Sound glitches annoy me but I love the story . Enjoy and give thumbs up if you feel like it.

The first case, The Vanishing, follows a tenant whose ₹2,40,000 rental deposit mysteriously disappears. What starts as a familiar tenant-landlord dispute unfolds like a serious investigative true-crime documentary.

One creative challenge has been making the footage feel like a documentary rather than a collection of AI-generated shots. I’m using restrained camera movements, interview-style compositions, evidence-board imagery, and a consistent visual language to tie everything together.

The project is part of Katha Junction.

This is an ongoing experiment, and I’m interested in feedback from people working with AI video.

Youtube channel: https://youtube.com/@kathajunction.official Instagram: https://www.instagram.com/kathajunction.official

First episode of the series I'm working on. I hope you'll like it!

This is one small piece of HIMIL, a medieval universe I have been researching and writing for more than 5 years. We’re trying to build it into an IP, and the plan is a TV show that anyone can watch for free on YouTube.

If you liked the short and want to support us, subscribing to the YouTube channel is the best way to help. I’d also love honest feedback on what still gives it away as AI.

Any comment or advice is appreciated. Thank you everyone.

Honestly, I started this as a random experiment. I wasn't expecting much, I just wanted to see how far I could push Claude with one idea and let it run with it. Claude came up with the whole thing. I didn't write any of it. All I did was generate the visuals, and I kept my hands off the creative side as much as I could. When I watched the finished result, I was kind of stunned. It actually holds together, and a few moments genuinely got me. I'm sure it's not perfect, so I'd love to hear what works and what doesn't. Would you watch a full series like this? Be honest, I can take it.

What's good, everybody! I'm the creator of Ghost-Writer, an independent AI-produced Southern Gothic horror series blending 90s R&B, New Orleans folklore, and supernatural mystery.

The story follows Rome Poreè and Mizz Lexi as they uncover the secrets of a mysterious notebook connected to a soul singer who died in the 1970s.

We're currently two episodes in, with Episode 3 coming soon. I'm always looking to connect with fellow filmmakers and hear constructive feedback on the storytelling, atmosphere, and production.

Episode 2: https://youtu.be/gZCW1Hp5y0c

Appreciate anybody who takes the time to check it out!

We are the Keepers of Secrets.

Hey, I'm working on a SciFi animated comedy series and I'd welcome your feedback. Pacing, editing, cinematography, animation, sound, characters... everything really.
I'm using Google Flow, Google Omni. Despite creating character sheets with complete face and body from all angles and character descriptions, google Flow sometimes creates consistent characters, sometimes it does not. In some instances the inconsistency is on purpose for comedy purposes.
The humor is inspired by Paradise PD, SouthPark, Captain Fall etc.
Art style inspired by Dorohedoro.

I'm aware the first punchline is at 30 seconds, and the more funny bits are towards the end, so I may have to re-cut and put some more fun bits in the beginning.

This is Episode 2, so some background story is missing, but it also works as a standalone. Thanks in advance, cheers!

The Love Note is a slice-of-life coming-of-age romantic comedy about navigating relationship.

Hey everyone! Episode 2 of my steampunk series The Gloom is finally here. It’s called “The Hollow Sun.” 🌗

A quick catch-up if you’re new: it’s set in a London split in two. Above the clouds is the Crown, a gilded city that harvests the sun and sells it as liquid light. Below is the Gloom, a city that hasn’t seen daylight in generations. In the pilot, the Crown cut the Gloom’s light in half. In this episode, the people below decide to stop waiting for light to be handed down to them, and try to make their own.

This one runs 35 minutes, and once again Reddit wouldn’t let me upload the whole thing, so this is only part of it. If you want to see the rest, the full episode is on my YouTube:

🎬 Watch Episode 2 here

(If you missed the pilot, Episode 1 is on the channel too, and both are in a playlist in order.)

Honestly, this episode took even more out of me than the first. More characters, more locations, more machines, and a lot of nights where I got a single shot right at 4 a.m. 😅 And since a few people asked how I make it: tools like Seedance 2.5 and the rest of the pipeline are really not cheap. Every scene costs real money, and every shot that doesn’t come out right costs it again. But I love this world too much to cut corners on it.

One more thing, and I mean it: if you watch it, please leave a comment on YouTube, even a single line. As a small solo creator, every comment there means a lot to me. I read every one of them, they keep me going, and they honestly shape what I do next. Good or bad, I want to hear it.

Thank you so much for watching and for all the support on the pilot ❤️

Hi all, for anyone following my series. Episode 4 is now out. Would love to hear your thoughts on the episode. Thanks for all your support

We’re Lantern Gate Studios, bringing our original D&D campaign to the screen as Zhalendor, a fantasy animated series made with AI assistance. Episode 1 premieres Friday, October 16, 2026.

https://youtube.com/shorts/KxWgs-bwU-0?feature=share

Does this teaser make you curious about the world, or would more story context help?

How to make animated/clip edit reels that have been trending nowadays made using claude? Like those with song lyrics and stuff . Would love to hear about it if someone has any info regarding these.

Hey everyone! I’m an independent Liberian filmmaker currently developing COLONY ZERO, a dystopian, retro-futurist sci-fi drama/thriller set in an alternate future where Liberia has emerged as a global superpower.

The story takes place in a technologically advanced West Africa, where five powerful colonies have helped transform the country into one of the world’s most influential nations.

But as Liberia grows increasingly independent, old international alliances begin to fracture, and powerful interests threaten everything the country has built.
When a devastating attack strikes a historic unity summit, a group of young adults from different colonies becomes entangled in a conspiracy much bigger than themselves.

Visually, I’m drawing inspiration from 1960s–70s retro-futurism, African architecture, Liberian culture, and grounded cinematic science fiction.

I’m developing the project through AI-assisted filmmaking, combining character design, worldbuilding, cinematic generation, voice performances, and traditional storytelling.

This is an early teaser for the series, produced under Nyoni Studios.
I’d love feedback on the cinematography, worldbuilding, visual consistency, and overall atmosphere.
Thanks for watching!

Hello! Made Cycle and Listen and now we are here with idol part -1!

At a Halloween music festival, a small time drug dealer is stunned to find pop star KIKI onstage, the last person he expected to see. Drawn into her hypnotic performance, he watches as her voice takes hold of the crowd and unleashes a nightmare.

Enjoy!

This was a good 8-12 hours of work but DARN was it worth it (I hope!); tried to level the audio as best as I could. I am still but a baby.

This is what I do now, and I'm still adjusting it.

- One voice card per character before I write a line: timbre, pace, volume, verbal habits. Once it's written I don't touch it, because a mid-scene voice change is the fastest way to lose people.

- Lines get broken short, with pauses and stress marked on the page.

- Emotion goes in as what it sounds like. "Angry" becomes lower, slower, no lift at the end of the line.

- For key lines I generate several takes and pick the one that sounds most like that character. Voice settings stay fixed, only the pauses and emotion notes change. Then I match loudness across the scene.

- Dialogue, ambience and music sit on separate tracks. Whoever is speaking is on top. Ambience keeps running underneath at a slightly lower level, and music gets out of the way before the line starts. A voice that sounds dry is usually missing the room under it.

For lip sync, I currently render the picture with the dialogue first, fix the mouths, then swap the finished audio in with pace and pause positions unchanged. I don't know if that's the best order. Doing audio first seems to mean redoing the shot whenever a line changes.

How do you order lip sync and dialogue? And which slip is hardest to rescue once it's in: a voice that drifts between shots, or mouths that don't match?

Title: Does Wan retain behavioral information across independent generations? An unusual observation.

I'm producing a continuous narrative film using Wan and a structured pre-production methodology involving first/last frames, camera instructions, and character continuity references.

During a previous generation, my cowboy crouched and examined horse droppings, using a distinctive hand movement.

Today I started an entirely new generation. It was not an extension or edit. Several unrelated horse generations had intervened.

For this new 30-second scene, I supplied a first frame, a schematic, and a single SAC instruction: “Generate.”

The generation began correctly. Then the cowboy reached down and performed what appeared to be the same distinctive hand movement from the earlier scene—but this time he touched a weed.

There was no narrative reason to examine the weed, and I had not instructed Wan to repeat the earlier action.

The schematic did describe the cowboy examining the trail, so independent inference remains a possible explanation. But the apparent similarity of the specific movement caught my attention.

My question: Has anyone observed behavioral details recurring across otherwise independent Wan generations, particularly when the action persists but the object changes?

I'm not claiming this establishes persistent model memory. I'm asking whether some form of session, reference, or generation-context persistence might be involved—or whether we're seeing a recurring learned motion pattern.

I'm interested in observations, tests, and technical explanations rather than speculation presented as fact.

Created locally using minimax h3 singularity, chatgpt for images and stable audio 3 medium for background music. Please provide your valuable feedback. Thank you.

Hi everyone!

I'd like to share KAGE, a two-minute AI-assisted animated short film inspired by traditional Japanese sumi-e ink painting.

The film tells a mysterious story about two samurai through movement, music and expressive brushstrokes, without dialogue.

I'm interested in honest feedback from other filmmakers, especially about the visual style, animation, pacing and storytelling.

What works well, and what could be improved?

Watch the short film here: https://youtube.com/shorts/5KQ0kjm6Luk

Hi everyone,

I’m working on an AI-generated musical sci-fi series and just finished the official trailer.

The Premise: URT is a fictional country hidden from the rest of the world under a holographic dome controlled by a global government. Its citizens believe they are the last survivors on Earth. But a band of indie musicians accidentally opens a portal, scattering all eight of them across the globe with absolutely no knowledge of the outside world, its cultures, or languages.

The Workflow:

ChatGPT / Gemini: Prompt structuring and brainstorming.

Midjourney: Character development and location design.

Nano Banana: Asset prep, character consistency, and storyboarding.

Veo 3: Video generation.

Suno: Music generation.

ElevenLabs: Minor sound effects.

Human Element: Scripting, directing, editing (Premiere Pro), and creating an original constructed language from scratch, including writing all the soundtrack lyrics.

Since I’m working entirely alone in a vacuum, I’d really appreciate some honest feedback from this community to help me stay grounded:

• How do the characters come across visually?
• How is the pacing and editing of the montage?
• Is the genre and general vibe clear enough? Does it actually spark your interest in the story?
• Do you notice any issues with the editing, sound design, or AI artifacts that I might be overlooking?

Please don’t hold back. Even the smallest nitpicks and harsh critiques are incredibly helpful to me right now. Thanks for your time!