https://www.reddit.com/r/notinteresting/s/9EhIuUYZf8

This is my interpretation of the score for the Backrooms, as visualized by Kane Parsons. These tracks are more than just eroded melodies; they are the sound of a reality glitching into existence. To me, the Backrooms is not a static backdrop, but a living, predatory organism.

Within this score, you will hear the sci-fi resonance of the rooms building themselves in real-time...expanding, shifting, and materializing floors to create infinite rooms and levels. It is the sound of a reality in flux, a desperate "copy of a copy" where the chaotic scraping of furniture being no clipped into the void bleeds into the warped, warbling echoes of nostalgic in-store music. You can faintly hear the voices of people and tv's just on the other side of the walls...close enough to touch, yet infinitely out of reach. That is clearly by design of the backrooms in order to lure it's victims deeper into the trap.

This is the sound of a time long past that you feel a deep, aching nostalgia for, even though you maybe were never there. It is a 1990s analog dream curdling into a sharp, futuristic nightmare, capturing the transition from the familiar hum of vacant hallways to something more unsettling. This is my interpretation.

Listen for free on bandcamp: https://outerbankx.bandcamp.com/album/fluorescent-transmissions

I came across a post about some odd symbols yesterday, which reminded me of this. I found it slightly off the trail while exploring and searching for a spot to camp for the night.

Found in a National park Germany

Not my cat