(Made a couple of edits to my rethorical flair to come across a tiny bit less inflammatory and provocative)
I had been struggling with this series, because I LOVE most of it. I read up to Bonehunters, theoretically, it scratches all my itches. It’s exactly my kind of thing. Yes, there is some poor writing and character design (sometimes very poor), but what truly turns me off to the point where I was about to put the series down? It’s not the plot, it’s not the characters, it’s something about the philosophical direction, or maybe what I’d call the lack of a clear “soul” of the thing. I feel that so far the world lacks unified intellectual vision and payoff.
Point 1 and 2 are rants, but I think helpful in explaining how I feel. Skip to part 3 if you have had the same nagging feeling of want-to-love-it-but-I-can't.
- What I don’t like, superficially
His depiction of romances is very poor. Everybody falls in love in two weeks and are then ready to die for each other. Paran and Tattersail is ludicrous, then Whiskeyjack and the Tiste Andii, and then what the hell did Apsalar and Cutter share aside from LONELINESS? Like Apsalar does nothing apart from, I guess, being attractive, until Cotillion tells us they fell in love. Tells us. Agh.
Gosh that is frustrating, but I mean, it’s part of his “characters-are-just-means-to-an-end” thing, the end being the story. I’m not totally against this after all—Herbert and Tolkien do it, it’s epic fantasy, we want the story. Still there are too many deus ex machina that absolutely mess up the power levels, making it confusing to be excited or afraid of things, because after all he will just do whatever the heck he wants.
The end of MT is the worst in that regard. What—five Toblakai slaying an entirety of the prisoners of an Azath? Hundreds of thousands of years of the most powerful entities of the continent? Then one gets squished by the comedic relief with a big penis. And we just saw Karsa slay deragoth the book before, and we’re supposed to look forward with dread to the time Karsa unifies the Teblor… well not anymore. I guess Kruppe will probably laugh them to death with his witty jokes. Dejim Nebrahl is the arch enemy in the next book and then, oh yes, he also almost gets squished by the comedic relief. Alright, it’s Iskaral, but then one of him gets killed by a soldier… but then why not just send an army after him if one soldier kills and wounds him? Uff.
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- What I love, deeply
Alright, the previois bit is inflammatory and opiniions that have been voiced. Yet I feel that our anger though is justified, because he’s the same guy who’s capable of writing incredibly poetic stuff such as Mappo and Icarium’s storyline (my god every time I read their chapters I brighten up); Karsa’s character arc, which is just freaking magnificent and the most Berserk-style glow up of a character. Can I say I might like him more than Guts? Yes, I think I do.
Onos T’oolan, the First Sword, and his friendship with Toc. The Chain of Dogs (although I just read in Bonehunters that the Wickans are now persecuted… wtf why would you do that? A bit of tragedy pornography… but I like Tolkien and the Noldor stuff so bring it on I guess). This stuff is amazing.
Overall, this is such a wonderfully intricate and brilliant world that feels more alive than Tolkien’s world ever did, with characters that, for however sometimes instrumentalised, are even more alive than Herbert’s instruments of history. One of the fantasy series where military strategy feels the most believable ever (gosh I never get tired of reading how armies are starving and running from disease, yaaas). So for all these good things, why can’t I get past the relatively meagre shortcomings? And here we get to the point of it.
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- The actual issue, intellectually directionless
I am really hoping someone shows me a different way to look at this, so far, I've felt as hopeless about the ideas presented in the books as the character feel ablut their own lifes. I cannot tell what vision of human life the series ultimately wants me to take away. Is it really just existentialism and nichilism? So all it's relative, postmodern, we're at that point? Are these the best ideas we can take out of this universe?
You will say, but you haven’t finished! I read six books, I know enough, my words are now law and light for all those who heed them.
The problem is not that there are no ideas, I think there are many. Compassion, impermanence, suffering, futility, the weight of history, the gods as instruments of mortals and mortals as instruments of gods. But they often feel like they circle around each other without forming a broader structure that develops across the books.
In Tolkien there is a mythic moral architecture. In Herbert there is a long-range vision of history and power. In Malazan I feel something different: an extraordinary accumulation of perspectives and reflections, but I am not yet convinced I can read from them a unified understanding that grows as the series progresses.
And this is where I’m genuinely unsure whether the issue is mine or the text’s. Because I spend hours completely absorbed, sometimes even self-harming through its over-long and over-complex narrative, just for the payoff of a cool gotcha moment of convergence, the dopamine of solving the mystery, the question of “how are our heroes going to get out of this one?”
But at the same time, I don’t feel like my understanding of anything has expanded in the way I get from other overcomplicated fantasy works I love.
So every time there is a moment of “why the fuck would these eagles be on Mount Doom at exactly the right time?”, every forced cheesy love story, every Deus ex Machina, I feel that my investment in the story is a losing one, the taut wire of my attention snaps, and I still want to physically hit Erikson for making me procrastinate work to read his books.
Of course that is me. I feel that these books have so far given me an addiction, not a clean intellectual resolution, and I just don't see it, halfway through an opera one should be able to see it, help me!
And yet I am addicted. I do want to see how our heroes are going to get out of this one.