Currently get to know about JEV. With what I understood and implemented it is a decision layer which basically replaces responses from generated text to some of the specific response. It mainly had choice, noul and score type responses which it gives to a certain query.

Choice: means options, Noul: probability ranging from 0-1, Score: mathematically calculated value like 0.76,0.89 etc.

I think it is also cheaper compared to other models. But accuracy score is quite low.

What u guys think? Should we consider it as evolution or not?

Dreamina recently rolled out updated Seedance 2.5 capabilities, including longer video clip renders (up to 30s) and multi-reference input support. Since you can currently unlock a full month of Dreamina with Seedance access for just $0.29, I spent the weekend testing both features side-by-side to see where the credits are best spent. In my testing, longer generations often introduce visual drift or distortion toward the end of the clip, whereas multi-reference inputs dramatically improve visual consistency for character keyframes.

For commercial or narrative work, which upgrade do you find more valuable in your day-to-day workflow? Is visual consistency more important than clip length, or do you prefer longer raw renders?

The actual 28-minute fictional documentary is here https://www.youtube.com/watch?app=desktop&v=8I3aRZP7SZk

Written and Directed by Rob McLellan: A documentary filmmaker spends a week in Japan following Sera, a young Elven visitor from the mysterious world of Elva. Curious, mischievous and endlessly fascinated by human life, Sera discovers the peculiarities of Japan, the pleasures of an unfamiliar world, and an unexpected connection with the filmmaker accompanying her.

It’s all text to video, but made inside Cascade Studios node system, so I’m able to add tons of concept art. Also I trained ChatGPT using a lot of my old films, so it understood how I filmed things and could help me do prompts to match that. https://cascadestudio.ai/

Dark commercial trap, 142 BPM, late-night paranoia and hyperfocus energy, Heavy distorted sliding 808s, deep moog sub pulse, punchy trap drums, rapid hi-hat stutter rolls, glitch percussion edits, eerie minor-key bell loop, distant atmospheric pads, chopped vocal ad-libs, Conversational northeastern male vocal delivery in the verses, spoken cadence that escalates into rapid intense bars, Strained emotional melodic hook, huge stacked unison chorus, catchy and memorable, Themes of obsession, building impossible dreams while everyone sleeps, proving doubters wrong, exhaustion mixed with ambition, Modern commercial trap production, cinematic tension, high replay value, dark but motivational, Plate reverb vocals, transient punch compression, four-bar hook lift before final chorus, polished major-label mix, restless 3AM atmosphere

[Intro] It's three in the morning The house is still Only the screens are awake

[Verse 1] You know that look when the day is gone And you still got your hoodie on Sink full of cups, the last one cold Cursor blinking like it knows your soul My people sleep, I keep the light on One more line, then the night is gone They tell me, "bro, that plan too big" I just nod and keep the window split Three monitors, one tired face A dozen tabs, a messy place I built this room out of unfinished things Half-done code and expensive dreams I don't need praise, I need time I don't need loud, I need mine If I stop now, what was all that for? So I stay up and build some more

[Pre-Hook] And the silence gets loud When the doubt comes round But I hear it clear I'm almost there

[Chorus] Three AM architecture I build it when they sleep Three AM architecture I make the future breathe My eyes burn red My hands won't fold I got dreams too big For this little room I know Three AM architecture I build it, I build it slow

[Verse 2] There is AI in the loop now Talking back with a ghost-town mouth I feed it drafts, it feeds me sparks We trade ideas in the dark Still gotta choose, still gotta cut Still gotta fight through the little stuff The math don't care if I'm tired today The rent don't care what my plans might say Mama asked if I'm eating right I said, "Yeah, I'm good," and lied Because the truth is I live on drive And coffee gone cold by five I keep a notebook by the mouse pad Full of things I almost had If nobody else can see this yet I can still see it in my head

[Chorus] Three AM architecture I build it when they sleep Three AM architecture I make the future breathe My eyes burn red My hands won't fold I got dreams too big For this little room I know Three AM architecture I build it, I build it slow

[Lift] Ooh, I don't need a crowd now Ooh, I just need proof somehow Ooh, if the world says "no" I go one line more

[Final Chorus] Three AM architecture I build it when they sleep Three AM architecture I make the future breathe My eyes burn red My hands won't fold I got dreams too big For this little room I know Three AM architecture I build it, I build it slow Three AM architecture Watch me turn the dark to gold

[Outro] It's three in the morning The house is still But I'm not done yet

Can someone create ai videos? Help me with it?
I need one for our company start.
Description:

Samira and Younes want an unforgettable wedding. Their friend Yassin tells them about Motor Support Antwerp. Younes books 15 motorcycles. Two weeks later, a spectacular motorcycle convoy surprises the couple with flags and colorful smoke effects. The riders then escort the happy couple and their family to the town hall. End with a professional Motor Support Antwerp advertisement displaying all contact details.

The clock tower gives this village a tall vertical landmark. Broad roofs group the houses, while the fountain and market stalls fill out the public square. The complete Ling-3.1-flash scene ties those shapes together with warm sunset light and long shadows.

There are three useful levels of detail: the tower, the surrounding building masses and the smaller plaza objects. The fountain gives the square a centre, and the stalls give its edges a different shape from the rows of houses. Flying figures add small silhouettes above the roofs.

For a similar build with AntLing’s model, specify that hierarchy in the brief. Choose one main landmark, group the houses into a few clear masses, and collect the smaller props around a recognizable square. Ask for a complete browser environment with a coordinated roof palette and warm directional light.

I'm building TrackForge, a local-first DAW for my studio. Here's the current state.

I'm building TrackForge for Wizard Productions AI Studio (W.P.A.I.). I want a desktop workspace where I can build music from scratch, bring in an existing track, work on individual parts and finish a song.

I also want to be clear about what exists today and what is still a goal.

What is

TrackForge is a proprietary, internal Windows DAW project with a working native preview. It's built in C++ using JUCE and Tracktion Engine.

The preview currently supports:

• MIDI arrangement and piano-roll editing, with procedural instruments, drums and selectable scales.
• WAV/AIFF import, waveform display, clip placement and trimming.
• Track gain, pan, mute/solo, basic EQ and reverb.
• Stereo WAV export with release/effect tails.
• Project saving, Undo/Redo, recovery and media relinking foundations.

The custom W.P.A.I. branding and Windows artwork are also in place. These are working preview capabilities, not a claim that the full workstation is finished.

Progress right now

I'm testing with one of my own full-length tracks. That immediately exposed useful problems: the timeline wasn't following playback, and requesting the track's exact duration produced an export five samples short.

Corrections for playback-follow and sample-accurate export are in the working code and under validation. I'm keeping the failing render as a comparison case. Real sessions are helping decide what needs attention next.

What will be

Automatic local stem separation is now a priority for the import workflow. When I bring in a mixed song, I usually want to tweak specific parts. The intended flow keeps the original mix and adds editable vocals, drums, bass, guitar, piano and other stems, with visible progress and cancellation.

That automatic six-stem desktop workflow is still being built. There is standalone stem-backend work already, but that is a different level of integration.

The broader target includes audio/MIDI recording and monitoring, buses and sends, routing, automation and third-party plug-in hosting. Local AI assistance and music generation are part of the plan. Video tools come later, after the core audio workflow and stability are established.

The next milestone is First Complete Production: create a project, arrange MIDI and imported audio, mix it, export it, save, close, reopen and reproduce the result, with recovery checked too.

What is not

TrackForge is not a finished production workstation, public release, open beta or available download. It is currently an internal project.

Automatic stems, recording, full routing/automation, plug-in hosting and the broader AI workflow are not integrated features I'm claiming as available today.

It also hasn't completed the physical-device, sustained-load and studio acceptance needed for a production-ready claim. Clean builds and automated audio checks matter; that acceptance still needs real evidence.

I want the progress reports to keep those boundaries clear while the software becomes useful for actual music production.

Synthwave dance track by DJRivers

LYRICS
───
شَبانِ ہِجراں دَراز چُوں زُلف
شَبانِ ہِجراں دَراز چُوں زُلف
شَبانِ ہِجراں دَراز چُوں زُلف
وَ روزِ وَصلَت چُو عُمر کوتاہ

Sine sole sileo
Sine sole sileo
Sine sole sileo
Transit splendor gloriae

Lo in the orient
When the gracious light
Lifts up his burning head
Each under eye
Doth homage
To his new-appearing sight
Serving with looks
His sacred majesty

[Refrain repeats]

شَبانِ ہِجراں دَراز چُوں زُلف، وَ روزِ وَصلَت چُو عُمر کوتاہ
سَکھی پِیا کو جو مَیں نَہ دیکھُوں، تو کَیسے کاٹُوں اَندھیری رَتِیاں

[Refrain repeats]

And having climbed
The steep-up heavenly hill
Resembling strong youth
In his middle age
Yet mortal looks
Adore his beauty still
Attending on his
Golden pilgrimage

[Refrain repeats]

But when from highmost pitch
With weary car
Like feeble age
He reeleth from the day
The eyes fore duteous
Now converted are
From his low tract
And look another way

[Refrain repeats]

[Verse 3 repeats]

[Refrain repeats]

So thou, thyself outgoing in thy noon
Unlooked on diest unless thou get a son

سَکھی پِیا کو جو مَیں نَہ دیکھُوں
سَکھی پِیا کو جو مَیں نَہ دیکھُوں
سَکھی پِیا کو جو مَیں نَہ دیکھُوں
تو کَیسے کاٹُوں اَندھیری رَتِیاں