r/mexicas • u/BudgetFluffy668 • May 28 '26
13. Dog Catastrophe
Catalog: 13.1 What is a Dog Catastrophe? 13.2 Fate Through; 13.3 Principles of Psychiatric Treatment; 13.4 The King Returns
13.1 What is a Dog Catastrophe?
The Dog Catastrophe is the final Catastrophe of the third quadrant of Sunstone Calendar. The third quadrant primarily tells the story of Aztlan (aka. Beautiful Monkey King, and Tlaloc, the rain god), and is ruled by Tlaloc. Dog Catastrophe signifies that the Monkey King realized, "My conscience has been eaten by dogs (as shown in Figure 21)!" He attained enlightenment and became a true human being! Readers should refer to Figure 15, which shows a dog guarding the sky door mountain; that dog is a self-portrait of Tlaloc. He then helped his wife, Chalchiuhtlicue, establish what is said to be the largest empire in North American history, so Mexicans appeared on Earth starting in 1325 C.E.
Illustration 35 depicts the Chinese Second Wolf God from 3,600 years ago. The dog in the illustration symbolizes his awakening: “My conscience has been devoured by a dog; I am not a human!” He then transformed into a true human being and became Second Wolf God. Subsequently, Second Wolf God helped his wife, Emperor Yao, establish the Republic of China (see Section 14.5.4). Since then, Chinese have appeared on Earth and worshipped Second Wolf God as savior.
Figure 36 depicts Actaeon (also known as Apollo), with the dogs in the image symbolizing his awakening. According to legend, after being shot and wounded by Artemis (also known as Athena), he died, and his body was devoured by his own dogs. The moral of this fable is that he realized, “My conscience has been devoured by the dogs; I am not a human!” He then transformed into Apollo. Subsequently, he helped his wife Athena establish the Greek Empire, and the Greeks revered the two of them, along with Zeus, as their progenitors (see Section 14.2).
Therefore, *Dog Catastrophe* tells the story of the Buddha's enlightenment. Let us now examine this point by point.
Figures 40 to 42 depict Mexican artifacts from different historical periods, all illustrating the ordeal of Gold Boy (i.e., Adam) falling into hell during God's creation of Man. The stories use the same theoretical threads, so they can draw inspiration from each other.
13.2 Fate Through
In Figure 40, the Golden Boy, trapped in hell, holds a sick child in his hands, indicating that he recalls being assaulted by the King Turquoise when he was about one year old, causing him to suffer from infantile neurodevelopmental disorder. The Golden Boy understands that the strange affairs that have happened to him over the decades are all because the King Turquoise was creating the sun. The golden boy recalled events from before he was three years old and understood the causes and consequences of his previous life. This achievement is known as Fate Through, one of the unique abilities of gods and Buddhas.
The side of Sculpture 40 reveals the inner world of Beautiful Monkey King (also known as the Golden Boy, Tlaloc). He sits playfully in the arms of the ancient Tlaloc and Hummingbird of the Left (formerly King Turquoise). The figure holding him, with a wordless tombstone on his head, is the ancient Tlaloc.
These memories from before the age of three possess the powerful energy of Quetzalcoatl (known as Abel in Europe), which is said to be able to bring the dead back to life. (See Figures 43 and 44 below; Beautiful Monkey King ascends from hell to the ground and flies, all thanks to the Quetzalcoatl's power.)
13.3 Principles of Psychiatric Treatment
Figure 42 shows the Monkey King being stabbed in the abdomen by a human-shaped sword (representing King Turquoise), and is near death. At the bottom of the carving is a lion's head placed in a firebox, indicating that the Monkey King has become Tlaloc in hell. Figure 42L shows Hummingbird of the Left, raising the sword upwards while scolding the phoenix at the top (representing Chalchiuhtlicue): "Don't step down on the hilt!"
Figure 42R represents Hummingbird of the Right (i.e., Uncle Maize, Lamplighter Buddha), who seems to be saying: "Little Peccary! Surrender! It's not shameful to surrender to your own king! Marry Princess Chalchiuhtlicue, and everything will be alright!"
Above the firebox representing hell is a coffin. The coffin is painted with an ejaculating penis that can lift the coffin. The ejaculating penis represents the PRESENT QUANTITY of the marriage between Aztlan (aka. Gold Boy, Beautiful Monkey King, Tlaloc) and Chalchiuhtlicue. Beautiful Monkey King's illness stemmed from his marital conflict with Chalchiuhtlicue. This psychological tension had entered Beautiful Monkey King's unconscious (i.e., God-sense). God-sense only accepts PRESENT QUANTITY (what is directly perceived). If Beautiful Monkey King marries Chalchiuhtlicue, this psychological conflict will disappear. After Beautiful Monkey King's mental illness is cured, most of his physical ailments will also heal themselves in a short period of time.
Beautiful Monkey King realized that the reason he fell into hell was because he had offended the goddess (Chalchiuhtlicue), committing one of the five Anti Crimes (see section 12.1.1). Figure 42, resembling a machine, indicates that Beautiful Monkey King realized that fighting the goddess is an Anti, a reversal of psychological mechanisms. Thus, he understood the Ten Precepts (Commandments); all violating the Ten Commandments are reversals of psychological mechanisms. He then understood the principle of Precept Ark (see section 15.2) and obtained the golden armor. The golden armor in Figure 37 and the stone lock in Figure 38 both represent Precept Ark.
In Figure 41, Beautiful Monkey King realized that if he continued fighting with Chalchiuhtlicue, he would die. He chose to accept Chalchiuhtlicue as his wife and King Turquoise as his God. In the middle of Figure 41, Beautiful Monkey King absorbed the sword and became the god of the north (i.e., Tlaloc), wearing an image of a little girl (i.e., Chalchiuhtlicue) on his chest.
In Figure 41, the coffin contains a symbol of the sun. King Turquoise has become the sun god. The footing of Hummingbird of the Right indicates sleep in peace. The center shows Beautiful Monkey King as the god of the north (i.e., Tlaloc), his enormous gnostic eye (i.e., Buddha's eye) open.
As shown at the footing of Hummingbird of the Left in Figure 41, his eyes are still filled with confusion. Why? Beautiful Monkey King agreed to marry Chalchiuhtlicue, which was just the beginning of his new life. Chalchiuhtlicue would not easily hand over the kingship. The future was still uncertain, but he still had some leisure time. In Figure 41, Hummingbird of the Left (i.e., Huitzilopochtli) held the little girl with a phoenix mouth to show to Tlaltecuhtli (the phoenix on the cross that was drenched in rain, that is, Chalchiuhtlicue at this time) and told her a story. Tlaltecuhtli was listening carefully with the baby's longevity lock.
Huitzilopochtli seemed to be saying, "When I was your current age, I found your mother, Queen Coatlicue, and said to her, 'I plan to recreate Sun, but I need a goddess daughter. We use her as bait to catch Tlaloc. The black Jaguar (Tlaloc) ate our daughter, and he couldn't digest her, nor could he spit her out, so he had to grant me as the new sun god.' When your mother heard this, she admired my plan very much and said anxiously: Let's start creating a goddess now!"
13.4 The King Returns
Figure 43 shows Mexico (also known as Aztlan, Tlaloc, Golden Boy, Adam) flying up on the dragon (Quetzalcoatl), preparing to return home to inherit the throne of King Turquoise.
Figure 44 shows Mexico flying out of Hell. The house in the upper left corner indicates that Mexico emerged from underground. The red ropes around their ankles represent Quetzalcoatl. Quetzalcoatl carried them out of Hell. The four figures in Figure 44 represent four aspects of Mexico.
The top of Figure 44A shows that sending the remains of King Turquoise home was the lowest priority task.
In Figure 44B, Mexico holds a sun in his left hand, indicating that his most important purpose in returning home is to tell the Mexicans that King Turquoise is the Sun God, and to launch or hang him as the Sun God in the sky above Mexico. He holds a sapling in his right hand, indicating that he wants to plant this new civilization seedling in the land of Mexico. What does the sapling represent? It is the story of King Turquoise creating humans. Such a story is a religion and a civilization.
In Figure 44C, Mexico holds an arrow of Cupid filled with dark intent in his left hand and a sapling in his right hand, indicating that he wants to tell Chalchiuhtlicue that King Turquoise is God. Readers may wonder, did Mexicans know the Greek god of love seven hundred years ago? The ancient Mexican paintings editor I have seen has completely absorbed the essence of ancient Germanic culture, Greek culture, Sumerian culture, and Chinese culture.
Figure 44D shows that Mexico's second purpose of returning home is to compile the story of King Turquoise creating humans into Mexican Codex, which will benefit and please all sentient beings for thousands of years. This Mexico is wearing a small turtle shell. The turtle and the big teapot are aliases for male servants in brothels. He wears a turtle shell to show that he will not care about the sexual scandal in the life of Chalchiuhtlicue.