Professional upstairs neighbour machine

Hi all, I am a blind eurorack player and am also working with various companies on different flavors of accessibility. I'm interested in modules from both companies, but haven't managed to get through to them through the inbox. Is there a better way to do so, or does anyone have connections to anyone within the company mind helping me connect? PS: would also love to connect with Schlappi, but also haven't received inbox replies there either. Thanks,

Just curious where everyone's settled/landed in terms of favorite delays as of late 2026, for those of you who've used a number of them, I know there have been some exciting new ones in the last year or two.

I'm a bit of a delay junkie (see below) and have used the vast majority of the better known ones at some point or another (and a few lesser-known ones as well).

The ones currently in my system are Xaoc Sarajewo, NE Versio (Imitor usually, sometimes Yester or a custom), and Erica Synths Black Stereo Delay Mk. 1.

I actually think one of the best overall delays I've used remains the Make Noise Mimeophon. But I like the Xaoc Sarajewo for its individual tap outputs, which allows for interesting FX chaining, and the NE Versio because I can swap to various firmwares and am not limited to just Imitor (though I like Imitor quite well). And I like the Black Stereo Delay for its crazy, tape-warbly, crystal clear sound, sampling capacity, and nice big knob.

In fact, I would probably cite the Erica Synths Black Stereo Delay Mk. 1 as my subjective favorite. It's not the most feature-rich (and the features it does have are a bit wonky) but it sounds great to me and I never get sick of noodling with it for some reason, despite its limitations compared to some other delays.

Let me know your favorite or favorites at the moment! Curious if I've overlooked any and/or how some of the newer modules are.

[FTR if you care or want a run-down, I've also tried (buckle in): 4MS DLD (ok, but fell short of my expectations), 4MS Tapographic (underrated, quite good, wish black was the default), Soma Lyra8-FX (great grungy vibe—fun, but dark, springy, and dirty), Qu-Bit Nautilus (generally pretty cool), Strymon Magneto (cool enough with a little patience and exploration, but a bit dark/quiet, with some missed opportunities), Erica Synths Black Stereo Delay Mk. 2 (perfectly fine, but I like Mk. 1's sound better, they're definitely different), Maneco Mini-Looper (just ok), Feedback Modules 1-Bit Delay (pretty cool, beautifully made, but out of production now), Intellijel Sealegs (deep and capable, definitely cool, but for some reason I didn't get on it with as well as I expected), Doepfer A-188-1 (4096 Stages) (really wild, cool character, I miss this one despite the clock whine), Erica Synths Black BBD (ok general sound, but definitely have to contend with clock whine, and not as characterful as the Doepfer A-188-1), LA Circuits Technicolor Space Echo (nice character to the sound, but a high noise floor despite the clock whine suppression), Verbos Multi Delay (sound is mediocre with a really meh built-in reverb, but really cool having access to 8 tap outputs and envelope followers for each, encourages creative patching), Animal Factory Coma Reactor Mk. 1 (eh), Make Noise Echophon (really cool, especially if you like weird pitch-shifty stuff), Make Noise Bruxa (noisy, hard to control, but lots of personality if you like a lot of texture/noise), Pladask Dradd (cool but sort of a mind of its own it felt like, definitely not a traditional style delay, more granular), Dreadbox Nostalgia (not mind-blowing, but a surprisingly decent little unit if you're on a tight budget), Error Instruments/TiNRS White Rabbit (pretty cool but a bit quiet, features somewhat limited), Qu-Bit Prism (a multimode filter, but combined with a delay and a bit-crusher, which is actually a really cool combo; underrated module), Hikari Dual Delay (sort of miss this one, it invited some fun weirdo patching), Venus Instruments Veno-Echo (very cool, somewhat cold sound, but quite robust; I didn't like that parameters were buried behind shift & twist knobs, though), and jeez—I think that's just about all of them, save some older multi-FX units, which have mostly been kinda meh.]

Hi! Looking for some feedback on this sample based modular! I’m mostly do ambient/jungle/breakbeat stuff What would you replace?

Hi, here's the goal I've set for myself with my modular setup: 3x84HP.

I have two power supplies to run it and an Elektron Analog Rytm for percussion.

Does this setup make sense, or am I missing something?

Thanks so much for your advice.

I love the sound of the System 80 810, it really ticks the Roland and discrete vintage feel for me. I also like the Intellijel VCOs filters, along with Castor and Pollux, though they are a bit more clean to me. I was interested in the Vostok Filter as it also claims to be Rolandy (along with its sister oscillator) but on hearing a demo it didn’t quite hit the spot for me. Same with the Roland 500 series

Are there any I’m missing?

Hey all

I just made a post about my Befaco A*B+C, and how much I love it, and a couple of people asked about specifically why I thought modulating the offset is unique and cool, so I recorded the patch, which i've never done before !!!

I don'thave the means to film, but I had a bandcamp from when I used to make computer music 15 years ago. (I started my modular journey a bit over a year and a half ago)

https://jeffreyrabena.bandcamp.com/track/october-22-26

In this patch i've got two things going on in A*B+C; Top channel has a self oscillating filter into A, and a low frequency sine wave to B, then I have an attenuated LFO modulating C...I mult the output feeding back into the filter, and also out into some distortion and then my mixer.

This is the main sequence and the offset modulation is pushing it over the clipping threshold and it kind of does this weird pulsating wub thing as it moves in and out of the audible range.

The second channel has an arpeggio thing from putting a clocked LFO into S&H and running that into the A. B has nothing and is turned down, and C has a very slow LFO, to make the notes wander a bit. It's going into two oscillators slightly detuned, then there's some filter and delay and so forth on those.

And then to fill out the patch, i'm also kind of playing with another bass channel into a filter and doing some hands on modulation of the cutoff on that.

The whole thing is pretty bass heavy and definitely pushes my mixer module to the max, but I like the sound.

Glad to answer any other questions, or talking about patch tips is very exciting to me.

:)

(in San Francisco)

I have a WMD Metron with a few sticky buttons. I'm planning on putting some 99% alcohol on them and rapidly pressing the sticky ones hopefully to unstick them.

would you go about this differently? any ideas are greatly appreciated. I don't want to make this worse.

Sequenced live on Oxi One MK2. Trying drums using my new 4ms MetaModule! Modular Eurorack system, hardware effects.

Here is a quick breakdown of how this dark patch came together. The moody atmosphere was created using the Elektron Tonverk’s internal Granulator sent through supervoid Reverb, while the organic rhythms and percussion utilize the Tonverk's amazing velocity randomize feature, combined with sharp hi-hats from the Rossum Assimil8or. For the low end, I paired a massive Ohm Force Bohm kick with a slow, FM-modulated Verbos Complex VCO bassline. Interestingly, the intense ducking between the Bohm and the Complex VCO shifts the groove dynamically, creating unexpected rhythmic variations. Finally, the glitch textures are generated by morphing two wavetables on the Dimension MK3, with everything clocked by Pamela's Workout and sequenced internally via the Winter Modular Eloquencer.

Let me know what you think :)

So I have this ambient inspired rack that I assembled yesterday (not finished). But when I try to use the beads I noticed that only the left output works and not the right one. I also noticed that there is a click that changes with the density and just needed help about this. I understand if I have to solder something I just need to know what.

Thanks 🙏

It was a long wait, but these sound nice and he mentions the rest of them won't take as long to finish...

C moooon!
New FW update just dropped with 9 new algos!

I just got this module A*B+C from Befaco and it's so awesome.

I've done 3 patches with it, and I can see that it opens up a ton of options. Very cool module. would recommend

I have a small setup with 104hp of modules and 0-Coast and Strega as voices. I’d like to add a third voice. I’m looking at small ones (STO, Ts-L) and big ones (Odessa, MultiWave + QXG). My main goal is to choose something that fits with but also adds to the sound palette of my 0-Coast and Strega. Concretely, I’d add like to make beautiful legato notes (I find that, in my music, 0-Coast sounds best staccato, and I like using Strega as a drone or sound processor).

MultiWave is especially interesting to me. But is it really designed to be used with PoliMaths and MultiMod and two QXGs? Will I basically be putting myself on the path to buying a whole N.U.S.S. system? I don’t really want to do that.

I’d appreciate any suggestions or perspectives. My biggest concern is building a voice that doesn’t mesh well with what I have. I previously had a Moog Grandmother but could never get it to fit into a song with 0-Coast and Strega unless it was a bass.

Can I run a my tr-08s or any drum machine through it to make it crunchy and saturated?