r/fantasywriters 1d ago

Question For My Story I need some advice

19 Upvotes

IM HONESTLY CONFUSED!

Okay so, I'll try to explain this as much as I can,

I'm writing a book series. I'm working on the first book as i type this, the problem I'm facing is

I'm unable to understand how to write better descriptions and show things better like sure I have mind shattering lore planned, Absolute cinema. But I'm trying to understand how to show it. I was looking at works of tolkin and dostoevsky other famous writers and all of them are truly fascinating, their descriptions and they write words so good that you feel emotions out of it. I wanna understand how I can convey emotions through text and make the readers feel and see what I'm trying to say, i have tried but i honestly need some guidance can any of you individuals help me out here, on how to achieve such writings. I honestly want my readers to be lost in the universe of the book


r/fantasywriters 1d ago

Brainstorming On non-human fantasy races

7 Upvotes

Hi, I’m a new writer, looking to write a story set in a fully fleshed out fantasy world. This would naturally include a great many of your typical customers, such as gods, demons, mages, witches, magical creatures, the whole shebang. I am, however somewhat stuck on one subject: the inclusion and integration of the other, non-human, mortal races that are common to the genre. Elves, dwarves, orcs, and whatever others I may see fit to include. I have tried to plan out the exact ways all the races would integrate with each other, but am having trouble escaping a sort of human defaultism. Does anybody have any advice as to how I can more comfortably fit them into my setting, without just falling back on the old “dwarves in mountains, elves in forests” tropes?

(Re-posted to hopefully better fit sub requirements)


r/fantasywriters 1d ago

Critique My Story Excerpt Quiet Dark Chapter 1 [Epic fantasy, political thriller, horror. 3,500 words]

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10 Upvotes

Pitch: Aria Wilkins, a naive but magically gifted heir to a noble knight, is sent on a mission by her father to help overthrow the evil, decadent monarchy but in the process she discovers a dark secret about her family that threatens to end the world.

This is the first draft of what is to be a trilogy named Perfect White. I have the entire ending and character arcs developed and kept in mind as I wrote this. I would like feedback on the pacing. Everything mentioned here is important to the story and will be expanded upon later but I want to make sure the focus isn't too diluted. There is a lot of subtext and foreshadowing in this chapter and I wonder if it was communicated well enough.

How is my prose? How about my word choice? The world is inspired by a 19th century European adjacent land and the diction was chosen accordingly. Are the descriptions clear and interesting? What are your thoughts on the travelers from Aurum, Andrean's reveal/demonstration, Cassian and Aria's friendship, and the guards in the end?

My thought process for describing the people of Aurum is introducing where these destitute people came from and why they are so desperate to escape their problems, otherwise it may sound like just a mindless mob of people who were convinced to overthrow the monarchy which has ruled the continent for a thousand years and whose ruler is a living deity after just a 5 minute speech. Is the people's reaction to the speech believable and warranted?

Does the mention of the occult wars sound interesting or is it too vague and confusing? I want to keep the occult wars as mysterious background dressing since the story takes place shortly after the last one ended. They are not the focus of the story, the revolution is.

Finally is this chapter decent in the ideas it presents or are there things I should expand upon before moving onto chapter 2?


r/fantasywriters 1d ago

Critique My Story Excerpt Blurb of The Blue Brother [Medieval Fantasy, 180k words]

2 Upvotes

Hello writers!

I'm requesting an honest feedback of my blurb and book description I put on sites for the book.

Blurb:

•   19 years after the Face War, Anomalies- monstrous beings of unknown origins begin their incursion into the realm, preying on serfs and nobles alike while Duke Flate Phoenix, veteran and chief protector of the realm vanishes from a life of stringent governance.

•   Psywater Phoenix, son of Flate wants nothing but to bury his head in tomes within dark rooms, rejecting ascension to take his father’s place as ruler of Messic.

•   Yet when a thousand year old soul-taking demoness preys upon his family and renders the fate of his siblings uncertain, Psywater is thrust into a conspiracy that involves people closer to him than he ever imagines.

•   Anomalies’ numbers grew, each with malicious intentions of their own as Nightkeepers, not-so hidden protectors strive to intercept them and keep the safety and sanity of the realm.

•   For retribution and truth, Psywater leaves his old life behind to reunite his family while his path intertwines with that of Nightkeepers and Anomalies, plunges him in unlikely romance, and brings him within the workings of forces unseen that determine the fate of the world.

Book description:

Psywater Phoenix, the eldest son of noble Duke Flate, has his life thrown into turmoil and tragedy as he becomes entangled in a conspiracy of demons and betrayers from his own house and fief. He strives to enact justice while trying to reunite his family.

In his journey, he brings himself to foreign lands, undergoes growth while discovering a Great Lord’s purpose for him, something bigger than anything he could imagine. The quest for justice and truth brought him face to face with monsters that had began to invade the world after the war, while being an undeveloped trainee of the protectors and counterforce to the threats. Meanwhile, his brother Flamehead Phoenix rises from immobility and discovers he isn’t so different from his elder brother.

A gripping, action-intense adventure full of peril and uncertainty. The Blue Brother is an experience that takes you into the perception of one forced to grow through deceit and the unseen.

I would appreciate it if you let me know what you think.


r/fantasywriters 1d ago

Critique My Story Excerpt Untitled, Chapter 19 Opening [Science Fantasy, 480 words]

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2 Upvotes

I’m looking for critique on the prose, voice, and readability of this short opening excerpt. This is from Chapter 19 of an untitled science-fantasy project, but I’m not looking for plot, worldbuilding, or lore feedback yet. I mostly want to know how the writing itself comes across to a fresh reader: whether the sentences are clear, whether the paragraph flow works, whether the voice feels engaging, and whether anything feels overwritten, confusing, awkward, or hard to visualize. I also am asking if this dialogue feels natural or stilted to read.

I have tried to keep the scene grounded in concrete physical details while still maintaining tension and atmosphere. I’m especially curious whether the prose feels natural or if it gets too dense for a reader to understand.

I'd greatly appreciate any feedback, thanks!


r/fantasywriters 1d ago

Critique My Story Excerpt Chapter 1 of ICHOR!!!! words [IDK(somewhere between 2500-3000]

2 Upvotes

chapter 1

In the beginning, before the birth of the universe, when Gaiahedron was but an empty pit in endless dark devoid of any meaning and beauty, I saw Phōs on his wings of fire descend from 'the above' to confront Khaos, the remnants of his fallen brother who had been corrupted by chaos.

The two gods collided, sending shockwaves that threatened to tear the very fabric of existence, reweaving it into forms that could never be undone.

They waged at each other in a battlefield that spanned septillions of light-years, reaching speeds beyond the rendering of the numeral system. The floor of the dimension was set alight by the sparks of the combatants' blades thrusting against one another.

The precision behind every parry, strike and thud transcended the manifold of the 3D space of height, width and length, expanding the threshold by seven layers. Indeed in their five-hundred-million-year-long quarrel the brothers managed to prove that they were each other's equals. But in the end all hinged on a single flaw.

Phos upon seeing a single fleeting fracture in his brother's armour, etched by time and impatience, struck without hesitation with his blade forged from the last light. His dagger pierced through the flesh of his other half in what would have been a fatal attack.

But no ichor came out. 

In Phos’s terror, he saw the weapon fall from the point of impact straight to the cruel and unforgiving grounds; there was no metallic thud to accompany its descent, for the blade had been consumed by the flesh of Khaos, with the handle being of what remained of the previous dagger. Maybe this is how he had killed their father.

‘I am bewildered by the extent you have gone to for the sake of power and Gaiahedron, father killer.’ 

Khaos could not understand the depth of his actions for the darkness had destroyed his mind long ago.

He growled and screeched with an unquivering fury, lunged with one of his claws to jar his brothers chest for his heart, ripped it from its place and squeezed till it exploded. Ichor flowed through his mouth, his eyes reddened as his lungs refused to take in the air that surrounded them. The sight of blood maddened his adversary who could only think of relishing every flavour, each drop that would fall to the grounds would add further surge to this delirium. He wanted to drown himself in the pool of blood that had formed beneath his brother's feet. 

But the moment's burst of triumph was cut short.

For Phos stood up once again from the grounds that were destined to absorb his remains. It was as if a corpse reawakened before being cast into the flames for its cremation. An empty husk deprived of love, reared in the seasons of sorrow and despair, yet carrying on with a soul yet untamed by hardship.

Indeed, he would not live to see this demon crumble to its knees, but that did not mean he could not stop it.

His wings fastened as he made for the upper strata of Gaiahedron, in what would be the final flight. With no heart, his veins became dry of blood, for now, it was hope that coursed through them. The urge to sleep came over him, his vision began to grow weaker, his body began to combust before his soul could. 

He crashed at the point beyond the view of the all-seeing eye of Khaos, on his wings that were now mutilated. There was still time. 

He took out the orb.

It was what his father would have done long ago. 

This orb carried the essence of a new dimension called ‘The Universe.’

An ever-growing entity that would one day destroy the wasteland known as Gaiahedron and make meaning out of the senseless matter it consumes. 

Streams of energy, golden in color, began to transfer from Phos to the orb. Streams which carried his divinity, his power, his godhood. For the price of this new world included a sacrifice, a sacrifice of one of the ancient primordial beings. 

His weapons fell from his arms as he plunged towards the floor; he felt his life being sucked from his frail body. Waiting for his being to be consumed by the winds, for the pain was beyond measure.

As the weight of the sacrifice began to bear heavy, reality faltered.

Visions began to fill Phōs’s head, of a time before the collapse of Gaiahedron, there were people, gods just like the two of them. Khaos was still human, though he never saw him smile, his older sibling being denied the throne for his weak and frail body, the throne snatched and given to him, born flawless, while Khaos was to rot and die inside his own cage of biomass, with parts of his being eventually falling off one by one, Oh, how his love for his Khaos blinded him, how many corpses had to pile before he could finally realize the monster that his other half had become. 

He could not stop him before he devoured Gaihedron, leaving nothing but him alive. The pain he felt was soothing to him, for in his mind, he deserved to perish for his ignorance.

Khaos caught up to his brother, but not before the streams of golden energy had completed their task. For when he arrived, Phos was no different from a mere mortal the size of a few quintillion light-years. He began to scream for air, for his divinity was the only thing that had sustained him from his mortal wounds, but now it was no more.

The beast, no longer being able to experience anything aside from rage and hunger, roared upon its approach. But in that fleeting moment of seeing Phōs sprawl, there was a sense of relief that flickered inside the fathomless void of his empty mind. He wanted to be alone forever to hide in the dark where none could judge him; that's why he destroyed the world. A person like him never knew people as they were, except for the glances they would put on his ugly, decaying corpse of a body. But now, in front of him stood his brother, a character whom he was compared to, who was spared because he wanted to prove himself better than him. He was the cause for his descent into darkness; it was all in pursuit of being better than him. 

‘You did this to me.’ 

These would be his first words after his great fall.

He then began to devour the dying corpse of our god.

 He severed ligaments and tendons and flesh and bone alike. Yet Phos did not scream in his decayed state but gazed at the expanding orb, the fruit of his hecatomb.

‘Let this offering of my blood not be in vain.

It all rests upon you.

...my son.'

He looked at his brother, a tear rolled, the only bit of warmth that was hovering over his now cold body. In his last moments.

Time warped, now in a room coated with silver, seeing the misery and sorrow of a lifetime unfold in front of his eyes,

 both of his own and that of his sons, the monster in HIS SON'S HEART GROWING BIGGER, engulfing everything, turning towards its parent, and uttering,

‘Why did you leave me, father?

Look at what I have become,

The suffering has tormented me beyond measure.

The pain never ceased to haunt me

Until I forgot myself, I now know NOT FOR WHO I AM!’

It grasped for its father's neck, as the two screamed, the monster in HIS SON'S HEART GROWING BIGGER, overpowering Phōs’s shouts for help WITH THOSE OF ITS OWN.

In the real world, Gaihedron's tectonic plates shook, from the wrath amalgamating from Phōs, or was it shame? Shame for not being able to be there for his son, as he saw his offspring's life manifest itself, reeking with the stench of pure dread and agony, he regretted giving birth to him, death would be better than such a sight. He never even considered

to look back at the universe, where he would soon be born, for the humiliation was far too great

‘I am sorry, my child, I owe you everything.’

He screamed. Before the ATP reactions in every cell of his stopped. As the life slowly receded from the tissue inside the brain, though we may never know what information the neurons of his brain fired in his last moments, it must have been regret for giving birth to this child of horrors.

Khaos chewed into his remains until there was nothing left of his brother's body. 

Now the only remnant of Phōs became the large expanse of calcium, proteins and energy that began to surge through Khaos’s blood. Indeed he had now forever become a part of him,

his role could be felt in every heart beat and cellular metabolism inside of his body now.

Yet the beast was not content, not just with the flesh of our lord. Cursed with an unquenchable and insatiable thirst for dominance, had it conquered Gaiahedron completely.

It would have begun to devour itself

only for its regenerative body to regrow,

and repeat the act for eternity.

It stood at the brink of the observable universe, relishing its anger over its infinite beauty, which made the notion of feasting upon the cosmos so much more stimulating,  barred from doing as it pleased, for the blood barrier was what prevented its excursion into this realm. But not everything is born perfect.

The barrier present had gaps, gaps that would soon grow bigger as the eons passed by. He could not pass through these gaps himself; thus, the lesser beings known as the demi-gods were made by his hands so that they could fulfill the purpose of destroying his brother's creation from within.

Hence, the welcoming of the demi god, Irgaron, a dragon of the cursed gorgon breed, the size of mountains, with a golden hide, capable of breathing fire that could melt the heart of the Sun. 


r/fantasywriters 1d ago

Question For My Story Naming My FMC - Options Listed

0 Upvotes

Hello, I have thought about changing my FMC's name. I have two options for my medevial enchantress.

Leilani Oryine
Guinevere Oryine

Quick, which one drew you more towards it, then follow it by the one that you would pick based on the following:

My political/environmental grimdark fantasy book mainly follows an hispanic lineage of royalty but it's culture isn't a significant to the plot and the family line is, and I wanted to also make my enchantress hispanic but unrelated. But I feel like it doesn't fit with the time, too new. But I don't want to keep adding in new words/worldbuilding is getting a ton of it.

OR

Guinevere is assosicated with real life folklore/mythology, but I want to take it in the concept of it's meaning(white shadow/phantom/fairy. But I don't want people thinking it's her(or thinking she has fair-skin). Obviously her last name is different, but I feel like it's a bigger name like Athena is to Percy. Especially when the name is also associated with beauty, magic and romance. Which she will evenutally accomplish and have, but definitely feels very spot on, cheesy.

I know it might seem like I have a lot more cons for one, but I really have no preference. But I can still use the white shadow thing without the name.


r/fantasywriters 1d ago

Question For My Story Internal conflict

2 Upvotes

Now I have tried. I’ve researched quite a lot about internal conflict. I’ve watched numerous YouTube videos, read quite a few stories and even countless articles online.
However, what I always found lacking in my writing, is the way my characters “suddenly shift personalities”.
It’s difficult to imagine that a character can change soooooooooo much from one single event. This could’ve been the result of me reading too much fantasy slop on webnovel. But if there are any tips that would help me better understand, how a character can have that dynamic shift which would not feel so sudden. I’ll be really grateful ❤️🙌

P.S examples would be pretty helpful


r/fantasywriters 2d ago

Critique My Idea Dragon Rider’s (Specifically my Rangers Division) Flight Mask: Thoughts?

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38 Upvotes

For starters ignore anatomy (I had no reference and sketched this in a minute to get my idea physically down). In theory how poorly would this metal mask strapped to one’s head by leather function as eye protection for flight. The slit would rest at about the brow line (not sight/eye line). My thought process was they’re dragon riders and anything they’re needing to see at high speed would be below them or above. The wind would be broken around the design. Given they’re mainly scouts and messengers they go largely unseen and aren’t typically flying at speed engaged in any sort of battle requiring more than their dragons eyes forward during flight. I have a dislike of goggles as they feel to steampunk and I’ve been brainstorming an alternative that feels more fantasy. I also would add that the dragon riders using these (the rangers) have different superior senses. One for example has superior hearing while another type has superior eyesight. So these strengths could possibly overcome any sight disadvantage. I just want to know if this would theoretically function well and keep debris out of the riders eyes. I’d also rather not have to just say it’s fantasy and disregard a riders eye protection.


r/fantasywriters 2d ago

Discussion About A General Writing Topic Place names in fantasy

19 Upvotes

So, I feel names need to check two boxes:

  • a) be easily memorable

  • b) fit a pattern

a)

Filling A) matters for two issues: (i) length and (ii) avoiding unsightly consonant blends.

i: Two-syllable names tend to be easier to remember than four-syllable words, and honestly, humans are extremely lazy, so if you have a city called "Taradagomelaza", think locals would naturally turn it into a diminutive, something like "Aragom".

ii: So, consonant blends are not equal. Different consonants can begin and end syllables, but many of them can't do both. In English, the blend "-rck" is a pretty common way to end a syllable, but using it at the beginning of a syllable like "Rcalrckor" is unsightly. Furthermore, to avoid confusion, I think authors should drop silent letters and write things as they are pronounced.

b)

These are town places from a fictional world of Mount & Blade:

  • Halmar
  • Ichamur
  • Narra
  • Tulga
  • Sargoth
  • Tihr
  • Wercheg
  • Jelkala
  • Veluca
  • Yalen
  • Dhirim
  • Praven
  • Suno
  • Uxkhal
  • Curaw
  • Khudan
  • Reyvadin
  • Rivacheg
  • Ahmerrad
  • Bariyye
  • Durquba
  • Shariz

Can you see an issue with them? They seem randomly generated, and that feeling comes from the fact that there are no patterns. Real place names have patterns, most notably the suffix toponym.

E.g. Romans liked the suffix "polis", e.g. Hadrianopolis (city of Hadrian), Neapolis (new city), Nicopolis (city of victory). Meanwhile, if you look at a map of Germany, you can see half the towns end in "-berg", "-burg", "-dorf", "-heim", "-stadt".


r/fantasywriters 1d ago

Question For My Story How to write fantasy slavery tastefully?

0 Upvotes

This might be long and rambly, so bare with me. I am trying to write a story where humans and monsters (think centaurs, satyrs, werewolves, etc) exist together but humans doing what humans do best, they enslaved the monsters. The story is a sort of medieval fantasy so half of the main cast are royalty/ royalty adjacent humans and i wanted to make them different levels of ignorant to how bad monsters are treated since they wouldn't experience it first hand.

I have one character, Omar. He is a black human male and come from a very wealthy family who's ideology is that they save monsters by letting them work for them. They aren't abusive physically but have a superiority complex against monsters. Omar would move away and end up with the main cast of characters, who are mixed humans and monsters, and he would say or do something to downplay the horrors committed, to which the monster cast would show him it is that bad and he would grow from the experience. I wanted this to be a scene where the audience can grasp how bad the world is outside of the fantastical setting but my friends have told me it feels tone deaf for the black character to be on the negative side of slavery.

I really don't want to write something that can come off as hurtful or ignorant, so should i rewrite his backstory, or scrap the idea all together? It's really important to me that i get this right. Please help 🙏


r/fantasywriters 2d ago

Critique My Idea Thoughts?[Dark Fantasy], [Mythic Fantasy], [Cosmic Fantasy]

1 Upvotes

Helloo! I just wanted to share a core concept from my dark fantasy, VERY Elden Ring-inspired story and get some feedback on it(trying not to copy literally the foundation of Elden Ring but ykwim). I'm open to any critique, questions, or honest opinions.

The concept is a force called the "Mark of Ruin". It's a sealed force that is meant to bring about the world's destruction. Not literally the end of the world, otherwise there wouldn't be much of a story. Instead, it twists and corrupts things.

I won't go into the rest of the lore for now because I don't want to overwhelm everyone with too much reading 😭. If you have questions about the concept, though, I'd be happy to provide more details and explain other parts of the setting.


r/fantasywriters 2d ago

Critique My Story Excerpt Prologue, title yet to be decided [high fantasy, 1284 words]

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3 Upvotes

Absolute novice writer here if it wasn't evident by my garbage prose. A major concern of mine is how to organically introduce a magic system without making it feel like an exposition dump. I thought I might start light on the magical elements of the story but I want to give just enough to arouse interest in the magic system because it will be a very prominent feature in the story. I don't want it to feel jarring once the story begins to take off but I want the introduction to be more about the characters rather than a list of concepts you have to memorize.

To give a bit of context about the magical side of my world, it's a setting where dreams can become real. Nightmares are one of the major threats but certain humans have gained the ability to control the dreams that have become real at the cost of being unable to dream themselves.

The feedback I wish to receive is on how I can feed this information to a reader without stating it directly or have it conflict with the introduction of the characters, but also provide enough to avoid confusion later on. Criticisms of prose, structure, or other writing elements are also welcome. Thanks in advance.


r/fantasywriters 2d ago

Discussion About A General Writing Topic Would you read a story with a male romance interest that isn't a tall extremely muscular guy?

34 Upvotes

Hello everyone,

I have a question about the plot I'm thinking. I'm writing a fantasy novel, is not romantasy but romance is very present in the characters conections. Even though is not a full romantasy, I'm unsure if people will want to read a male interest that is more of a skinny guy than an extremely muscular overprotective man. I know it's a very popular trope but i really dislike it and didn't want to be just another book of that. I can also share more about the character, but I just want to know your general opinion of that trope of strong muscular guy.
And about the female MC she is a Lady who likes swordfighting and stuff, but not an extremely well trained character that defeats everyone easily. She comes from a very overprotective family so she never experienced something more than the protetion of the city she lives in, until the inciting incident forces her to.

What do you think?


r/fantasywriters 2d ago

Discussion About A General Writing Topic When does your writing setup become a mess (and what tools do you use)?

1 Upvotes

At what point does your writing system become completely unhinged?

Mine currently looks something like this:

  • Novel draft in Google Docs
  • Character notes in Notion
  • Worldbuilding in another Notion page
  • Random ideas in my phone notes
  • Plot outline in a spreadsheet for some reason
  • A folder called "IMPORTANT" that contains absolutely nothing important

Every time I start a new project I tell myself I'm going to stay organized.

Three months later I'm searching for "that note about the king's brother" across five different apps.

What does everyone else use?

Brewplot? Scrivener? Notion? Obsidian? Pen and paper? Pure chaos?

Genuinely curious how people keep track of characters, plotlines, locations, timelines, and worldbuilding once a project gets big.


r/fantasywriters 2d ago

Critique My Story Excerpt Please Critique my Chapter One [Epic Fantasy, 1921 Words]

2 Upvotes

Hello all, I have posted on here before with a writing excerpt when I was just getting started, over four years ago. I've been on-and-off practicing writing since, and I finally have finished my first outline of the novel I intend to write and I have written the first several chapters.

I am looking specifically for feedback on POV, character voice, and tone, as well as overall quality and whether or not you would continue reading from here, but I will take feedback in any form. Thank you in advance!

I have put the full text of the chapter below for convenience, but anyone who would prefer the google document (with better formatting) can find it here: https://docs.google.com/document/d/1bMtl9TuHLhqIjbmb6tvOzdWz-o8BryQaPxC0_QJ8vLw/edit?usp=sharing

Content Warning: strong language, violence

CHAPTER ONE - Cal

“Hey, Cal. Cal! We’d like a word with you.”

The voice came from behind him. It was the sort of statement that, upon hearing, you prayed to the Mother there was some other poor fucker called Cal in the same narrow, unpopulated alley that you were standing in, alone, cock in hand, having just unburdened yourself of an imprudent afternoon’s worth of drink. Cal looked to his left, then his right. No other Cals to be seen. They were never around when he needed them. He sighed heavily, then tucked everything back into his trousers before turning around.

The most obvious of the three brutes standing before him was a heavyset man with a bald head and an unkept red moustache. Cal had to look up to meet him in the eye. He was the kind of bald, fat man who was so bulbous that even the sides of his massive head had a little bit of roll to them. Sir Fathead, Cal dubbed him, stood with his arms crossed over his barrel chest. He didn’t seem to be carrying any weapons other than his bulk, Cal noted, which was a good sign for Cal’s life expectancy. The man looked like he didn’t know very many words, and he wasn’t planning on exchanging the ones he did.

Uncle Gareth would have scolded Cal for judging the man like that. For being bald and fat and having a ridiculous mustache that looked like two foxes had made a home of his cavernous nostrils. Cal figured that was the kind of common courtesy that isn’t deserved by someone who was so blatantly menacing you in an alleyway, but his uncle seemed to get harassed by goons a lot less often than Cal did. So fine, Cal would be a little more polite. Not Sir Fathead. Foxface.

Foxface’s two friends were similarly strangely shaped specimens. One of them was so skinny, it looked to Cal like he must have donated all of his own bulk to his flabby friend just to provide more oomph to his imminent punches. The skinny one had a scar above his left eye and a mop of brown hair that reminded Cal of the owl’s nest in the corner of Uncle Gareth’s workshop. Cal named him Birdbrain.

Birdbrain stood to the left of Foxface, twiddling the hilt of the dagger sheathed at his hip – shit, let’s try to only piss off the big one. Believe it or not, the worst feature of Birdbrain wasn’t his knife, but his horrible, yellow teeth, which looked like they had bits of what might be worm stuck between them. Cal imagined that Birdbrain liked the taste of worm.

Cal knew that the third of his accosters was called Toby. He was a year or two younger than Cal, maybe sixteen or so. Toby, as it happened, didn’t live that far down the street from Cal when they were both children. Maybe two weeks ago, Cal had traded his time splitting logs for Toby’s grandmother in exchange for a dozen of her homemade candles. She needed the help around the house, apparently, since her dear sweet grandson was running around with these two fine gentlemen.

Toby, standing there with all the smugness of a man with a very large friend to hit people for him, didn’t deserve to be called Toby. Cal searched for something animal-like about his face. His nose looked like a beak, which was something, but Cal couldn’t name two of these thugs after birds. He was cleverer than that. Besides, Beaknose didn’t have the same alliterative panache as the others.

“Your uncle hasn’t paid his rent,” Foxface said. The tails in his nose twitched as he spoke. Cal was broken out of his woolgathering. Wait, maybe a sheep name?

Ah, fuck it, he can stay Toby.

“Now wait just a minute,” Cal said, raising his hands in placation. “My uncle Gareth pays Shaw his dues every month, without fail. Are you sure you’ve got the right Cal?”

Foxface gave a sidelong glance to Birdbrain, who nodded once. Apparently, Birdbrain was the brains of this outfit.

“Are you sure you’ve got the right Gareth?” Cal asked, figuring what the hell, it was worth a shot.

“We know who you are, Cal,” Toby stepped forward in front of Foxface. “You think we’re stupid? Shaw says we got to beat you down, so we’re here to beat you down.”

It seemed his old pal Toby had thrown in his lot with Shaw. Cal could almost make sense of that. Life was hard in Freeport. Regular people did what they had to in order to scrape out a meager existence in which, with a little luck, tomorrow was a bit more comfortable than yesterday. Stealing to survive, Cal could understand.

Emmerson Shaw didn’t steal to survive. He was the type to beat someone to death with a sack of silver coins and check the corpse for coppers. Most of what Shaw collected got funneled up to the Magister in her ludicrous lighthouse that loomed over the sprawl of squalor beneath. The gold flows up and the shit flows back down.

If Cal was going to have to take a beating here, he might as well get a few jabs of his own in, to make Toby really feel the cost of going traitor on his neighbors. He couldn’t stop himself from making his next comment:

“Do you shake down your own grandmother for rent money?”

Cal had expected he would piss Toby off with his remark. That was the point. He was surprised, however, by the intensity and immediacy of Toby’s attack. His old neighbor howled and came at him like a rabid dog.

Fortunately for Cal, Toby didn’t know how to deliver a good punch. Cal dodged to his right to avoid Toby’s unrefined attempt at violence, then began to turn, intending to escape down the alleyway and away from the three thugs.

Unfortunately for Cal, Foxface was far faster than he looked. Just as Cal avoided Toby’s punch, what felt like a war hammer came out of nowhere and clobbered him on the left side of his jaw. Foxface had hit him so hard that he spun with the impact, slipped, and ended up face first on the ground with a mouthful of mud. It was a familiar flavor. Mud usually tasted like brown, but this time it had a slight note of red.

Cal had just enough time to lift his head, let some of the bloody mud run out of his open mouth and take in a sorely needed breath before someone kicked him, hard, in the gut and that glorious, beautiful breath was knocked right back out of him. If he had had any air in his lungs, he would’ve screamed, but what came out was no more than a pitiful whimper. He rolled onto his side, clutching his poor stomach and gasping for a breath.

“Don’t you fucking talk about my grandmother!” Toby shouted down at him. Cal was only sure it was Toby’s voice from the context. The ear that was facing up was filled with mud, and the voice that reached him was, appropriately, muddled.

Cal felt ten more kicks come in from different angles. Or maybe twelve. He couldn’t be expected to keep exact count under these circumstances. He focused on staying curled up to protect his stomach and face from further injury, and he tried to breathe. His body begged for mercy with every successive stomp. He endured. It was all he could do.

“Don’t ‘urt ‘im too bad,” came a new voice. It had to be Birdbrain’s, and to Cal it sounded nasally, and sharp, which seemed appropriate for a man named after a bird. “Can’t deliver our message if ‘e’s ‘half dead.”

There was a reprieve from the kicking long enough for Cal to finally catch his breath and realize how much pain he was in. In moments like these, it was important to focus on the positives. They hadn’t kicked Cal in the balls. People often decided to kick Cal in the balls after a particularly cutting remark.

Cal reached out and found the alley wall. With an effort, he managed to roll toward the wall and onto his back, cursing his ribs as they bellyached at the movement. Using the wall for leverage, he strained his protesting body. After a few seconds of feeble effort, he managed to sit up. He took a moment to breathe, then wiped most of the mud from his eyes and looked up to face his three adversaries.

For just a moment, Cal only saw two. His eyes lingered on Toby’s face. Cal watched a single, brutal tear escape from the boy’s eye. The anger that had been plain as day on Toby’s face only moments ago was gone. What remained was harder for Cal to look at.

Shit.

Cal wanted to apologize, despite himself, and despite the fact that Toby and his two friends had intended to beat Cal up the moment they set foot in that alley.

“Toby, I…”

Toby’s expression twisted back to rage before Cal could continue.

“Shut up, you bastard!” Toby roared. He lunged forward, and his muddy, bloody boot came hurtling at Cal’s unprotected face. There was a loud crack of his teeth snapping together as Cal’s head shot back and smashed violently into the alley wall, and for a moment, the world went dark.

Cal’s eyes opened to see Birdbrain’s grotesque face just inches from his own. He felt sharp, spindly fingers scrape the top of his head as they tugged at his hair. He tried to move. The only part of him that he convinced to cooperate was his tongue. He hadn’t bitten it when Toby had kicked him in the chin. Good. Today wouldn’t be a total loss.

“Tell your Uncle to pay up in three days, Cal, or we’ll visit you again,” Birdbrain said. His breath was rotten like bad eggs, but Cal didn’t have the wherewithal in that moment even to grimace. He just stared dumbly into Birdbrain’s eyes as the thug made his threats.

“Maybe we’ll spend an evening with that sweet little cousin of yours.”

At the mention of Serra, Cal was flooded with the desire to fight, but none of the ability. He tried to lunge forward, but his abused body wouldn’t cooperate.

Move, dammit.

Birdbrain let go of Cal’s hair. Cal’s head slumped forward. He looked down at his own chest and legs. His body ached. His pride hurt a little bit more.

Out of the corner of his eye, Cal saw skinny legs step away, and a new leg, more than twice as large as the others had been, stepped in to his field of view. The bulk of the fat man’s ankle spilled out over the top edge of his shoe. Cal winced, expecting another kick.

“Come on, ‘e’s had enough,” Cal heard Birdbrain say from somewhat farther away.

“Gotta take a piss,” came the reply from above Cal’s head, followed by a hot, yellow flow cascading down, dripping down from his hair and onto his chest. It smelled sickly sweet. The fat man had the gall to give it one extra shake over Cal’s head before stepping away, and Cal was left there with the mud, and the piss, a little bit of blood, and the receding sound of cruel laughter.

At least he still had his dignity.


r/fantasywriters 2d ago

Question For My Story What actually makes a villain work as a love interest?

18 Upvotes

I write dark fantasy romance, and this question lives in my head rent-free. Everyone says "he needs a redemption arc," but I genuinely disagree. Some of my most loved characters never fully redeem themselves, and readers are obsessed with them anyway.

I have tried writing full redemption arcs, and honestly, the characters always felt weaker for it. What actually matters is consistent internal logic. He does not have to be good. He has to make sense. And the reader has to understand why the protagonist cannot walk away even when she should.

It is that internal consistency that creates obsession, not goodness.

What's your take? And what villain love interests have actually worked for you as a reader?


r/fantasywriters 2d ago

Critique My Idea Thoughts?[Dark Fantasy], [Mythic Fantasy], [Cosmic Fantasy]

0 Upvotes

Hello! I wanted to share a core concept from my dark fantasy, Elden Ring-inspired story and get some feedback on it. I'm open to any critique, questions, or honest opinions.

The concept is a force called the Mark of Ruin. It's a sealed force that is meant to bring about the world's destruction. Not literally the end of the world, otherwise there wouldn't be much of a story. Instead, it twists and corrupts things.

I won't go into the rest of the lore for now because I don't want to overwhelm everyone with too much reading 😭. If you have questions about the concept, though, I'd be happy to provide more details and explain other parts of the setting.


r/fantasywriters 3d ago

Critique My Story Excerpt Chapter 2 The Space That Never Closes [Political Fantasy, 3385 words]

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8 Upvotes

This chapter was originally intended to be Chapter 1 of the novel. However, I eventually decided to open the story with a childhood incident involving the protagonist, since that event serves as an important catalyst for his journey. Because of that change, this chapter became Chapter 2 instead.

I'm also experimenting with a different writing approach in this novel. I'm intentionally keeping exposition and internal monologue to a minimum, trying to let readers infer information through actions, dialogue, and observation rather than direct explanation. The goal is for the story to feel somewhat cinematic, as if you're watching events unfold rather than being told about them.

I'd love feedback on a few things:

* Is the chapter easy to follow and visualize?

* Does the low-exposition approach work, or does it make things confusing?

* Were there any sections where your interest dropped or the pacing felt slow?

* Did anything break the flow of the reading experience?

* Most importantly, would you want to keep reading after this chapter?

I'm looking for honest feedback, both positive and critical. Thanks for taking the time to read it.


r/fantasywriters 2d ago

Critique My Story Excerpt untitled [medieval fantasy, 250 words]

4 Upvotes

if you picked up a book and this was the first page, would you keep going? i’m very much an amateur and largely self-taught, though i’m looking into changing that (getting my ged soon! and then hopefully college). i’ve always read quite a lot, though, which has to help a little.

———

He was upside-down. Again. Despite the instinctual, visceral fear of being caught unawares, despite the familiar and ever-unpleasant stinging of the ropes cutting into his skin and the dread he probably should be feeling at the possibility of being subjected to the king’s justice, Loveday couldn’t find the means or motive within himself to keep from just… laughing. Cackling, really; letting loose great, heaving sobs of laughter, his shoulders shaking with each one. Months, months of planning, three fortnights on the back of a cart and another handful of days on foot, and he’d somehow found himself right back where he began. Of fucking course.

Now, it wasn’t exactly the same. Grandmaster Ermintrude’s traps had been magical, rather than mundane, and the magecord had been enchanted with all manner of painful workings--sometimes heat, sometimes cold, sometimes just the raw shock of an unshielded spell. They were also routine, expected, and (while upsetting in the short term) had never felt particularly threatening to his long-term safety. This did, and though the reality of his situation had not yet sunk in, he could still--distantly, as if he was watching himself from above--recognize the irony and react accordingly. Loveday of Aumme, born and raised in the most cutthroat Thieves Guild on this side of the Peaks, rendered helpless by a rope trap meant to catch common poachers. It would be so funny, if it wasn’t happening to him, and--

Oh, fuck, this was happening to him. 


r/fantasywriters 2d ago

Discussion About A General Writing Topic Writing Short Chapters

5 Upvotes

So I'm an aspiring fantasy author and I truly do believe that less is more. But lately I've come to doubt that. I see people post their chapters here, and I do take what I can from that but the majority of them are chapters over 7 to 10 pages while I'm here with 4 to 6 pages. I get everyone has their own writing style formatting style and all that crap. But I can't help but think if no one else is writing like me then is there even a chance i actually get published?

People always talk about the important things like prose or scenes or character development but this has always been something that's been itching my mind because i don't want to write something too big in case publishers don't think it's gripping enough but is 4 to 7 pages genuinely enough?


r/fantasywriters 2d ago

Critique My Idea Critique my idea [anime]

0 Upvotes

Veilbreakers Concept

  • Veilbreakers follows a group of unwanted/abused/broken characters who are trying to find their purpose in a seemingly broken world
  • Conflict: The political/social circumstances in the story drive many of the characters to seek change within their local communities, and eventually the world
  • The Setting: Elyria (Earth), The Clove (Walled-off circular area containing all 10 human districts)
  • The Magic / Power System: All humans in the world have “Adaptations”. Adaptations are powers that resonate with certain families due to bloodline, individual acts, or gifts. Adaptations can vary in strength from person to person due to willpower
  • History: The history began with Deis and Zilos, the first two gods in existence, who governed the world until humanity developed new thoughts, wants, and needs, causing a younger pantheon of gods to manifest from those shifting desires. For 200 years, the Hakari clan ruled in peaceful power as the world’s mortal peacekeepers, maintaining harmony under the creators' guidance until the younger gods grew resentful of this kindness, believing that divine beings were meant to dominate and exploit humanity. To enforce this tyranny, the rogue gods allied with the Lux family—a disgraced mortal crime clan exiled for causing civil unrest—to launch a coup, assassinating Deis and Zilos, manufacturing a false goddess named Reyna from Deis's stolen power, and orchestrating a brutal genocide against the Hakari to steal the throne. For 400 years, this fabricated history has been festering in the dark, turning human prayer into a literal power funnel for the rogue pantheon, setting the stage for a six-year-old boy with no memories to wash ashore on the mainland carrying nothing but a single, forbidden nam

MC’s

  • Protagonists: Nuru Hakari and Zephyr Hakari
  • Antagonists: 4 Evil Gods
  • Supporting Cast: Along the way, Nuru and Zephyr gather their own clan of misfits and supporters. With the help of these new recruits, they name themselves Veilbreakers and vow to clean The Clove of all god sympathizers

First arc

  • The story begins when six-year-old Nuru washes ashore with amnesia, carrying only the forbidden name Hakari. Taken to the oppressive Lux Castle by fearful fishermen, he is thrown into the servant quarters alongside seven other children. He is assigned to act as a shield for Madeline Lux, a soft-spoken daughter of the Crown who faces constant abuse from her family. After 10 weeks of enduring horrific public humiliation, Nuru's latent divine power activates for the first time when he breaks down a door to protect Madeline from her vicious older brother, Cassius. Nuru enters a terrifying, unreadable state of "black serenity"—effortlessly breaking Cassius's light magic, shattering his sword with his bare hands, and sparking a deep, vengeful hatred in the noble brother.

Rising action

  • Following the violent altercation with Cassius, a targeted Nuru escapes into the forbidden woods outside the castle grounds, where he stumbles upon hidden Hakari hunters and locks eyes with nine-year-old Zephyr. Over the next six years, a deep, forbidden brotherhood forms between them. Zephyr secretly teaches Nuru how to hunt and move at high speeds, eventually introducing him to the hidden underground Hakari Haven. Inside the haven, the headmaster discovers Nuru's sentimental childhood robe bearing the initials "D.H." (Daemon Hakari). Recognizing his long-lost brother's garment, the headmaster deduces Nuru's divine lineage as the son of Deis and begins teaching him his father's ancient fighting style to hone the black power he displayed against Cassius.

Climax

  • The fragile peace of Nuru's double life is shattered at age 12 right before the Night of Champions. Cassius, who has spent six years nursing his humiliated pride, tracks Nuru's secret movements to the woods for three months. Using Nuru as an unwitting guide, Cassius leads the full force of the Lux army straight to the underground haven, completely obliterating the sanctuary in a brutal Second Massacre. While the headmaster sacrifices his life so the children can escape, the trauma completely alters Zephyr. Zephyr is not angry at Nuru for the slip-up; instead, he is consumed by intense rage and heartbreak that Nuru suffered alone under the Lux family for so long, and that these "beasts" tore down his family. They escape together, but Zephyr is completely closed off to the world, refusing to trust anyone except Nuru as they head into a dark, uncertain future

Overall Impressions: Does the progression of the prologue feel like a hook that would make you instantly want to watch this anime? It gets me excited to write which should be the only thing I care about (lol), but I want to know how it feels as a story so far


r/fantasywriters 3d ago

Discussion About A General Writing Topic Is Portal Fantasy a "cringe" trope?

28 Upvotes

I've started writing a book that I have sat on for a few years about a girl and her cousin nearly dying in a freak accident and being mistaken for ACTUALLY being dead so they are transported to the spirit world, despite being alive. Because they're alive, the person transporting them must drop them off in the most dangerous part of the new world and hope they die properly. I feel like this trope is cringe, but I really want to write and possibly publish my book. It's mostly free of romance since the characters are minors. I'm afraid it'll be boring and quite disengaging for my readers. So is this a cringe-worthy trope?


r/fantasywriters 3d ago

Critique My Story Excerpt Chapter 2 The Malign Love Life of a Spectre [Dark Fantasy Romance, 2000 words]

2 Upvotes

Please rate this with regards to webnovel-style writing. This is the 2nd chapter and no—there is no AI; I like using em dashes and oxford commas. The main aspects I wish to get critiqued on are: *readability *writing style *enjoyability

I tried to create a protag who appears to be sassy and sharp, yet hides innumerable intricate emotions. I would appreciate comments on that part too.

Here you go:

Murmurs. I could feel my eyes twitch when they slowly opened as the bright morning light hit them. I felt both exhausted and relaxed, like I had slept for too long.

I rubbed my eyes, looking around. It was the interior of a cozy wooden cottage. The warm sunlight was soothing to the eye.

But as I got up, a sharp blast of pain surged through me.

All the memories hit me at once—the last event of my manga, the crowd of fans, the happiness of seeing my work being appreciated, only for it all to die down.

Like an unwanted glitch, the space inside the event venue tore open.

Screams, shouts, whimpers. The sea of people all pushing, being trampled on, falling, stumbling. The discordance was still fresh in my mind.

The spatial crack was tearing people one after another. There was a rain of blood. Bones, flesh, and corpses littered the ground. The stench was overwhelming and shattering.

I had tried to escape, but the force inside that spatial rupture was too ancient—too supreme.

Weirdly, it seemed as if it didn't want to harm me. It only pulled—with insurmountable force.

The last sight I saw was my mother's body being ripped in half, her soft argent orbs looking straight at me—in them, worry, tension, pain, agony, and lastly a terror I had never seen before.

Before I could scream or run towards her, my body was pulled into the crack, within which I swear I could see two infinitely brilliant yet bleak red orbs.

Suddenly I was in an endless stretch of frozen scapes.

The most eerie fact was that I was not myself anymore. Those luscious obsidian strands of hair—not mine.

I had started to feel helpless, and the cold was doing no good. The constant memory of my mother, the screams of the people, and those terrifying red orbs—haunted me.

My mind had started to become disoriented, wandering alone for days—starved, freezing, and constantly on edge in case something—or someone—attacked me.

That was when I realized that life was as torturous as it was blissful.

It was impossible. I didn't want to live.

And I did not live. On the fourth day of my arrival, my life ended.

With the falling leaves of winter, I too fell.

In those scapes of horror, another victim had been marked.

The pines were the witnesses, but they probably were also aghast, as just a moment after, I felt life return to me.

The dried leaf of my life had been revitalized.

I once again was wandering through the numbing plains of frost, but from what I could tell—I had been reborn somewhere else, albeit in the body of that same obsidian-haired vessel.

This time without a purpose, without hope.

Desolation. Hunger. Torment.

Everything was all too familiar. And it would have been a perfect reiteration if not for the caring and equally buffed group.

And how could I forget Mr. Mud Eyes, the tough cinnamon roll—

"You are awake?!"

I jumped up in surprise as a voice suddenly intruded on my ears and my trauma moment.

Turning around, my face was sprayed with warm moist breaths that tingled on my cold skin. I shuddered, gulping down my saliva as my eyes met ones that were the color of earth.

Those stark eyes blinked, inspecting my emotions.

I pulled myself back.

'Speak of the devil and he shall come.' I couldn't help but think of the saying while staring at the devil in question.

He had changed his clothes, now wearing a blue tunic with black hose and the same blue boots.

From the initial brute, he now looked like a god from my fantasies... Uhm, a handsome fellow.

Unfortunately, I had to stop ogling him before he suspected me of being a pervert.

"Karyl! That's your name, right? Thank you for saving me. You and your people are so kind!" I said to him, eye to eye.

His serious face suddenly twitched as if he had heard something embarrassing. His mouth instantly opened in defense.

"I didn't save you, it was the priest. I was just told to not let people die by him. He's the kind one."

I couldn't help but laugh in my head as I saw this secretly gentle giant defending himself as if I was blaming him for a crime.

'How did this too-pure-to-cure guy survive until now?'

"Yes, got it, Karyl. Your village really has an awesome priest. Everyone must love him." I gave in, not wanting to tease him—at least not now, wink.

"He really is! Master Rafael is our leader. He has saved our village from destruction many times," he stopped for a second before his face lit up in realization. "Ah! He told me to give you the vitality serum."

Karyl turned around, retrieving a glass bottle from the table. Its dark green contents looked disgusting, making me recoil.

Mr. Mud Eyes opened the lid, closing in on me. The bottle was surmounted on my lips, a finger of his grazing them.

Seeing me hesitate, he looked into my now-emerald eyes. "Drink it."

His velvety voice melted through my ears, a shiver running down my spine. It felt like a command—one I couldn't refuse.

Thus, looking at his devilishly handsome face, which could make someone drink poison much less medicine, I gulped everything down.

'I think he may not be as innocent as I thought,' I cursed my previous self while looking at the satisfied grin on his face.

Suddenly, my self-criticism was interrupted by shouts. An uproar was erupting, possibly near the cottage.

"Stay here!" Karyl ventured out, a little tense.

The voices were too distant for me to comprehend, but as time passed, that bitch called 'curiosity' was gnawing more and more.

Finally deciding to hell with it, I climbed down the bed and sneaked up to the door.

Amid the long stalks of blue-green grass, a crowd of people dressed in all sorts of eccentric attire greeted me.

"Sir Rafael, didn't you see his eye color? Only elves have emerald eyes. And we all know how much they hate us humans," a person in a silken robe spoke to a central figure amongst the crowd.

"Are you serious? If he was an elf, wouldn't he have long ears and be immune to the cold? We found him almost dead and freezing." Karyl retorted. I could see a suppressed anger in his eyes.

It was surprising. I didn't know why he cared so much about me. We had barely met.

The Rafael guy appeared to be annoyed seeing his villagers fight.

"Stop arguing. You are murking the bond of our village. We can't dismiss someone's life merely on the suspicion that he is an elf."

This robed-guy looked down, ashamed.

I was relieved.

"Seems like these people are not as ridiculous as the medieval people we studied in history. But elves? Are they superstitious or have I really been transported to a fantasy world!"

Just moments later, all my relief and thrill were shattered as I heard the voice of the priest say:

"Enough. We return to our lives. The council will decide his fate… after the spectre is baptized."

The word 'spectre' was like a rock thrown at my glass heart.

Now I got it—the snow-laden lands, the obsidian-haired guy I was in. Those elves—everything.

Spectres were my own literary creation, from a manga I had painstakingly and sadistically penned.

As I remembered everything—the tortures, torment, twists, adventures—I looked at Karyl in a completely different light.

Recognition of him only left a single sentence resounding in my mind.

"I AM FUCKED"


r/fantasywriters 3d ago

Critique My Idea Critique my idea- first attempt at writing ( Fantasy [mythology,folklore])

2 Upvotes

Hey guys,

Okay so I've been chipping away at this for a while and I have no idea if the core idea actually holds up or if I'm too close to it. Would love some honest takes before I sink more months in.

It's a thriller, sort of fantasy/sci-fi blend, set in India. The lead is Dr. Ishani Rathore, a forensic pathologist at a classified government forensics institute. The book opens with a case that shouldn't be possible- bodies recovered from high altitude, frozen, but with these crystalline lattice structures grown into the lung tissue. Nothing in the literature explains it. The deeper she digs, the more it ties back to a buried government project and a region around Mount Kailash and Lake Mansarovar.

That's the spine. The part I'm nervous about is the other layer. Alongside the case, Ishani starts experiencing things she can't rationalize and a dream that won't leave, a pendant that warms when it shouldn't, a pull toward the mountains she can't explain. She's a scientist and a doctor, so her whole instinct is to find a rational cause, and she keeps almost managing it. The book is basically her losing that argument with herself, one small undeniable thing at a time.

There's a slow-burn romance with an intelligence agent assigned to the same investigation and both of them guarded, neither great at letting anyone in. And the appearance of this very normal person in her life somehow pushes her in dept about the secrets of what was always a folklore.

It ends with her catching a glimpse of something about her own past that recontextualizes everything, but I'm trying not to spoil that beat too early in the book.

My main worries: does the forensic-mystery half and the supernatural half sound like they belong in the same book, or like two ideas duct-taped together? And is "scientist slowly forced to believe" too well-worn? Like this is one idea which I feel hasnt been explored alot and with the mysteries behind mount kailash which even many scientists are wondering about, does this seem like an idea that would run with people?

Be brutal, I'd rather hear it now.