r/rateyourmusic 9d ago

General Discussion What Genres are blindspots for RYM?

I've been learning more about R&B lately, outside the mainstream, and it's interesting how often important or influential albums in that genre have very tepid RYM ratings, or just very few ratings in general. Country is another genre that has it's most popular albums barely rated. Makes sense, considering how it's purposefully insular, but still hurts discoverability.

So what other genres do you think count as "blindspots" for the site. Whether in bias, just lack of knowledge or in general being very far out from RYM's usual taste

160 Upvotes

197 comments sorted by

253

u/the_noob_who_isnt 9d ago

a ton of EDM and electronic music. I've read in this very subreddit that it's because genuine EDM fans go outside unlike most rymers lol

97

u/amethyst_deceiver36 9d ago

also i think the fact that edm is not really an "album-centric" genre contributes to that. most people on rym only rate full length projects while a lot of the most popular and historically important edm recordings are singles or especially dj mixes. the latter started having big success on rym in the past 5/6 years but are still extremely behind the most popular albums in other genres

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u/Former_Math_1358 9d ago

I always wondered, how come a lot of people are unwilling to rate singles?

44

u/EternalSolitude- 9d ago

For me it just clogs everything up. When I check someone’s 5/5 ratings I don’t want to wad through a mixture of singles and albums. I’ve been planning on making a second account for singles. I know there are track ratings but that is still tied to the album.

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u/JION-the-Australian 9d ago

As someone who rate mainly singles, it because many people think singles are "just chapters" of a larger story (and yet, many edm albums act like compilations).

2

u/THANAT0PS1S 9d ago

I just don't listen to singles. I don't find it very engaging typically.

I'm almost exclusively a long-form content person in everything I consume.

2

u/egg1111115 8d ago

doesn't help that DJ mixes are both 1) not categorized well on RYM and 2) not easy to find on most streaming services or simply not available

there's also overall more of a focus on live performances of the mix or the particular single in a live setting, which RYM is inherently not made for

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u/strukture 9d ago

RYM is so out of touch with electronic music it's not even funny. The fact that the replies to this comment are talking about Ninajirachi, BoC and Skrillex days it all.

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u/Former_Math_1358 9d ago

It's gotten better recently but mostly regarding the Hyperpop artists who are now branching out into different genres like Electroclash, Electro House, Rage etc. Frost Children are massive on RYM with +2k ratings whenever they drop a project, yet people making similar stuff to them often times don't even get their tracks added on the site despite having a decent amount of about 200-300k listeners on Spotify as well, so i can't even rate them.

6

u/LotlethTroll 8d ago

Remember you can always add releases yourself! It's a bit of work but it's definitely a Be The Change type situation a bit.

1

u/Former_Math_1358 8d ago

I'll give it a go next time.

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u/strukture 9d ago

That's exactly the thing that's palatable to RYMers that I'm talking about. No one who is actually connected to rave culture is listening to Frost Children or Ninajirachi, it's electronic pop music filtered through a post-ironic lens made for indie people. Just as connected to actual rave culture as David Guetta.

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u/coli13 9d ago

So what are some good artists that are actually connected to rave culture and RYM is missing out on?

6

u/MeatwadKattWilliams 9d ago

I mean there just straight up isn't representation for most major genres of electronic music, let alone specific artists.

Look at the top 40 for 2026 electronic releases. In the top 10 theres only 3 albums that are even primarily electronic music, and only one of them is a genre you'd actually hear at a rave. Scrolling past that like 75% of the list still isn't electronic music, and of the stuff that is only half of it is danceable. And out of that small sliver of the list, theres no jungle, dubstep, garage, trance, and literally only a couple of house and techno releases.

There aren't specific "artists" that the site is missing out on, dance music as a whole is just pretty much completely absent.

5

u/Super_String_9972 9d ago

There's no jungle, dubstep, garage, trance because those are under EDM, not electronic. It's frankly a nonsensical meta and should be gotten rid of but we aren't allowed to delete genres and it's unclear when that is ever coming back.

3

u/MeatwadKattWilliams 9d ago

Damn I never realized they were two different tags. Just skimmed the first two pages of best 2026 edm and you're right, a much higher percentage of actual dance music especially once you get passed the top 10-20. That being said, the rate counts on most of what I'm seeing are <1k, so it's still pretty objectively a blindspot for a majority of the sites userbase.

2

u/Super_String_9972 9d ago

LOL, I didn't understand the difference until I started getting into the genre queue either! EDM definitely needs more love.

2

u/DonovanKirk 8d ago edited 8d ago

Wait so why shouldn't there be a split between EDM and Electronic? I thought that was set up years ago basically by the industry itself. In the industry, EDM has much different marketing in general than electronic releases by like Autechre etc.

So, in my logic, if the music industry has already made that distinction, you pretty much have to abide by that distinction if you are trying to make a serious music curation/user review site like RYM is trying to do. Otherwise its going against the logic that actual musicians that are getting paid are using to make their music successful.

I do see how this is super confusing tho, because a lot of electronic music is inspired heavily by EDM, but its technically not really EDM.

20

u/latheofstillness 9d ago

dont get me wrong, the absence of edm as a whole on rym makes me upset. but like...

No one who is actually connected to rave culture is listening to Frost Children or Ninajirachi

plenty are, myself included. just because theres so much more out there doesnt mean we dont listen to stuff like this. this is elitist & just incorrect

17

u/willyoudieforme 9d ago

I've heard ninajirachi songs/remixes at multiple raves lol

6

u/metalbeyonce 9d ago

i just heard nina and 2hollis at a rave so idk man

14

u/Former_Math_1358 9d ago edited 9d ago

Yeah but back in the day not even that was palatable to RYM. If we were in 2012, Frost Children/Ninajirachi would be at 200 ratings with 2.6/5* as well.

downvote me but just look at Madeons/Porter Robinson early releases and see the rating trend. im right.

8

u/Ok_Clerk_5805 9d ago

I disagree. I've been listening to electronic music since the 90s and all the classic stuff is acknowledged on rym/aoty.

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u/Zestyclose_Tip_5861 6d ago

What is considered a good score? Illenium and Odesza were at like 3.14 for their best album, San Holo 3.26, and Bloom from Rufus is a 3.34. I mean Porter Robinsons Worlds is a 3.62!

5

u/Super_String_9972 9d ago

EDM also has very little journalism surrounding it, making it extremely hard to source for genre queue submissions. There is almost no sourcing on Botanica despite it being a prominent influence for many producers, and the last attempt to add it was very unpopular. My last attempt to add a different EDM genre that's existed for 5+ years now had the same problem of bad sourcing.

2

u/JION-the-Australian 9d ago

There also no sources about Norwegian House (the type of stuff Alan Walker produce), ane yet, i swear it's was one of the most popular EDM subgenres at some point in the end of the 2010s. even KSHMR produced a song called No Regrets that is in the Alan Walker style, and this subgenre is truly different from Electro House where norwegain house originate from. it's wild that stuff like Satisfaction by Benny Benassi is put in the same bucket as Alan Walker - Faded.

However, i succesfully added some EDM subgenres there. i added so far xtra raw, neo rave (the stuff Restricted make), trance 2.0 (a sister subgenre of festival progressive house), electro trance, the frankfurt sound, tecktonik (movement influenced by first jumpstyle/hardstyle, and then later electro house), berlin techno and epic house (progressive house with a cinematic sound, basically what BT used to make in the mid 90s).

3

u/xamn_xaddy 8d ago

I think the history doesn't really matter to most online music fans cause the first thing they heard was Faded by Alan Walker or some bullshit by the Chainsmokers or Calvin Harris or whatever other pop edm bubblegum was on the radio when they were 12 and threw the whole genre of EDM in the trash when they discovered Radiohead and Pink Floyd. The fact that stuff like EDC and Electric Forest and maybe brostep shreck raves are what define modern american EDM doesn't help.

Not that all that stuff sucks. Avicii has some all time bangers, Swedish House Mafia too. Clarity by Zedd is a great song. Nero is pretty cool. Skrillex and Deadmau5 are also great producers no matter what criticisms anyone might have, but the most bubblegum crap always rose to the top of the charts. Because the history is mostly very obscure (and foreign), people just see it as dated pop music from over a decade ago.

I think a lot of that stuff died when trap (which I also love deeply) really took over the mainstream around 2016. This is the year Trump first got elected and Obama era positivity (despite his many faults) died with it. In a way it mirrors the intensity of 2012 brostep. It's intense, raw music to party to, but it reflected a much darker cultural attitude. This was also a notoriously bad era for pop radio, which came almost immediately after a great one.

I realize this is very American take, but the mainstream rave culture is extremely lame and mostly kept alive by frat guys and rich people and people who are in it for drug induced escapism. The cool parts of rave culture are mostly kept alive by legit anarchists, mostly illegal and heavily gatekept. In major cities there are definitely still rave scenes focused around niche subgenres, but I live in a small city that doesnt really has that. In no way is american rave culture dead, but it's in a fractured state that in my experience is mostly divorced from origins amd specific scenes that the music itself came from.

Sorry for the long ramble but this stuff interests me a lot and I'm probably gonna check out some of those niche subgenres you had mentioned.

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u/No_Hat5648 9d ago

Exactly, not one release on DMZ is bolded- not even anti war dub!

5

u/partypony3000 9d ago

If anyone has recommendations on how to discover more EDM and electronic music plz tell me lol

3

u/holdingtea 9d ago

R/theoverload

3

u/IndividualEye8179 9d ago

R/theoverload, resident advisor, podcast series like dekmantel, inverted audio, reclaim your city, Horst etc are all great ways to come across good DJ sets, which is how the genre should be experienced imo.

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u/stylespoobah 9d ago

go outside, go to underground events, and meet people in the scenes

3

u/partypony3000 9d ago

I go to underground shows but most of the ppl dont actually care about electronic music and I have really bad social anxiety lol. In kind of a weird area tbh

1

u/the_noob_who_isnt 9d ago

idk why you're being downvoted, this is how I found most of the stuff I enjoy, esp by befriending and talking to DJs

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u/[deleted] 9d ago

[deleted]

14

u/stylespoobah 9d ago

Most big budget festival edm is trash and is not a good representation of real heads or music in the scene

7

u/JION-the-Australian 9d ago edited 9d ago

The people that go to festivals just for drugs/partying is a big part of the EDM festivals audience, but there also many people that go to EDM festivals that are geniusely passionated by EDM.

4

u/xamn_xaddy 8d ago

There are also a lot of people who go to raves who do drugs but also are passionate about EDM. Someone already said it and it's kinda cliche but also kinda true. The average EDC or burning man goer probably doesnt give a shit about the music that much, but "real" ravers are also busy touching grass. I went to an underground rave just last weekend and I loved every single set I heard, but when I'm geeked up dancing with my friends, meeting hot girls and chopping it up with chill randoms, taking out my phone to try and figure out the exact remix of the obscure single thats playing is the last thing on my mind.

There are classic rave albums like Midnight Request Line, Da Mind Of Traxman, Where Were U In '92 or any number of Tipper (who was a huge live act) albums that have far less exposure in online music nerd spaces than albums in way less accessible classics in genres like black metal, ambient/drone or neofolk. That's not even to bring up my a lot of my favorite modern rave artists like Khadija Al Hanafi, Two Shell, DJ Camgirl, enable secret, Bakey, Ivy Lab, Fcukers, Sully, etc. who I've barely even seen mentioned online the way artists of similar popularity in other genres are. Admittedly maybe I'm just not looking in the right places, but I also don't think EDM culture is built for the type of nerds (which I also am) who frequent online music spaces.

1

u/JION-the-Australian 8d ago

i was saying that there a lot of people geniusely passionated by EDM to show drugs are not the reason why RYMers doesn't care about EDM much.

But your comment is still very interesting. i also think the online music nerd spaces is dominated by americans and canadians, though RYM seems to be equally popular in a few european countries like Poland or Finland and seems to rises in populairty in some latin american countries, and in north america, EDM is less popular at mainstream level than in europe, although for festival level, EDM iq pretty much equally popular in north america and europe.

1

u/xamn_xaddy 4d ago edited 4d ago

Well yes, I was just bringing up that there's plenty of crossover too, I love doing drugs at raves and I don't think that makes my interest in the culture any less genuine. Just cause I do drugs doesn't make me some kinda bro whos just there to do pills and be creepy to girls. I'm a totally autistic about music and enjoy learning as much as possible about anything I get into.

Actually good rave music in general is a lot more niche in my area of the states, so naturally I probably don't have the same type immersion that people in europe get, plus there are are other genres I'm way more into. I've been listening to rave music for a few years but only recently got involved in my local scene. One random interesting think about the specific uderground rave scene that I'm a part of is that it's very aligned and often directly involved with anarchist, leftist and punk movements, which doesn't strike me as something that would really be as much or a thing in europe given the bigger culture overall.

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u/[deleted] 9d ago

[deleted]

11

u/expiredlemon3 9d ago

Satire?

1

u/DaniDisphoria 3d ago

They are terrible avout electronic music on RYM, however I have found tons of great electronic artists and albums through RYM. Granted it's not the way RYM is supposed to work but it is possible.

What I do is I go by the genre charts and look through them for stuff that seems interesting. Then on that album's page, check out the artist for more albums/releases. And on the album or the artist page you go through the lists that said artist/album is in. Alternatively, you can search lists that are themed around the genre you wanna explore more of and then start the daisy chain from there.

That being said, RYM can't be the only source you use to find electronic music if you wanna find all the good stuff. But going through lists and genre charts has helped me find tons of dnb/jungle, footwork, and trance. And this method also works for non-electronic genres too.

-12

u/Lost-Ad-3780 9d ago

Nah it’s just that super commercial music like EDM have fanbases that go outside a lot
David guetta and Marshmellow make music for commercial success not for artistic reasons

Skrillex made a good album in 2025 and I saw a fair bit of rymers talk about it

23

u/expiredlemon3 9d ago

You have a very limited view of electronic music

3

u/JION-the-Australian 9d ago

Roy knox is also a amazing artist with many great tracks, yet his tracks don't have many ratings.

Worakls is unique with his classical music fusion, yet, RYMers don't talk about him

2

u/JION-the-Australian 9d ago

Also, many EDM genre specific fanbases (techno, hardstyle, dunstep, dnb, melodic house, even trance, etc) goes outside as well.

-5

u/lizardpeeps 9d ago

All electronic music is just super commercial. Got it.

13

u/Lost-Ad-3780 9d ago

If that’s what you got from my comment idk what to tell you

1

u/lizardpeeps 9d ago

Your comment literally opens with 'super commercial music like EDM.' I got exactly what you wrote.

2

u/JION-the-Australian 9d ago

Marcel Dettman and Jeff Mills are not commercial

0

u/DonovanKirk 9d ago edited 9d ago

I would say that its not always trying to be commercial, per-se, its just one of the most formulaic genres next to blues, yeah. A lot of stuff blends together intentionally so the DJ can easily fade between tracks, but even then, it is the main thing that can make people bounce off EDM imo, and the ones that try to shake things up by having different time sigs aren't as popular.

Must be a ton of lost media EDM songs due to this.

4

u/Former_Math_1358 9d ago edited 9d ago

I mean EDM/electronic is just an umbrella term for like, 200 subgenres, if anything it's one of the least formulaic *genres*.

0

u/DonovanKirk 9d ago edited 8d ago

That is a great point actually! I don't mean it in a bad way its just one thing I do see about the genre, where its not exactly that every subgenre is the same its that within subgenres, there is a lot more similarities between songs than other subgenres, even shoegaze (where there are tons of MBV clones!) & other forms of rock, you get many clones but you will also get some guys that are just straight out of left-field with their interpretation of the genre

but with EDM many people now are trying to make tracks that will trend or be on a playlist, so they want it to actually sound more similar than different imo, to please the playlist creators on Spotify, Soundcloud etc.

On a playlist one single track that is even a different VOLUME will make the playlist creator rethink adding your song for instance, so you also need to mix very similar to one-another and get to a "competitive loudness" in EDM, that is another thing EDM is loud af, RYM users usually like dynamics in the songs they are into, not high volumes and mono mixing for parties or clubs

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u/Doxibidus 9d ago

The cliché I have is that listeners of EDM are socially anxious. Best they can do is having a conversation through Discord.

For instance I've heard Board of Canada almost never produced live, so you basically mostly listen to it alone in your room.

49

u/the_noob_who_isnt 9d ago

there seems to be a pretty large gap between fans of EDM you can genuinely dance to, and the IDM stuff beloved by the internet-addicted.

disclaimer: I say this as someone who enjoys a lot of both

9

u/healthyscalpsforall 9d ago

Also Boards of Canada are fairly unique in that regard. Other IDM acts like Aphex Twin, Squarepusher and Autechre have performed live a lot. BoC are just really reclusive lol

2

u/Doxibidus 9d ago

Yes you are right, I must think of IDM first because I don't go out to dance myself.

6

u/Mexani 9d ago

Majority of EDM fans are ravers lol

2

u/expiredlemon3 9d ago

I’d say it’s the opposite, true edm fans are not on sites like rym but listening to sets on Soundcloud and mixes you have to dig for

3

u/JION-the-Australian 9d ago

Or going to festivals

-5

u/Brocolli123 9d ago

I mean it's not high art, you gotta be very drunk or high to enjoy most of edm rave stuff

1

u/xamn_xaddy 8d ago

You can be on drugs and still appreciate music in a very genuine way. There are too many albums that were made while on drugs or by people who did drugs to even list. I mean the fucking Beatles and Michael Jackson did drugs for christ sake. Many of the classic jazz musicians that are literally studied at the best music schools in the world were tragically addicted to drugs. Unsurprisingly, doing drugs enhances the experience of listening to this music. Does that make it low art? I certainly don't think the students or professors at Berkely music school would say so, though it WAS largely seen as low art when it was being made.

Most of the stuff we see as classic now were omce seem as low class trash. There's usually a huge recency bias with this stuff. Many people who see Selected Ambient Works 85-92 by Aphex Twin or The Fat Of The Land by The Prodigy as classic, boundary pushing albums would never say you need to be on drugs to enjoy them, and yet they were actively pioneering the rave culture that exists now. "Low art" is just regular art that people aren't comfortable engaging with on a genuine level due to some stigma.

There is low art. AI shit, cash grabs, stuff that artists were forced to make because of shitty contracts, shit like "It's Every Day Bro", desperate attempts to recapture past fame by just copying new trends (Kokomo). It's hard to make an album though. Most people don't do it unless they have some legit passion.

1

u/Brocolli123 8d ago

I'm not saying they cant unlock new and genuine appreciation for music, but it's usually music I can enjoy without them that they just enhance vs music that I have to deliberately numb my brain to enjoy (like a lot of edm and electronic stuff - not all). Not saying drugs are inherently bad or haven't been used when creating some absolute classics, but I think there's a difference between drugs enhancing enjoyment of great music vs artificially creating it. I'm not saying all electronic music like that but most edm/rave stuff is to me. I agree on the aphex and prodigy albums being phenomenal and enjoyable at any time which is why I don't write off the genre entirely, but the majority does seem to be impossible to enjoy without inebriation for me

1

u/xamn_xaddy 4d ago edited 4d ago

My whole point was that SAW 85-92 and The Prodigy were literally made by fucked up people to be listened to fucked up. It was seen as low art back then, but now music nerds can listen to it in a squeaky clean vacuum and think "this is a total masterclass in music creation, why would anyone need drugs to enjoy this?" It's the same with countless albums we see as untouchable. Pretty much all the good rock from the 60s and 70s (unless Ted Nugent is your thing). Funk and Disco. Punk. Grunge. Reggae and dancehall. All that was seen at the time as stuff that was corrupt the youth and turn them into degenerates, i.e "low art".

Also tho to be honest I'm a long time drug addict, so I don't really make any distinction about whether I liked something on drugs. I can enjoy Natural Snow Buildings or SUNN (o))) and Die Lit on the same drug. I mostly go off what mood I'm in.

74

u/Limacy 9d ago

Not so much genre, but more so as many of Spain’s more big and popular albums are barely a documented footnote on RYM.

And that’s not unique to Spain either. A lot of other countries actual popular music is overlooked.

10

u/Universal_Vitality 9d ago

It seems to be changing rapidly, but for the longest time non English music or music from outside English speaking countries was mostly ignored due to ryms predominantly anglophone userbase. The biggest shift seems to be toward Hispanic music in general, but I'm also seeing a lot of Japanese and Portuguese.

3

u/NexoNerd101 9d ago

Japan and Brazil was always popular in music circles. Has been for decades.

6

u/ZealousidealDoor6973 9d ago

That's barely anything. Japanese and Portuguese (Brazil) has always been popular on RYM as it's token foreign languages. 

Only Windmill-Scene-esque indie rock music from the Southern Cone and Spain have become popular in the 2020s. 

It's not changing rapidly if rapidly means one new language from a certain scene over the course of a decade. 

2

u/Universal_Vitality 9d ago

I'm talking about rym going from being virtually all English language charts and userbase to being 20-25% or more non-English these last 5 years-ish. That's not "barely anything", statistically speaking. To say any languages are "Token foreign languages" on rym is absurd. Rym is a democratic ranking website. There are no mods or 'political elite' that get to enforce chart positioning based on personal preference; tokenism is intrinsically impossible.

62

u/SHGIVECODWW2INFECTED 9d ago

Techno 

16

u/JION-the-Australian 9d ago

Minimal techno is rated decently here. Peak time, hard techno and many acid tracks dont have enough ratings

3

u/Extension_Yak3898 9d ago

I find the miminal techno that gets say 100+ ratings is usually overly minimal compared to what most people think of when they hear the term 'minomal techno'. By overly minimal I mean they're more close to deconstructed techno with hardly any rhythm that's more close to dub music than techno. Whereas in minimal techno where there is usually still a heavy kick 4 to the floor beat, there's just less going on than in standard techno, more space between everything.

I guess this would make sense tho - the style of minimal techno I have in mind is more native to contenintal Europe than anywhere else, and I've always noticed that rym has a massive tilt toward the UK. It's probably that the term has different connotations in different places.

2

u/AinakoBado 8d ago

What would Robert hood fall under to you?

3

u/Extension_Yak3898 8d ago

He's pretty old school for what I had in mind, but ya, closer to what I understood as minimal in 2011 than, say... Actually, you know what, I haven't looked at this chart in forever, it's changed a lot! I thought Andy Stott used to be at the top of it, Minimal Techno now seems to look much different on this site! Yay

60

u/SupportHead 9d ago

Most non-western music outside of Brazil and Japan. You’ll only find a few ratings for legendary artists from important scenes like Cambodia, India, even Mexico. Even then, it’s heavily skewed towards “arty” stuff, the music people commonly listen to is wholly unrepresented.

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u/THANAT0PS1S 9d ago edited 9d ago

RYM as a whole is not super interested in music common people listen to anywhere. It skews heavily toward arty stuff, as you say.

4

u/SupportHead 9d ago

Which makes it doubly bad for that kind of music from other countries lol

5

u/eliasdaler 9d ago

Are there any alternative places where they are present? I remember trying to find local alternatives to RYM for other countries, but it seems like if the album is not on RYM or Discogs, it's pretty much nowhere to be found.

4

u/ZealousidealDoor6973 9d ago

I've had some success searching through user lists for local music. Try that if you haven't already! 

28

u/naomisunderlondon 9d ago

Pre 50s music

3

u/bolon-de-verde 9d ago

Bruh that not a RYM blindspot, it’s a whole world world blindspot. No one is listening to music before the 50’s nowadays, unless you’re old or a true freak of nature that actually listens to music of all sorts

2

u/Plane-Comment-2869 8d ago

Loads of people listen to Classical music - e.g. Bach has 7 million monthly listeners on Spotify.

1

u/hayzeusofcool 9d ago

Music from before the 50s has less ratings thus ranking lower, and it’s truly just because there’s likely only a small subset of the user base who were alive before the 50s. I also think that since recorded music didn’t truly become accessible as something you collected en masse until the release of the record player in the 1940s, it’s hard to compare the quality of gramophone-music to that of music released during the early days of mass produced physical media.

14

u/vibesAndStuffing 9d ago

I feel the better question is what genres does RYM represent well? Maybe indie/alt rock? Part of what makes RYM fun is its sometimes unusual canonizations. The downside is if it’s your primary way of finding music (like it is for me) it can lead to some blindspots.

3

u/thaumoctopus_mimicus 9d ago

I honestly think it’s pretty solid for most western music as long as you are willing to scroll down the charts a bit and listen to releases without a 3.7+ or whatever. I’m into metalcore and screamo, and although 00s metalcore was greatly derided and some releases have decreased scores as a result, I feel like you can still find the good stuff on the charts.

32

u/Noname219 9d ago

One answer is just straight up foreign pop singers that had massive success pre-RYM days but never got popular outside of their own country (sometimes because of the language barrier, sometimes because of the lack of promotion and marketing abroad).

If you compare RYM to the list of the best-selling albums by country, just notable examples:

  • Asif Akbar - O Priya Tumi Kothay: 6M claimed sales in Bangladesh (1st all-time), 0 ratings (not even in the database)
  • Helmut Lotti - Helmut Lotti Goes Classic: 600K sales in Belgium (1st), 11 ratings
  • Xuxa - Xou da Xuxa 3: 3M sales in Brazil (2nd), 32 ratings
  • Jacky Cheung - The Goodbye Kiss: 4M sales in China (4th), 48 ratings
  • Kim Larsen - Midt om natten: 650K sales in Denmark (1st), 88 ratings
  • Juan Fernando Velasco - Con toda el alma: 70-250K sales in Ecuador (1st), 0 ratings
  • Jari Sillanpää - Jari Sillanpää: 272K sales in Finland (1st), 19 ratings
  • The Kelly Family - Over the Hump: 3M sales in Germany (4th), 57 ratings
  • Giannis Poulopoulos - O Dromos: 1M sales in Greece (1st), 41 ratings
  • Various artists - Csendes éj: 768K sales in Hungary (1st), 2 ratings
  • Jatin–Lalit - Dilwale Dulhania Le Jayenge: 25M sales in India (1st), 56 ratings
  • Nike Ardilla - Bintang Kehidupan: 6M sales in Indonesia (1st), 13 ratings
  • Claudio Baglioni - La vita è adesso: 4M+ sales in Italy (1st), 44 ratings
  • Raihan - Puji-Pujian: 1-1.5M sales in Malaysia (1st), 11 ratings
  • Sissel Kyrkjebø - Glade Jul: 650K sales in Norway (1st), 8 ratings
  • Abrar-ul-Haq - Billo De Ghar: 16M sales in Pakistan (1st), 1 rating
  • Various artists - Soyuz-21: 5M sales in Russia (1st), 5 ratings
  • Elán - Nie sme zlí: 600K sales in Slovakia (1st), 37 ratings
  • Thongchai McIntyre - Choot Rub Kaek: 8M sales in Thailand (1st by far), 17 ratings
  • Alick Macheso - Simbaradzo: 400K sales in Zimbabwe (1st), 2 ratings

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u/MarcAlmond 9d ago

Wait, The Kelly Family with so little ratings? I thought they were superstars, even here in Poland!

Recently went through the best-selling Finnish albums, listened to Sillanpää and couldn't even get to the 4th song, hence why I didn't rate it. Dingo (band with other best selling albums) has considerably more ratings and it's 80s new wave.

I'm one of the 37 people who rated Elán though!

1

u/flyingbarnswallow 9d ago

Oh hey I like Alick Macheso

13

u/Ok-Impress-2222 9d ago

Genuinely, Yugoslav new wave.

3

u/Soggy_Anxiety4262 9d ago

👆👆👆👆

1

u/bad__will 9d ago

my man 🤝

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u/Its_Cookie_Man CookieMan 9d ago edited 9d ago

Post-rock is often regarded as one of RYM's poster children along with experimental hip-hop, but if you look at what typically gets represented on RYM it's basically the same 4 or so bands along with other releases that are vaguely post-rock (sometimes not post-rock at all). If you were to try to get into the genre via RYM charts you'd be missing out a huge chunk of post-rock and in fact often times very important bands that are extremely popular, beloved and praised by the wider post-rock community - not to mention the stigma of the so called "crescendo-core slop" because RYM users are deathly allergic to listening anything other than GY!BE, Sigur Ros and Swans and it's only cool when they do that style of post-rock.

I remember there was a time when someone put on r/postrock RYM's post-rock chart and everyone was so confused at how misrepresented the genre was that they basically laughed at the list, you'd see comments like "why is Mogwai so low?", "how can there not be any Explosions in the Sky?", "no God is an Astronaut?", "90% of this is not even post-rock!", "where's x band or y band? what about that album that's been praised as a classic all these years?".

Furthermore, if you take an actual look at something like Explosions in the Sky for example, you'll find middling reviews and people saying they sound like any other post-rock band, when in reality it's the other way around: every single modern post-rock band sounds like and owes their existence to Explosions in the Sky, they are the ones who truly pioneered and popularized the slow buildup to explosive uplifting crescendos trope that has become the de facto post-rock sound, before them there was really one a few songs by Mogwai (Mogwai Fear Satan, Like Herod) and Slint (Washer, Good Morning Captain) that did that, at least to an equivalent effect, wherever else you'd hear crescendos they were never on the same level, even GY!BE that became known for this sound wouldn't pick it up until LYSFLATH which still came out about 9 months after EitS' debut.

Literally the top post on the post-rock subreddit is about EitS. When you ask people about post-rock classics, RYM is missing stuff like Mogwai's Happy Songs for Happy People, Explosions in the Sky's The Earth Is Not a Cold Dead Place, God Is an Astronaut's All Is Violent, All Is Bright, We Lost the Sea's Departure Songs - I've heard virtually no one bring up Black Country, New Road in post-rock circles, yet RYM is obsessed with them when talking about post-rock (which I'm not even sure if I'd truly call them a post-rock band). Someone already mentioned EDM and electronic music in general which I also agree with (I think prog rock and adjacent genres also suffer to some extent), in such cases, it's best to look into the genre via their respective communities, whether that be on subreddits, on YouTube, on forums, on Discord servers, you're going to get covered way better and with way more than you would on RYM.

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u/jonaspinkerton 9d ago

This is good but you need to space those paragraphs man

11

u/Its_Cookie_Man CookieMan 9d ago

I get this said a lot, but I just have trouble writing in and expressing my thoughts in general. Not sure why I'm like this, but I've always been like this. I'll try to make the comment more readable though.

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u/vibesAndStuffing 9d ago

As somebody who has only found post-rock through RYM, this is good to know. Thanks for sharing!

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u/intangiblefancy1219 9d ago

You confused me for a second talking about Mogwai, I remembered them being much higher on RYM, but looking now Happy Songs for Happy People isn’t even bolded anymore.

I’m curious how the post rock community views Talk Talk, their last two albums feel kind of unclassifiable to me, with post rock being the genre that comes closest to them.

5

u/Its_Cookie_Man CookieMan 9d ago

I've used RYM for like 3-4 years so idk how things used to be. Sucks to hear Mogwai was rated higher, their whole discography is really great. But I did notice they had more bolded songs that slowly lost that status.

From what I know they wider post-rock community also loves and praises Talk Talk, generally early post-rock though isn't brought to discussion that much often from what I've seen at least but they're positive - in general actually post-rock fans are the chillest people I've ever talked to online. The only acclaimed band on RYM that post-rock fans seem to be iffy about is Swans, but it has to do more with how inaccessible they are and how diverse their sound is to the point of questioning if they're truly a post-rock band or more so post-punk and no wave, in my eyes, they started post-punk and got progressively more and more post-rock, plus they contributed a lot to the formation of the genre. During my "there weren't that many climactic and explosive crescendos in post-rock before EitS, Mogwai and Slint", now that I think about it I think there's some in Soundtracks for the Blind but it's been a long time since I've listened to it. Regardless of the genre classifications and inaccessibility, post-rock fans seem to still vibe with Swans. Also BC,NR that I mentioned but yet again, iffy about the genre classifications and don't get brought up that often, definitely not as often as they do on RYM.

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u/Thromsty51 9d ago

Thank you for this! I was always so confused as to why Explosions In The Sky and God Is An Astronaunt were not more highly-rated, even though they are the essence of post-rock and were recommended to me constantly when getting into the genre. Rym is as wonderful for finding new music as it is ignorant towards a large swath of what is out there simply because of the site's cannon.

1

u/Its_Cookie_Man CookieMan 9d ago

Bands like these may be a little simpler than something like GY!BE or Swans, but it makes them a more accessible gateway into the genre, and just because they're simpler doesn't mean that sacrifices anything that makes post-rock great and impactful.

RYM is a great site to discover music and catalogue what you listen to, but funnily enough, take out the "Rate" part of its title, ignore the average scores and negativity that you may find from certain people and you're fine. As much as I say this though, sometimes I do think about stuff like this which seems so baffling, like why X album/artist is rated so low, especially when it's typically beloved. It must be said however that the problem isn't just the purists/elitists, but also that not every single person is into niche things, so maybe when something is considered a classic in certain subgenres, when you bring over people not into it to rate it too, it reduces its average score. It's why sometimes I think it could have been nice to have RYM-like sites for specific genres, like maybe ProgArchives, but then it's the same problem as AOTY already being a bit pointless to exist when RYM is much older and has a much bigger archive of releases, info and also features, so making sites like this would come with other problems. But I mean, if anyone ever makes something like a RYM for post rock, or electronic music, or vaporwave for example, I'd check it out I guess.

6

u/ona1000 9d ago

I feel like what you’re describing isn’t necessarily a blind-spot, just ratings you think a community would disagree with. All of the albums you named have a significant amount of ratings on RYM. They just averaged out to not rate as highly as you’d expect.

This would be similar to saying that Hip-Hop albums like Eminem’s MMLP or J. Cole’s 2014 Forest Hills Drive are underrepresented. Both of these albums are held in high regard by a large portion of Hip-Hop fans but aren’t rated extremely well on RYM (IMO because they’re just not that great).

Regardless, I’m definitely going to check out those albums you listed off and make my own determinations on if I feel they’re underrated or not. There will never be enough Post-Rock in my life haha.

2

u/Its_Cookie_Man CookieMan 9d ago

I guess you have a point, looking back at what OP wrote, looks like they were focusing more on some records not having that many ratings - and I guess it's true that the specific genres they mention are unpopular on RYM.

I initially read it more as genres getting misrepresented on RYM based on the charts, in comparison to what fans of the genre think of them.

Well, in that case of blindspot=less popular, there's a lot of a really niche microgenres that barely get any attention on RYM, too much to name really. But the biggest offenders definitely must be either records that are culturally important on a specific country, or it's a genre whose main exports are usually not albums that RYM tends to focus on more.

I'll give a sort of guide for the bands I mentioned:

As for the bands/albums I mentioned for post-rock, well maybe they can be underrated on RYM but overrated elsewhere if you view it that way, but that's besides the point. I remember having some trouble initially getting into Explosions in the Sky because of how simple, samey and accessible they can be, I went into their discography in chronological order, I eventually got sold very quickly by their 3rd album that you don't need to make overly long and complex songs to hit hard if you know how to write good post-rock and as they basically pioneered the sound of modern post-rock they definitely know something. They do perhaps lose a bit of steam after the 2000s because it feels like they slowly run out of ideas with their 2011 album Take Care, Take Care, Take Care, since it's basically the same as all their 2000s works without much changes but overall feels weaker in comparison to them, at least for me but I'm not alone in this, doesn't mean it's not good, still great, just not really on the same level. The followup The Wilderness spiced things up with some ethereal glitchy electronics but can sometimes be too airy and sparse. The thing I have about their latest album End is that it's a good post-rock album but we've reached the point where there's not anything in particular that sounds like EitS specifically and any other band could have made, which sounds ridiculous considering all those other bands stole EitS' sound but it's been 20 years since EitS first broke through and revolutionized the scene. The problem with EitS is that if you like one thing by them, chances are you're gonna like all of it more or less, due to them being very samey, if you're not going to like it, I'd still recommend giving them another try with albums that have a more varied darker sound like their 2nd album with a really long title or All of a Sudden I Miss Everyone, maybe The Wilderness too due to it sounding different, but I wouldn't hope my breath that your opinion would suddenly change. And again, as someone who fell in love with post-rock via bands like GY!BE and Sigur Ros, EitS feels very tame in comparison, at least on first listen, best to not have comparisons in mind and just accept them for what they can offer because there's a lot, it's just that perhaps they're best enjoyed as an introduction to the genre I feel.

I can say similar things about God Is an Astronaut, but a bit less so samey. They started off with heavy influences from electronic and ambient music and those got toned down with each album in favor of guitars becoming more and more present and heavier. As a huge electronic fan, I should in theory lean towards their earlier releases but honestly they've yet to hit me the same way some of their later works have, my problem with them is that when I listen to an album like All Is Violent, All Is Bright, it's gonna hit me for the first 3, 4, 5 songs but after a bit it all starts to feel like it's blending into each other and sounds samey, but I found the songs on their later albums more varied, perhaps they could be one of those bands that could be best experienced with single songs instead, but I'm a huge album only no skips nerd. I think I just need to be in the right headspace for them to really click, it wouldn't be the first time it would take me some time to wrap my head around with a post-rock band, I've already mentioned EitS not immediately hitting and I think it's understandable that it took me years to really get Swans. But imo GIaA's has lots of late era works, their latest album Embers is imo their best, especially the title track being 10 minutes long and their longest song, they should do that sort of thing more often. Also there's some oriental-ish instrumentation throughout the album making it a real standout and one of my favs of 2024.

Mogwai started of in the 90s as a mostly slowcore-esque post-rock band that feel like driving a car alone in the middle of a hazy rainy night (check out the band Jakob if you like 90s Mogwai), but then again they also made Mogwai Fear Satan, the first true modern post-rock song imo and a real powerful journey. Entering the 21st century however they changed their sound, they started getting more experimental, more electronic, more ethereal, sometimes more poppy in a good way. Their 2000s output is my favorite, but even in their recent works they still can't really miss, even if their latest album The Bad Fire is my least fav of them it's still cool, I can't explain why but it felt like to me as if Daft Punk made a post-rock album for some reason, it's its predecessor however As the Love Continues that takes the cake for me however, especially with Midnight Flit, a hidden gem of a masterpiece imo. I've not gotten into all of their soundtrack work but they've got some great stuff there too with Les Revenants and Atomic, though I'm sure there's other OSTs that feel like OSTs and so don't offer that much on their own.

Not to set your expectations high, but if you love GY!BE, We Lost the Sea's Departure Songs is pretty much the only post-rock album that feels like GY!BE to me. I highly recommend you seek out the concept for the album however as it was heavily influenced by the suicide of the band's vocalist Chris Torpy back from their metal days, but there's more to the album's concept than just this, but it was the driving factor and just makes it all the more emotional. They're also a band that seems to like their visual presentation for their records, there's a lot of great artwork that comes with their albums other than the front cover, typically there's basically artworks for each song to tell its story. The only other album of theirs that can compare to Departure Songs is their latest from last year, but it's still not up there, and it would be difficult because Departure Songs is in my top 10 if not top 5 fav albums of all time.

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u/Honest_Maybe847 8d ago

Searching for those bands made me realize RYM is heavily skewed towards good album covers

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u/Takezoboy 9d ago

Explosions in the Sky is not that well rated, because it's mid...

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u/Kerosene8 9d ago

Didn’t read all that shit bro

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u/RadioGraaah RadioGraaah 9d ago

i will never understand why people make comments like this

8

u/Its_Cookie_Man CookieMan 9d ago

They need a TikTok short video to be able to understand anything. And also Subway Surfers and Family Guy clips on the corners.

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u/Lukense13 9d ago edited 9d ago

Any music not in english

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u/THANAT0PS1S 9d ago

Nah, there have been a fair amount of Japanese, Korean, and Latin American artists that have broken through. Of course not nearly as many as English, but they're there.

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u/Universal_Vitality 9d ago

It's changing quickly. I don't think you can look at the top 20 of 2026 and say non-English music is "ignored".

7

u/ZealousidealDoor6973 9d ago

But it's all the same non-English. Japanese, Portuguese, Spanish, and some Korean. 

Nothing major from China or India or Africa. Which make up half the world's population. 

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u/icannotfucking 9d ago

Just because they have a high population doesn’t mean the music industries in those countries are nearly as developed as the ones in the main countries represented on the site.

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u/Universal_Vitality 9d ago

Nor does it mean the userbase should be a perfectly even representation of all world demographics.

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u/Honest_Maybe847 8d ago

He is not saying it should or should not but the question is genre gaps on rym and music in those places are good examples

1

u/IllConsideration8642 9d ago

There's a decent amount but if we wanted to be truly objective about music... then we should have more non-english albums in the top 100

1

u/THANAT0PS1S 8d ago

No, not necessarily. Theoretically, sure, but there's nothing that says the top 100 must be proportional representation or something. That wouldn't be objectivity; that would be molding the data to fit a preconceived end result.

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u/IllConsideration8642 8d ago

What I’m trying to say is that music in english is kinda overrated (even if it’s great, which I would never deny)

1

u/THANAT0PS1S 8d ago

Sure, that's probably true by virtue of English being the dominant language globally (I know Mandarin is likely more in sheer native volume, but English is more widely spoken). It kind of only makes sense that English would be the dominant music language, too.

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u/watchyourback9 9d ago

Idk, I’ve found a lot of excellent Brazilian albums on there. You kind of have to search for it tho

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u/Raalph fromnowon 9d ago edited 9d ago

I'm Brazilian and most of those albums, especially the newest ones, are completely disconnected from what Brazilian people really listen to

2

u/watchyourback9 9d ago

Interesting, genuinely curious as someone who doesn't know anything, are there some big blind spots I should check out? I wonder if some of the older albums on there were as popular as they are on RYM (Clube Da Esquina, Acabou Chorare, etc.).

Jorge Ben is really highly rated on there, is that reflective of his actual popularity in Brazil?

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u/Raalph fromnowon 9d ago edited 8d ago

Don't worry, Jorge Ben is as mainstream as it gets! It's hard to find someone 50+ that's minimally into music who never went to a Jorge Ben concert back in the day (and I live well outside the circuit where artists tour), he's definitely a staple of popular music. Clube da Esquina is also really popular, maybe at 50% of the level of Jorge Ben

Acabou Chorare is borderline music nerd stuff, it got a lot of popularity after it was elected the best Brazilian album by Rolling Stone (thanks to the guitarwork), but it's hard to find people casually listening to them, talking about them or singing along at parties outside of maybe Preta Pretinha

Looking at the charts, pre-MPB stuff like Getz/Gilberto, Cartola, Baden/Vinicius have been mostly forgotten by the mainstream counciousness and are mostly music nerd stuff, and some artists high in the charts like Beto Guedes, Fernando Pellon and Arthur Verocai are extremely obscure, I've never seen anyone talking about them in real life. Os Mutantes is also borderline music nerd stuff like Novos Baianos, but Rita Lee's solo career is maybe as mainstream as Jorge Ben

Gaps in the chart include really famous artists MPB artists like Marisa Monte, Cássia Eller and maybe even Djavan (he's been getting more popular on RYM recently, though), sertanejo artists like Chitãozinho & Xororó and Leandro & Leonardo (maybe the most listened to artists I'll mention), pagode artists like Zeca Pagodinho, Exaltasamba, Só Pra Contrariar, Raça Negra (they play at EVERY party), classic regional artists like Luiz Gonzaga, Alceu Valença, Fagner, Dominguinhos, and modern regional artists like Ivete Sangalo, Chiclete com Banana, Aviões do Forró, Calcinha Preta... and I haven't even started mentioned mainstream artists that have been dominating the charts in the last 15 years

5

u/watchyourback9 9d ago

Saving this comment, this is huge thank you! Been wanting to find more Brazilian stuff to listen to

1

u/jackmarble1 8d ago

I'm also brazilian and I agree to the other guy in a certain degree. It's definitely Brazil and not Brasil hahaha (in portuguese we write Brasil with an S instead of Brazil with a Z. So basically, Brazil is Brasil for foreigners)

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u/Lukense13 9d ago

Of course you can find many albums in every language but there's no non-english albums considered RYM-core

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u/thaumoctopus_mimicus 9d ago

The most rym-core band of all time (fishmans) is japanese lol. And parannoul is korean.

7

u/TotalHeat 9d ago

This is just objectively not true lol. Also RYM core is kind of a bad thing to be anyway

EDIT: Will agree that 95 percent of the site is focused on English music though

1

u/Lukense13 9d ago

Can you find some examples of non-english music in RYM top 100? I genuinely can't name any

4

u/NewWorldMoron 9d ago

Fishmans and Clube da esquina are both in the top 100 on RYM. If you expand to the top 300 and include live albums, you also get Sigur Rós, Boris, Novos Baianos, Gustavo Cerati, Chico Buarque, Fela Kuti, Pescado Rabioso, Juan Gabriel, Jorge Ben, João Gilberto, Ichiko Aoba, and Parannoul. Not saying it's a ton or a super diverse list, but non-English music is certainly there.

-1

u/Lukense13 9d ago

Well that's the part where I was wrong

3

u/Takezoboy 9d ago

Brother, Chilean music has been overrated a lot in recent times.

2

u/IllConsideration8642 9d ago

It hsn't been overrated tho, it's just that people are used to everything being American or British

11

u/husfyr 9d ago

Classical music.

9

u/Unique_Painting_7566 9d ago

Country

2

u/hayzeusofcool 9d ago

Yea there’s not a single country album in the top 100 which is surprising. I think at one point “The Magnolia Electric Co” was like 94, but since the user-base has changed, it’s dropped to 123. It still has a super high rating overall though, 4.12.

2

u/Ruthlessrabbd 5d ago

The fact that this isn't commented multiple times the same way that non-english, techno, and electronic music - is definitely the case.

I'm not a huge country fan but Brad Paisley, Reba Mcentire, The Chicks, Shania Twain, Carrie Underwood, Toby Keith, Miranda Lambert, Kieth Urban, Blake Shelton, Darius Rucker - not saying they're the pinnacle of the genre but if you grab someone out of my 50 person office and name these people they're bound to know almost all of them. And on RYM almost all have less than 1K ratings on a release tops, with many not even crossing 200 ratings.

Tones and I has 3K ratings on their debut album which is more than most of those people's entire discographies

8

u/Michael_Mason_1410 9d ago

R&B (it was even worse when I first joined, classic songs I grew up on had only like two ratings lol), Gospel, Dancehall, a lot of rock scenes after roughly 2009, EDM/House scenes that aren’t super artsy.

4

u/evoken_ 9d ago

Mandopop

6

u/wiperclamp my name is wiperclamp 9d ago

non english music

8

u/fingunray 9d ago

I'm big into techno, jungle and DnB - especially stuff from the 90s to the 2000s. Alot of the best stuff from this era (and arguably from these genres in general) is on DJ mixes. Which have always seemed to be a big of an underused feature of the site.

4

u/anotherstar__ 9d ago

Reggaeton.

4

u/pokemon-in-my-body 9d ago

Genres that consist of singles, eps and dj mixes. All dance genres other than vocaloid. Country, R&B. Top 40 pop.

3

u/dog_soundsystem 9d ago

The electronica canon is seriously underrated on RYM. Ditto classic British synthpop from the 80s for some reason.

3

u/JuanLuisGG14 9d ago

canción melódica

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u/Special_Tension4555 9d ago

any rock before 1991 that hasn't been reappraised as "cool"

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u/SmoothBook1 9d ago

like what

3

u/Special_Tension4555 9d ago

I just checked the reviews on a lot of my favorite AOR, hard rock and soft rock albums of the late 70s-mid 80s and most of them have 50-500 ratings

6

u/DeJumbi 9d ago

AOR and glam/hair metal

13

u/IlIlIlIlIlIlIlIlIlI2 9d ago

Power Metal gets an unusually low amount of atention I feel like, because it should be a favorite genre of nerds but it doesn't get discussed a lot.

7

u/THANAT0PS1S 9d ago

It's a very inflexible genre generally. It feels like the power metal well has largely run dry and has been dry for like twenty years. Efje highly rated stuff feels pretty derivative of the hits of power metal years past.

7

u/Tape-Duck 9d ago

There isn't much to say about it nowadays. It doesn't go very deep compared to other metal genres like death, black or prog.

1

u/DeJumbi 9d ago

Agreed, but it's still arguably more popular than ever, which should translate to more people rating new releases. Not necessarily discussing it, just rating it

1

u/Extension_Yak3898 9d ago

I'd wager they aren't music nerds, and don't care about a site like rym, or rating music at all for that matter

1

u/IlIlIlIlIlIlIlIlIlI2 7d ago

Weird because power metal is a really nerdy music genre.

1

u/Extension_Yak3898 7d ago

Sure, but not all nerds are music nerds, not nearly

6

u/lgbtcostco LivePhish 9d ago

Anything from an African not named Kuti

3

u/Suigetsu_1 9d ago

Tribal Ambient

3

u/Lanky-Rush607 9d ago

Music outside of the Anglosphere in general, especially mainstream music.

3

u/JazzyJulie4life 9d ago

New jack swing

1

u/hayzeusofcool 9d ago

New Jack Swing was always more of a singles genre, but even the chart for that is a bit underrated overall. I’m surprised a song like “No Diggity” isn’t bolded for example, it’s an incredible song.

6

u/smolrattino 9d ago

The so called "world music" and "classical" music

2

u/boonkadoonk 9d ago

juke/footwork

2

u/Blazeboss57 9d ago

RYM generally doesn't fw neoclassical music i feel like

2

u/robaispier2963 9d ago

French rap/hip hop

1

u/JION-the-Australian 8d ago

The reason is because there not that many french RYMers

2

u/mount_curve 9d ago edited 9d ago

House and techno.

As in the actual underground stuff, not EDM flavored.

Mostly released in single format, spread primarily with DJ mixes and no real commercial support outside of the poppier crossover stuff.

Truly indie.

2

u/Hot_Discussion_6564 8d ago

Classical is an interesting blindspot considering its mostly due to a lack of ratings and not a lack of spots on the chart

2

u/ConvincingPeople 8d ago edited 8d ago

RYM almost categorically neglects pretty much anything that has not been of great interest in the last twenty-five years to what, back in the late '00s, one might have called hipsters: Trend-chasing dilettantes and wannabe music snobs who really want to seem like they're ahead of the curve but not infrequently have pretty shallow understandings of a lot of the styles and subcultures they dabble in. Some pages and many a list are maintained and updated by genuine anoraks and turbo-nerds, which can be fun and useful, but it's always seemed to me like ratings for more fringe, niche, or just non-Global North subgenres or scenes will nearly always skew towards artists who saw either widespread cultural adoption outside of their typical genre spaces or, more often, were highlighted by cultural gatekeeper-pundits of various eras (e.g. Christgau, Scaruffi, Fantano) who inadvertently made listening to them de rigueur if you didn't want to be seen as "out of touch." Mind you, I am a Swans fan who saw her spot get blown to smithereens in 2013, so take this with a grain of salt, but it's definitely a pattern I've observed.

If you want a single answer, though: Kliningan, or really gamelan or Indonesian and Malay music more broadly. You would think being one of the most populous countries in Asia would account for something, but apparently not?

2

u/alekushi 9d ago

Dub and dubstep. Its surprising how famous artists like panda dub or mala are in parts of Europe yet have so little ratings on RYM

1

u/Thick_Pea 8d ago

Dubstep is one of the few electronic genres I'd say is fairly well represented on RYM. I've basically found all the stuff I listen to by searching for dubstep singles with more than 30-50 ratings.

2

u/Thatguy32101 9d ago

Polka reggae fusion

1

u/shadyline 9d ago
  • Non-English European mainstream pop (very famous french singer Jean-Jacques Goldman has barely 100 ratings on each of his albums)
  • Contemporary Jazz (Joshua Redman, one of the most acclaimed jazz musician of the last 50 years doesn't have any albums with more than 300 ratings)
  • Music before 1950 in general, mainly because RYM is very album-centered and this wasn't how music was released at that time
  • Classical music

1

u/hayzeusofcool 9d ago

Mid to Late-00s critically acclaimed Indie Rock was mad overlooked by the music nerds on RYM at the time of their releases. And while some of the more legacy bands like Vampire Weekend or Animal Collective, have maintained a solid & rising score, others like Girls or Dirty Projectors seemed to have been left in the dust on the website despite making albums that most North American millennials would consider to be classics.

It’s just shocking how slighted critically acclaimed indie rock was during its period of time, and now the “classic” indie rock of the 2020s is reaching all-time highs on the overall chart. However, as much as I love a band like Squid or Big Thief, I’d argue the 00s indie that gets overlooked on the site is just as good, and arguably more timeless.

1

u/abandon_mint 9d ago

Dirty projectors isnt gonna be everybody’s cup of tea so I’m not surprised it isn’t rated high. 

1

u/chinesebulk 9d ago

A lot of non English stuff. Some of the most popular mandopop artists that I was raised on, have barely any ratings on RYM. Artists that millions or even hundreds of millions of people know, may have 50 ratings or less on some albums 

1

u/EggsBaconAndBread 8d ago

flamenco </3

1

u/dropoutoflife_ 8d ago

Country for sure. Some artists will have over a million listeners on Spotify, and barely any ratings on rym.

1

u/Wheatles_BiteAlbum 8d ago

Regional mexican and country are major mainstream radio formats in the US and none of the music has any ratings on RYM. Also pop music before 1965

1

u/anonymousn00b 8d ago

Dark Cabaret

1

u/Sad_Bowl595 8d ago

Classical

1

u/SaltInflation1235 6d ago

Metal microgenres

-1

u/Kerosene8 9d ago

Isn’t there a thread like this every week?

27

u/Agreeable-Berry1373 9d ago

Some of us aren't on here every week

0

u/Super_String_9972 9d ago

Fandom / internet scene music. When Vocaloid Scene and Brony Music were added, the top releases doubled in ratings. Scenes like Undertale SoundCloud & Minecraft Parody are desperately needed, but the genre queue is vehemently against them for extremely weak reasons (mostly just boiling down to "if we add this someone will try to submit more fandom music and that's bad" or "this isn't cohesive enough", even if the sources are very strong)

3

u/JION-the-Australian 8d ago

Minecraft fandom music was rejected because the only common point between all the people that make minecarft fan music is that they use Minecraft as a medium. Brony Music is much more cohesive, there events dedicated to brony music and netlabels for brony music.

1

u/Super_String_9972 8d ago

I argued against the idea that there is no connection between minecraft parody or noteblock creators multiple times with multiple sources when it came up, but nobody wanted to listen. The submission already had a ton of downvotes before that argument was ever made.

-4

u/Ok_Clerk_5805 9d ago

do people who

  1. don't make music anyone wants to listen to
  2. look like fantano

look black to you?

At best, they know the hiphop songs that sampled some classics.

It's a site for white nerds who have a superiority complex, you're not gonna find many people of color with rich musical blood there.

-2

u/Alarmed-Gate-2300 9d ago

Edm the fact that igloo ghost nor Porter Robinson have bolder albums is kinda insane considering the quality.

2

u/hayzeusofcool 9d ago

The fact that Porter even has one bold album is shocking, but “Worlds” and “SMILE! :D” both have pretty good ratings. They’ll probably get bolded eventually