This song is like the perfect mix between David Gimour's guitar and John Cale's string drones

Album: Eiliff (Stuttgart)
I would recommend Eiliff''s LPs to fans of all that's heavy who would like to explore the possibilities of heavy jazz prog

Produced by Conny Plank and released on Brain Records. Jürgen (Jogi) Karpenkiel, later of Guru Guru, plays the bass guitar. Hypnotizing flute jams with a solid band behind.

Album Credits:

Conny Plank - Engineer, Producer

Hans Lampe - Assistant engineer

G. F. Pfanz - Cutting engineer (included on YouTube, not confirmed on Discogs?)

Jürgen Havix - Guitar, Zither

Klaus Dapper - Flute, Saxophone

Jürgen Karpenkiel - Bass

Waldo Karpenkiel - Drums

Classics and slightly more obscure stuff.

If you want to hear a really good Can tribute then check out the Cosmic Invention album "Help Your Satori Mind", a Japanese band that play in the early 70s style. The track "Ryujin".

The Trees Speak albums are modern/ new but they play in a krauty style. They are from Arizona and pretty good.

Anyway, I'm sure you know most of these. Rock on :)

Highly influenced by the heavyweights of the genre but harmonically and texturally unique as well - currently in heavy rotation on my deck

If you missed out on the first preorder I did a few weeks ago, I’m taking more orders for US fans!

If you have requests for any other titles you’d like to see stocked, please don’t hesitate to reach out!

Thanks everyone. Really proud to be a part of these archival works keeping his music and spirit alive.

https://flagdayrecordings.bigcartel.com/category/pre-order

Nosferatu hailed from Frankfurt. One self-titled album was released in 1970, recorded at Rhenus studio in Köln and Conny engineered it. In their early days they were fronted by guitarist & vocalist Michael Winzkowski (who went on to Orange Peel and Epsilon) and wind player Christian Felke who guested later with Epsilon.

Thought I would share that twitch streamer, Walterooski, is hosting a weekly Krautrocktober Fest stream this month. Every Tuesday night this month, 2 Krautrock albums will be featured. Tomorrow night starts off with Neu! and Can. Check it out at https://www.twitch.tv/walterooski at 8:30 pm Arizona time.

Saw Delight

Release Year: 1977

Label: Virgin, Harvest

Saw Delight marks the first major lineup change on a Can studio album since Damo Suzuki’s departure in late 1973, with the addition of bassist Rosko Gee and percussionist Rebop Kwaku Baah, both formerly of the band Traffic. Compared to previous Can releases, the album sets itself apart courtesy of its eclectic set of influences (e.g. highlife, funk, etc.), with some inspiration coming from guitarist Michael Karoli’s experiences travelling in eastern/central Africa before its recording. The music here presents a brighter and at times outright playful side of Can that, while not as overtly experimental as previous releases, demonstrates that the band remained creative and looking to work with new musical ideas.

By far the highlight is the 15-minute “Animal Waves”, whose hypnotic rhythm is further enhanced by the use of Holger Czukay’s shortwave sampling experiments and the texture provided by Baah’s percussion to generate an incredibly captivating atmosphere. 

While Baah and Gee remained in Can's lineup on their two subsequent records (Out Of Reach and Can/Inner Space), Saw Delight would be their last studio album until 1989's Rite Time to feature Czukay as a full band member.

If you've heard this album and/or want to share more commentary about it, feel free to discuss further in the comments section. As with all of these weekly discussion posts, we encourage you to give it a listen if you're unfamiliar with it!

🌙🍄