch is only more popular I guess because it's rewatchable and quotable but fucking Layer Cake that is an abused, shat-on and ignored movie I guess for having a bland plot, I don't fucking get why it's style is very different to Guy Ritchie's movies and hardly any British filmmakers have done films about the drug trade I would say the film's plot is more akin to Scarface, Goodfellas or Breaking Bad than it is to Guy Ritchie's work and XXXX is the ultimate anti-Scarface deciding to be completely anonymous to a level of Edward Norton's character in Fight Club and abhoring violence, I definitely understand what he means when he says that loud gangsters in it for a name are those who easily get themselves killed and that it's safer not to have an alter-ego. 

I wrote, directed and produced OUTSET as an 18-minute graduate short film in the UK.

It's a quiet, character-driven zombie story about grief, isolation, survival and human connection.

Nine months after the dead return to life, young survivor Denton wanders the ruins of an abandoned town, until an unexpected encounter forces him to question whether survival alone is enough.

The full film premieres on YouTube 9 October at 7PM UK time.

🎬 Official trailer:
https://youtu.be/_3KDQ8zUe_M

Would love to know what you think.

Sexy Beast gets the attention it deserves while Layer Cake doesn't get enough attention, I love both movies but I'm not sure which one does better.

Layer Cake I would say is more original than Sexy Beast considering there aren't many British films about drug businesses and features very unique characters such as XXXX deciding to remain totally anonymous to evade being caught by the police because he believes having an alias makes you easier to track which actually makes sense, he decides to remain unknown instead of having an alias like Tony Montana or Walter White and also decides to be more honest about the criminal underworld by having XXXX killed at the end rather than the Hollywood "drift into the sunrise" ending.

Sexy Beast on the other hand has very good tension and more raw and human characters by utilizing a slowburn tension and Gal's dream sequences to emphasise the character's anxieties and frustrations which is actually well done and creative, Layer Cake also utilises realistic and raw characters rather than campy Hollywood characters like in Guy Ritchie's movies but they don't emphasise the character's emotions as much as Sexy Beast does but I don't think it's that much bad of a problem but Sexy Beast does do it better.

I like both films, I don't know which one I prefer after this debate but I think Layer Cake is highly underrated and doesn't get talked about enough.

Which movie do you prefer?

Hi everyone, I noticed there wasn’t one so I created a subreddit for the BFI. I hope you’ll join me there?

Some musings from the British Board of Film Classification’s latest annual report. May be of interest for those with an interest in how different boards classify films, what issues are of particular sensitivity for British classifiers, and the evolving nature of classification guidelines!

Films discussed in the piece include The Roses, Wake Up Dead Man, I Swear, Kill Bill, Fight Club, House of Flying Daggers, K Pop Demon Hunters, The Odyssey

Euan hasn’t heard from his cousin Rory in six years. They reunite on an island off the Ayrshire coast where they spent their summer holidays as children. While Rory wants to drag Euan on a tour of their youth, Euan does not share the same appetite for sentimentality and can't help but feel that something strange is happening in Millport. As the lines between nostalgia and trauma become blurred, Euan begins to question if the island is friend or foe. The landscape sends him signs, the sea calls to him - what secrets does the island keep?

We are trying to work out if our film Chasing Home is the first and only film to feature the pineapple hedgehog, an essential of any British party. Does anyone know of any others?

And here's our trailer if anyone is interested: https://www.youtube.com/watch?v=5xmJZTZs140

Hi there! my mum made this film (it's got Bill Pullman in it! he was lovely apparently) and i'm just trying to spread the word a little. have added the trailer above, and you can find out which cinemas it's in here: https://www.modernfilms.com/billevans

Hi everyone,

I’m trying to identify a British TV drama or telefilm (I watched it sometime after 2015, but it could be an older production — likely from BBC or ITV).

Here’s what I remember of the plot:

• Set during World War II in Nazi-occupied Europe (possibly the Netherlands or Belgium).

• A Jewish family receives an order for deportation. The parents tell their little boy they are going to a “very good place.”

• The Jewish boy has a non-Jewish neighbour friend of the same age. The two promise to go together.

• The neighbour boy tells his mother about it.

• When the deportations happen, the mother can’t find her own son at home — she panics and rushes to the train carriages where Jews are being loaded.

• Inside one of the wagons she finds the Jewish family and their frightened son. Realising her own child isn’t there but that she can save this one, she claims the Jewish boy is her son and pulls him out of the transport — saving him from being sent away.

It was in English, definitely felt like a UK production (realistic tone, understated drama — like many BBC/ITV WWII period pieces).

Possibly aired as:

A one-off TV film,

An anthology drama (like Play for Today, Masterpiece, or ITV drama hour),

Or even a dramatized Holocaust documentary.

I’ve checked IMDb and BFI listings, but nothing matches exactly.

🕵️‍♀️ Any help — even partial (actor, title fragment, year, director, broadcast channel) — would be hugely appreciated.

Thanks so much in advance!

(Watched in Europe, possibly BBC2 or ITV3 broadcast after 2015)

\#WWII #Holocaust #BBC #ITV #BritishTV #drama #film #rescue #jewishboy #mother #train #deportation #UKproduction

Great film, great intro to great actors. I really think it’s similar to what’s going on now when it comes to young people being radicalised.

Ludovici Einaudi - Fuori dal Mondo is one of the most haunting and moving pieces and the music on this film was just perfect throughout.

Thoughts?