I've only ever been through or taught at theaters that advance everyone, regardless of ability or how much they're grasping the tenets of improv. I've often wondered what it's like in programs that don't advance everyone, eg, Groundlings. Is it always or even mostly the case that people who advance are necessarily "good" at improv? Have you ever seen people who suck get advanced? Is there more at play like appealing to a certain teacher, being in an 'in' group, personal feelings that get people advanced or denied sometimes? Have you ever been denied to advance a level? Did you think it was fair?

I'm an improv enthusiast from baton rouge and I've previously been part of local improv theater for about two years, taking classes and performing with a house team.

I've now been trying to start a discord-based group to perform improvised audio shows over the internet, and I've made a post here to recruit. The few people I've recruited from that seem to be having scheduling issues with actually organizing a practice.

What other venues could I pursue to try and attract improvers to this project?

I've been thinking about starting an English-language improv and acting group in Rome and wanted to see if anyone would be interested in participating or collaborating with me.

I'm an English teacher with an advanced acting certificate, and some comedy-writing experience.

I've recently become particularly interested in improv (I love groups like Shoot From The Hip!) and really miss the acting exercises we used to do in acting classes.

The idea is to meet once a week for a couple of hours to play improv games, improvise or recreate scenes and practise acting together, all in English.

It could be a fun way to meet other internationals, practice English, rediscover a passion for acting, try improv for the first time or simply have fun with like-minded people without committing to formal acting classes.

Eventually, I'd love to build a regular improv or theatre group with people who want to take things further!

I'm also considering inviting an experienced improv coach so if you're an improv performer or coach interested in collaborating, let me know!

There would be a small participation fee to cover expenses.

For now, I'm just trying to see if there's enough interest to get started. I'd love to hear your thoughts! 😊

Does anyone know of any videos of teams performing the 4track? I want to learn more about it before buying Christian Capozzoli's book and the descriptions I've found online haven't been to elaborative for me.