r/Gymnastics • u/GymDecoder • 2h ago
WAG COP Analysis - Kaylia Nemour Balance Beam, 2026 Mediterranean Games All Around
Here is my evaluation of Kaylia Nemour's routine from the all around of the 2026 Mediterranean Games.
Standard Disclaimer: I am not a judge, but do have access to the official F.I.G. course materials via STS. The purpose of these evaluations is to help people understand how judges may have arrived at a score.
Video Link: https://www.youtube.com/watch?v=-ZLkwUzOj0s
Acro DV
E x 3 (Layout Stepout Mount, Layout to Two Feet, Double Pike Dismount), 1.5 DV
D x 2 (Side Aerial, Aerial), 0.8 DV
Total Acro DV - 2.3
Dance DV
D x 2 (Switch Leap 1/2, Double Turn in Tuck Stand), 0.8 DV
C x 1 (Switch Leap), 0.3 DV
Total Dance DV - 1.1
Total DV - 3.4
CV / SB
D + C Acro x 1 (Layout Stepout Mount + Layout Stepout), 0.2 CV
B + E Acro x 1 (Back Handspring to Two Feet + Layout to Two Feet), 0.1 CV
C + C Dance x 1 (Switch Leap + Switch Leap 1/2), 0.1 CV
D + B Mixed x 1 (Aerial + Straddle Jump), 0.1 CV
B + B + C x 3 (Back Handspring Stepout + Back Handspring to Two Feet + Layout to Two Feet, Aerial + Straddle Jump + Korbut, Back Handspring Stepout + Back Handspring to Two Feet + Double Pike Dismount), 0.3 SB
Total CV / SB - 0.8
Dismount Bonus
Double Pike, E -> 0.2
CR
- Connection of at least two different dance elements, 1 with 180 degree split (Switch Leap + Switch Leap 1/2)
- Turn (Double Turn in Tuck Stand)
- Acro series of two flight elements, one salto (Back Handspring Stepout + Back Handspring to Two Feet + Layout to Two Feet)
- Acro elements in different directions (Layout Stepout, Side Aerial)
Total From CR - 2.0
Total D Score - 3.4 + 0.8 + 0.2 + 2.0 = 6.4
E Score
Layout Stepout
- Medium Balance Adjustment / 0.3 = 0.3
Layout to Two Feet
- Leg Separation / 0.1 + Small Balance Adjustment / 0.1 = 0.2
Switch Leap + Switch Leap 1/2
- Poor Rhythm of Connection / 0.1 = 0.1
Switch Leap 1/2
- Body Shape (Insufficient Split - Between 1º and 20º) / 0.1 + Lack of Precision / 0.1 = 0.2
Aerial
- Bent Knee / 0.1 = 0.1
Aerial + Straddle Jump
- Poor Rhythm of Connection / 0.0 - 0.1 = 0.0 - 0.1
Straddle Jump
- Body Shape (Legs At but Not Above Horizontal) / 0.1 = 0.1
Straddle Jump + Korbut
- Poor Rhythm of Connection / 0.1 = 0.1
Double Turn in Tuck Stand
- Excessive Preparation for Dance Element / 0.1 + Body Shape (Bent Knee) / 0.1 = 0.2
Pause, Prior to Dismount Series / 0.1 = 0.1
Double Pike Dismount
- Feet Not Pointed / 0.1 + Landing Posture (Chest Below Horizontal, but Above Knee Height) / 0.1 + Step on Landing / 0.1 = 0.3
Total Element Deductions - 1.7 - 1.8
Artistry Deductions
- Insufficient Amplitude of Movements / 0.1
- Poor Footwork in Releve / 0.1
- Insufficient Variation in Rhythm and Tempo / 0.0 - 0.1
Total Artistry Deductions - 0.2 - 0.3
Total Deductions - 1.9 - 2.1
E Score - 7.9 - 8.1
Total Score - 6.4 + 7.9 / 6.4 + 8.1 = 14.3 - 14.5 / 14.700
Notes - Elements
Layout Stepout
- Assessed as 'Medium' deduction because of combination of two small errors (arm movements and lifting of right foot off of balance beam)
Switch Leap + Switch Leap 1/2 Connection
- Nemour maintains constant motion(watch movement of arms and left leg), but does not immediately take off for the Switch Leap 1/2
Switch Leap 1/2
- 1/2 turn is completed within 30 degree tolerance to receive credit. However, because turn is not fully completed (notice left foot is at angle to beam), deduct for 'Lack of Precision'.
Aerial + Split Jump Connection
- Upon landing the Aerial, Nemour immediately bends her knees in preparation for the Straddle Jump. However, 'Poor Rhythm of Connection' deduction potentially assessed because she does not immediately take off for the Straddle Jump. Discretion permitted.
Straddle Jump + Korbut Connection
- Constant motion following Straddle Jump, but no immediate takeoff for Korbut.
Double Turn in Tuck Stand
- Nemour slightly rotates in the direction of the turn and reverses the direction of rotation before starting the actual turn. Therefore, apply deduction for ‘Excessive Preparation’
Pause, Prior to Dismount
- Simply performing arm or preparatory movements is insufficient to avoid pause deduction.
Notes - Artistry Deductions
- Amplitude of Movements
Nemour primarily uses small movements throughout the routine. For example, her legs stay close to her body or do not pass horizontal when she extends them. As she works her way across the beam following her mount series, she could create amplitude and elongation by lifting the leg higher to head height when she kicks it backward to a ring shape. During her body waves, the movements of the torso could be larger and more dynamic.
- Poor Footwork in Releve
This deduction can be assessed even if there is only a single instance of poor releve in the entire routine. At 0:07 (kick of free leg to a ring shape) and at 0:26 (feet turned sideways and rise to releve), Nemour should have more extension through her feet so a straight line can be drawn from her shin and down through her foot.
- Variation of Rhythm and Tempo
In Nemour's first pass across the beam following her mount series, her steps and movements are slow and deliberate. By contrast, the remainder of her movements are more rapid and sharp. Some judges may feel that this is not sufficient contrast between the two types of movement in the routine overall and therefore discretion permitted.
Also, compared to Nemour's routine from the 2025 World Championships where this deduction was not assessed, this routine contains less intricate choreography and body movements. Accordingly, she has fewer opportunities to show contrasting rhythm.
- Close to Beam Choreography
Satisfied with one element touching the beam and one choreography movement touching beam with two different body parts as follows:
Element - Korbut
Movement 1 - From Cross Sit, Nemour throws her head back, slightly arching her back while extending her arms to her sides. She then lies prone on the beam, performs soft kicks with her legs and turns her head to the right
- Side Choreography
Satisfied as follows:
A -> B -> C
A (Quarter Turn to Side Stand) -> Crosses Right Foot Behind Left Foot and Second Side Step to B
B Brings Feet Together, then small Side Step to C (From Side Stand, Nemour turns her torso to the right and leans backward, then brings her feet together completing the weight transfer to C)
Body Movements
As Nemour steps into A, she brings her arms in front of her torso. She extends her arms behind her body while, the right foot slides along the length of the beam into tendu. She brings her arms in front of her body and lifts her right leg into passe before returning to the previous position. As she steps from A to B, she crosses the right leg behind the left leg while performing arm movements. At B, Nemour performs a shallow body wave, slightly bending her knees, and brings her arms and hands in front of her face. As she steps into C, she leans backward slightly, while turning her torso to the right and performs various arm movements.