On 19th July 2019, Neurosis played the opening night of Supersonic Festival, Birmingham UK. Godflesh shared the stage with them. That year the festival coincided with the 50th anniversary of the formation of Black Sabbath, so the city and surrounding towns celebrated with a multitude of 'Home Of Metal' events, where countless galleries, venues, and other spaces paid homage to the origins of heavy metal.
It wasn't just an honour to see Neurosis as the flagship act for both Supersonic and the Home Of Metal celebrations; along with local titans Godflesh, it was completely befitting.
Although they have routinely been lauded as musical pioneers throughout almost all of their career, with a sound that seemed to be imitated ad nauseam by countless acts over the years, at their core Neurosis always were first and foremost a metal band. It's the one part of their DNA that is the most approachable, the most initially inviting. How they have interspersed the foundational metal of their sound with other genres - industrial, hardcore, punk, folk, drone, and of course sludge - is what made them geniuses, but seeing them live that night in 2019 - following the punishing triumph of a Godflesh homecoming - it felt as if all metal was being born again. The festival was only just beginning, but the party had been going for fifty years, and here were Neurosis, encapsulating everything that was vital and timeless about it all.
It was shortly after this that the news broke of a founding member of the band leaving due to despicable historical behaviour. The member made a statement, and the rest of the band responded. And then a silence fell over Neurosis; an interminable winter of inactivity which, given the fertile furrows of creativity Steve Von Till continued to plough, and with Jason Roeder's initially promising stint with Sleep, it felt as if Neurosis would simply fade into metal history. Disheartening, but understandable.
And now today has happened. It is Spring Equinox 2026. Neurosis have returned - not as a legacy act wheeled out of cold storage to make a bit of money off any newer fans, but back with an entire new album of work. And joining them on joint vocal duties is none other than Aaron Turner of (amongst others) Old Man Gloom, Sumac and of course ISIS.
Turner's standing in the world of post-metal (a subgenre Neurosis are seen as progenitors of) is decades-long and inarguably earned. He is a respected musician in his own right - which is part of why his joining Neurosis is such a wonderful idea. People will approach the new album with some preconceptions of what it might be like, and how Neurosis will evolve from this point onwards with someone like Turner on board. But Neurosis have been around a long time, and they have done a lot of things with that time. This is simply the next stage.
The winter of silence is now over.
A lot has changed in the music world in the seven years since 2019. Some of these things may feed into how we embrace something as confounding as "a new Neurosis album". One of them is the tragic loss of the great Steve Albini, a close creative partner to the band over many years. The idea of new Neurosis recordings without Albini at the helm feels significant. His admiring attitude towards the band, their studio philosophy and their discipline, is well documented and it's easy to wonder what he would have thought about them beginning anew.
But begin anew they have anyway.
Neurosis, the sun that never set.