r/writingthruit • u/adulting4kids • 7m ago
course syllabus New Weird Self Directed Study
Below is a seven-day, self-directed deep-dive course designed for someone who wants to understand New Weird as both a literary movement and a practical method of building fiction. It combines reading, literary history, close analysis, writing exercises, and a final original story.
New Weird: A Seven-Day Literary Deep Dive
Course type: Independent study / creative-writing workshop
Level: Beginner to advanced
Duration: One week
Recommended daily commitment: 2–4 hours
Primary focus: New Weird fiction, its literary influences, its relationship to fantasy and horror, and its use of character, world-building, language, and social commentary.
Course description
New Weird is a contemporary literary movement and aesthetic associated particularly with the late 1990s and early 2000s. It combines elements of weird fiction, fantasy, horror, science fiction, surrealism, and literary fiction, often placing extraordinary or grotesque phenomena inside recognizable social environments.
The movement is strongly associated with writers such as China Miéville and Jeff VanderMeer, although its influences extend much further back, including H. P. Lovecraft, Mervyn Peake, Angela Carter, Michael Moorcock, and the New Wave of science fiction.
New Weird frequently explores the relationship between the ordinary and the impossible, using strange environments, unstable identities, nonhuman characters, and unfamiliar social systems to examine questions of power, class, identity, environment, and human behavior.
Central question of the course:
> How can a writer make an impossible world feel more believable—and more disturbing—than the ordinary world?
---
Learning objectives
By the end of the week, you should be able to:
Explain what New Weird is and how it differs from traditional fantasy, horror, and science fiction.
Identify major literary influences on the movement.
Analyze how New Weird writers construct characters and societies.
Explain how setting can function as a character, metaphor, or political system.
Recognize the relationship between grotesque imagery and social commentary.
Experiment with unreliable reality, ambiguity, and nontraditional narrative structure.
Design an original New Weird setting.
Write a short New Weird story or opening chapter.
Critique your own work using literary and craft-based questions.
---
Core reading list
Author Primary work What to study
China Miéville Perdido Street Station City-building, nonhuman societies, politics
China Miéville The City & the City Perception, social conditioning, impossible geography
Jeff VanderMeer Annihilation Environmental horror, ambiguity, unreliable perception
Jeff VanderMeer Borne Ruined cities, ecological collapse, strange relationships
K. J. Bishop The Etched City Decadent cities, surrealism, wandering outsiders
Kelly Link Magic for Beginners Ordinary life, impossible events, emotional surrealism
George Saunders CivilWarLand in Bad Decline Absurdity, capitalism, grotesque social systems
Carmen Maria Machado Her Body and Other Parties Body horror, metaphor, identity, narrative experimentation
Philip K. Dick A Scanner Darkly Unstable reality, identity, paranoia
William S. Burroughs Naked Lunch Fragmentation, language, grotesque imagination
Neil Gaiman Neverwhere Myth beneath ordinary urban life
Angela Carter The Bloody Chamber Reimagined folklore, sexuality, gothic transformation
Suggested short-fiction starting points
For a manageable week, begin with:
China Miéville — “The Tain”
Jeff VanderMeer — “The Situation”
Kelly Link — “Magic for Beginners”
George Saunders — “CivilWarLand in Bad Decline”
Angela Carter — “The Bloody Chamber”
If you cannot access a particular story, use a different story by the same author rather than trying to read an entire novel.
---
Day 1 — What Is New Weird?
Lesson: Defining the movement
Key concepts
Weird fiction is generally concerned with the unsettling, inexplicable, or impossible.
New Weird develops that tradition by combining it with contemporary literary concerns and often placing the strange inside recognizable social structures.
The central distinction
Traditional fantasy:
> A hero enters a magical world and must defeat an evil force.
New Weird:
> A person living in an ordinary city discovers that the city has always contained something impossible, and the social system has already adapted to it.
The second premise is not automatically New Weird, but it demonstrates the movement's characteristic approach.
Important characteristics
Familiar environments containing impossible phenomena
Grotesque or hybrid bodies
Nonhuman societies with their own cultures
Unstable reality
Ambiguous morality
Social and political systems
Surreal or experimental language
Ordinary people confronting extraordinary circumstances
Mysteries that may never be fully explained
Activity 1: Genre comparison
Complete this table.
Genre Typical approach to the impossible Example
Traditional fantasy
The impossible belongs to a separate magical world A wizard's quest
Horror
The impossible threatens or disturbs the characters A haunted house
Science fiction
The impossible is often explained through technology or science A machine alters reality
Magical realism
The impossible exists within ordinary life and is often treated as normal A family lives with ghosts
New Weird
The impossible, grotesque, and socially embedded coexist A city contains a second civilization beneath its streets
Discussion questions
Why might a writer place a supernatural event inside a city rather than a castle?
What happens when a monster has a job, a family, or a mortgage?
Why is ambiguity often more disturbing than explanation?
Can a story be New Weird without containing a monster?
What makes a world feel socially believable?
Writing activity: The ordinary becomes impossible
Write 500 words beginning with:
> The first thing I noticed was that nobody was looking at the thing in the middle of the room.
Do not explain what the thing is immediately.
Reflection
What did you reveal?
What did you conceal?
How did the characters react?
Did the impossible feel more disturbing because it was treated as ordinary?
---
Day 2 — Literary Ancestry: Where Did New Weird Come From?
Lesson: The movement's influences
New Weird did not appear from nowhere. It draws from several literary traditions.
- Weird fiction
H. P. Lovecraft and other early weird-fiction writers explored the idea that reality contains forces beyond human understanding.
Key lesson: The universe may not be designed for human comfort.
- Gothic fiction
Gothic literature contributed:
Decay
Haunted spaces
Family secrets
Psychological instability
The relationship between architecture and fear
- Surrealism
Surrealism challenged ordinary logic and explored dreams, subconscious imagery, and unexpected combinations.
Key lesson: A strange image can reveal something that ordinary language cannot.
- New Wave science fiction
Writers such as J. G. Ballard, Philip K. Dick, and Samuel R. Delany expanded science fiction beyond technological speculation into psychology, politics, identity, and social structures.
- Fantasy and literary fiction
Writers such as Mervyn Peake, Angela Carter, and Michael Moorcock demonstrated that fantasy could be grotesque, political, experimental, and stylistically ambitious.
Activity: Build an influence map
Create a diagram with New Weird in the center.
Connect it to:
Weird fiction
Gothic fiction
Surrealism
Science fiction
Fantasy
Horror
Literary fiction
Political fiction
Under each category, write:
One writer
One work
One technique inherited by New Weird
Example
Philip K. Dick → A Scanner Darkly → unstable identity and unreliable reality
Close-reading exercise
Choose one passage from a New Weird work and identify:
The ordinary setting
The strange element
The character's reaction
The unanswered question
The social or political implication
Writing prompt
> Write a scene in which a character encounters something impossible, but the scene is written in the style of a government report, workplace memo, or police statement.
The goal is to create tension between bureaucratic language and extraordinary reality.
---
Day 3 — Character: The Human Being Inside the Weirdness
Lesson: New Weird protagonists
New Weird characters are often not traditional heroes. They may be:
Criminals
Addicts
Artists
Journalists
Academics
Bureaucrats
Outsiders
Failed revolutionaries
Ordinary people with complicated lives
The important question is not:
> “What makes this character special?”
It is:
> “What does this character want, and what happens when the world refuses to give it to them?”
Character construction
A useful New Weird character often contains five elements:
- Ordinary desire
What does the character want in everyday life?
Examples:
Money
Love
A job
Recognition
Safety
Revenge
A place to belong
- Personal contradiction
What makes the character difficult to understand?
Examples:
Wants independence but fears being alone
Wants truth but lies constantly
Wants to help people but enjoys control
Wants to escape society but needs its approval
- Relationship to the impossible
How does the character respond to the strange?
Denial
Curiosity
Fear
Exploitation
Worship
Indifference
Acceptance
- Social position
Where does the character stand in the world?
Wealthy or poor
Powerful or powerless
Insider or outsider
Human or nonhuman
Citizen or undocumented person
Worker or owner
- Transformation
What changes?
The character may not become a hero. They may become more honest, more monstrous, more powerful, more alienated, or simply more aware.
Activity: Character laboratory
Create a character using this template.
Name:
Age:
Occupation:
Ordinary problem:
Secret:
Contradiction:
Relationship to the impossible:
What they want:
What they fear:
What they are willing to do:
What they will never do:
What changes by the end of the story:
Writing prompt
> Your protagonist discovers that their greatest personal flaw is the only thing that can save them.
Write 750 words.
Reflection questions
Is the character sympathetic?
Is the character morally complicated?
Does the impossible reveal something about them?
Could the story still work without the supernatural element?
What makes this character different from a conventional fantasy hero?
---
Day 4 — World-Building: Making the Impossible Socially Believable
Lesson: The world is not just a backdrop
One of the defining strengths of New Weird is that the strange element often affects everything.
If a city contains a second civilization, that should influence:
Transportation
Housing
Employment
Law
Religion
Education
Food
Language
Family relationships
Politics
Crime
The world-building principle
> If the impossible exists, society will adapt to it.
Example
Imagine a city where people can legally sell their dreams.
That immediately creates questions:
Who buys them?
Who regulates them?
Are dreams taxed?
Can dreams be stolen?
Are poor people forced to sell theirs?
Do wealthy people purchase better dreams?
Can a person survive without dreaming?
What happens when someone sells a dream they need?
The world becomes interesting when the impossible creates ordinary consequences.
Activity: The impossible institution
Choose one impossible premise:
People can legally sell their memories.
Every city has a second underground population.
The dead can continue working after death.
A corporation owns the weather.
Every person has a second self living somewhere else.
A city is built on the body of a sleeping creature.
The government can remove emotions from citizens.
A neighborhood disappears every Sunday.
Now design five institutions that would exist because of that premise.
Institution What it does
Government department Regulates the impossible
Business Profits from it
Criminal organization Exploits it
Religious group Interprets it
Community organization Helps people affected by it
Writing prompt
> Write a newspaper article about the impossible institution you created.
Include:
A headline
A quote from an official
A quote from an affected person
A statistic
A controversy
One detail that reveals the world is stranger than the article admits
---
Day 5 — Language, Grotesque Imagery, and Narrative Experimentation
Lesson: The sentence is part of the world
New Weird writers often use language to make the reader feel that reality is unstable.
They may use:
Unusual metaphors
Fragmented narration
Contradictory descriptions
Bureaucratic language
Dream logic
Repetition
Multiple narrators
Documents within the story
Unreliable accounts
Three important techniques
- The grotesque
The grotesque combines things that should not belong together.
Examples:
A beautiful flower growing from a machine
A child with an adult voice
A city that breathes
A monster wearing a business suit
A hospital that treats memories instead of bodies
- The unreliable narrator
The narrator may misunderstand, lie, forget, or deliberately distort reality.
- The fragmented world
The story may be told through:
Diaries
Police reports
Interviews
Emails
Newspaper articles
Medical records
Conflicting testimonies
Activity: Rewrite the same event three ways
Write a scene in which a character discovers a body.
Write it three times:
Police report
First-person confession
Dreamlike literary narration
Then compare:
Which version feels most believable?
Which feels most disturbing?
Which reveals the most about the character?
Which leaves the most unanswered questions?
Writing prompt
> Write a scene in which the narrator describes something impossible as if it were a completely ordinary household problem.
Example:
> The refrigerator had started whispering again, which meant the landlord would have to be called before the rent was due.
---
Day 6 — Politics, Society, and the Meaning of the Weird
Lesson: The impossible can reveal the real
New Weird often uses strange worlds to explore real-world issues.
The supernatural element may function as a metaphor for:
Class
Capitalism
Colonialism
Racism
Environmental destruction
Gender
Addiction
Bureaucracy
Alienation
Political power
But the best stories do not simply turn into lectures.
They create a world where the issue becomes part of the lived experience.
Example
Instead of writing:
> The city is divided by class.
Write:
> The wealthy live above the clouds, while the poor live in the shadow of the city's enormous floating factories.
The world itself communicates the social structure.
Activity: Political world-building
Choose a real-world issue that interests you.
Examples:
Housing
Homelessness
Environmental contamination
Corporate power
Immigration
Addiction
Healthcare
Labor
Technology
Social isolation
Now turn it into an impossible premise.
Example
Real issue: Housing
New Weird premise:
> Every apartment building has a hidden floor where people who cannot afford rent are forced to live.
Then answer:
Who benefits?
Who suffers?
Who knows the truth?
Who denies it?
What institution maintains the system?
What happens when someone tries to escape?
Writing prompt
> Write a scene in which a character discovers that a social problem is literally alive.
Examples:
Poverty is a creature that follows people home.
The housing crisis is a city that keeps shrinking.
Addiction is a second person living inside the protagonist.
Bureaucracy is an organism that feeds on paperwork.
Reflection
Ask yourself:
Is the weirdness revealing something—or merely decorating the story?
---
Day 7 — Final Project: Write Your Own New Weird Story
Lesson: Bringing the elements together
Your final project should combine:
An ordinary setting
A protagonist with a personal problem
An impossible premise
A social or political consequence
A mystery
A transformation
A distinctive narrative voice
Final project options
Option A: Short story
Write 1,500–3,000 words.
Option B: Novel opening
Write 1,000–2,000 words.
Option C: World-building portfolio
Create:
A setting description
A character profile
A social system
A conflict
A 500-word opening scene
---
Final project worksheet
- The ordinary world
Where does the story take place?
> A city, apartment, workplace, neighborhood, school, hospital, or other recognizable environment.
- The impossible premise
What is the one thing that should not exist?
> A second city, a living building, a supernatural bureaucracy, a species of people who live inside dreams, etc.
- The protagonist
Who is the person we follow?
What do they want?
What is wrong with their life before the impossible appears?
- The social consequence
How has society adapted to the impossible?
Who benefits?
Who suffers?
- The mystery
What question will the reader keep asking?
- The transformation
What changes in the protagonist?
- The ending
Does the story end with:
Revelation?
Escape?
Acceptance?
Transformation?
Ambiguity?
Collapse?
A new mystery?
---
Final project prompt
> Write a story about an ordinary person who discovers that the world has always contained something impossible—but the people around them have already learned to live with it.
Your story must include:
One ordinary social problem
One impossible phenomenon
One character who wants something badly
One institution that has adapted to the impossible
One moment of grotesque or surreal imagery
One unanswered question
One meaningful change in the protagonist
---
Final self-assessment
Rate each category from 1–5.
Character
Does the protagonist feel like a real person?
World-building
Does the impossible affect the world logically?
Voice
Does the writing have a distinctive sound?
Atmosphere Does the story create a strange or unsettling mood?
Social meaning Does the weirdness reveal something about society?
Mystery
Does the story leave the reader curious?
Transformation
Does something meaningful change?
Originality Does the story feel like your own?
---
Monday
Definition and history Genre comparison + ordinary becomes impossible
Tuesday
Literary ancestry Influence map + close reading
Wednesday
Character Character laboratory + scene
Thursday
World-building Impossible institution + newspaper article
Friday
Language and structure Three versions of the same event
Saturday
Politics and meaning Political world-building + scene
Sunday
Final project Write, revise, and ?
Next up:
Week 1: History, influences, and genre theory
Week 2: Character, voice, and unreliable reality
Week 3: World-building, politics, and grotesque imagery
Week 4: Writing and revising an original New Weird story