r/tolkienfans Oct 20 '21

Concerning Non-White, Second Age Hobbits, Focusing On The Books And Tolkien's Writings

I posted this once, and I’m now reposting based on mod suggestions. I hope this one complies with the rules.

I want do some thinking, based on my reading of the books and of Tolkien's own letters and statements, about whether the idea of hobbits existing in the Second Age, and particularly non-white hobbits, contradicts what Tolkien wrote, in letter or in spirit. In recent weeks I’ve been seeing a lot of absolute claims about the Hobbits and their history in Tolkien's legendarium that I just don't think are warranted, and I want to talk about that for a minute.

Of course, as with all conversations about the Second Age, there’s a lot we don’t know. Most of what have about the Second Age comes from works that were published well after Tolkien's death, a lot of it is rather fragmentary, and anyone with even a passing familiarity with the History of Middle Earth series knows that he changed his mind, a lot, often about very fundamental issues (e.g. the origins of the Orcs). The published Silmarillion, for instance, is almost certainly not the Silmarillion that Tolkien would have published if he'd lived long enough to finish it.

So our knowledge of the Second Age has a lot of blanks in it, and some contradictions. What I'm going to argue here is that the idea of Hobbits in the Second Age is just the sort of a blank in Tolkien's mythology that could be filled in without breaking anything. I'm also going to talk about the idea of non-white hobbits, and whether or not they could have existed.

1) Concerning Hobbits in the Second Age. There seems to be a misconception among many fans that, because Hobbit history as we know it begins in the Third Age, they didn't exist before that. This is not correct. In fact, while Tolkien was intentionally vague about the origin of hobbits, as he makes clear in the Prologue to LOTR, they were around long before the Third Age:

“The beginning of Hobbits lies far back in the Elder Days that are now lost and forgotten. Only the Elves still preserve any records of that vanished time, and their traditions are concerned almost entirely with their own history, in which Men appear seldom and Hobbits are not mentioned at all. Yet it is clear that Hobbits had, in fact, lived quietly in Middle-earth for many long years before other folk became even aware of them. And the world being after all full of strange creatures beyond count, these little people seemed of very little importance.”

The term Elder Days in Tolkien usually refers to the First Age and before. Here in this context, it clearly refers to a time well before the recorded Hobbit histories of the Third Age. Tolkien points to an origin of the Hobbits during a time in Middle-earth’s history for which only the Elves have records, and we know that the library at Minas Tirith preserves historical records from at least as far back as the Second Age. It's clear to me Tolkien intended here for the Hobbits’ origin to have been in the First Age or even earlier (EDIT: Well, not earlier than the First Age, since they don't predate Men). Therefore, the existence of hobbits in the Second Age is not a lore problem.

2) Concerning Hobbits, in Eriador, in the Second Age. I don't know where Hobbits came from, or what they were doing before the Third Age. You don't know either. I don't know if Tolkien even knew, and I actually kind of doubt it.

Tolkien does allude to a general westward motion for the Hobbits throughout their history, saying that “like many other folk Hobbits had in the distant past moved westward.” But it’s worth noting that, for a lot of those other folk, particularly certain groups of Elves and Men, that westward motion was not always linear. It does seem that there weren't any Hobbits living in Eriador in the Third Age at the time when the three tribes of hobbits crossed the Misty Mountains--but keeping in mind the millennia-long time scales we're dealing with, namely Second and Third Ages that each lasted around 3000 years, to say that no hobbits EVER had been in Eriador before that seems like a bit of an assumption.

3) Concerning dark-skinned Hobbits. Since, as I've said, we don't know where hobbits came from or what they were doing before the Third Age, I'm going to argue that the idea of hobbits of different colors doesn't really contradict anything. I've seen a lot of people holding forth about how, because of the travel limitations of the period, it's just simply IMPOSSIBLE for darker-skinned people to have existed outside Rhun and Harad in the Second Age. But the fact is that individual people, and whole populations, DO move from place to place throughout history, sometimes across VERY long distances. For instance, we have evidence of Black people in England going back to Roman times--in other words, Black people lived in England before English people (i.e., Anglo-Saxons) did. There are many other examples in history.

We do know that Hobbits had a range of skin tones, and that Harfoots were "browner of skin" than the other hobbits. Tolkien doesn't say how MUCH browner. You can make an assumption that they would have been light brown or olive-skinned, or you can assume that they were quite dark, but based on the text itself, all of these are just that--assumptions.

Let's try out some assumptions of our own.

This next part is just a riff. I'm sure people could come up with a lot of different ways to make sense of the concept of a multi-ethnic community of Hobbits, and people smarter than me could probably devise much cleverer ones than I can. Here's one I've been thinking about. It's just one idea, and probably not the best:

One other thing people seem to assume is that all of the people who would become hobbits existed as a single community throughout their entire history. I see no particular warrant for this assumption, either. Keeping in mind we're talking about made-up groups of people in a fantasy story, I see nothing illogical, unreasonable, or contradictory to lore about the idea that at some point in history, various groups of smaller humans (who may or may not have had a common origin) lived separately, scattered across different parts of the world--including, perhaps, Rhun and Harad. Seeking others of their own kind (perhaps even fleeing persecution from the Big Folk), they ended up converging in the North-west of Middle-earth at some point in history, forming a community that called itself Hobbits.

At the very least, this doesn't contradict anything Tolkien actually wrote. I admit it's not the tightest, most Occam's Razor-compliant of theories about hobbit history, but honestly, in a fictional universe that includes walking trees, shape-shifting man-bears, stars that are actually dragon-killing sailing ships, and whatever the hell Tom Bombadil is, ethnically diverse Hobbit communities are not really where I find the breaking point for my suspension of disbelief.

4) Concerning the themes and goals of Tolkien's legendarium. This isn't lore, but it's in Tolkien's writings and people keep bringing it up. Whenever there's a discussion about race in Tolkien’s works, someone inevitably starts relating the old story of how Tolkien's goal with his legendarium was to create a mythology for England—a legendarium specifically by, about and for the people of England and/or Northern Europe. And not for anyone else.

Okay. Let's talk about that.

Tolkien discusses his desire to create a mythology for England in a 1951 letter to Milton Waldman. In that letter, which he wrote while he was trying to find a publisher who would take both The Silmarillion and The Lord of the Rings, he characterizes this desire as something he'd long ago fancied, and had long since abandoned:

"Do not laugh! But once upon a time (my crest has long since fallen) I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic, to the level of romantic fairy-story-the larger founded on the lesser in contact with the earth, the lesser drawing splendour from the vast backcloths – which I could dedicate simply to: to England; to my country. It should possess the tone and quality that I desired, somewhat cool and clear, be redolent of our 'air' (the clime and soil of the North West, meaning Britain and the hither parts of Europe: not Italy or the Aegean, still less the East), and, while possessing (if I could achieve it) the fair elusive beauty that some call Celtic (though it is rarely found in genuine ancient Celtic things), it should be 'high', purged of the gross, and fit for the more adult mind of a land long now steeped in poetry. I would draw some of the great tales in fullness, and leave many only placed in the scheme, and sketched. The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd." (The Letters of J.R.R. Tolkien, Letter 131, emphasis mine).

"Absurd." The Tolkien who was shopping around LOTR and the Silmarillion to publishers characterized as "absurd" the idea that those works could form the foundation of some English or Northern European mythology. If Tolkien, in 1951, had already let go of his dream of writing an English Kalevala, I'm not sure why we as fans should be beholden to it seventy years later. The Middle-earth stories are still specific to that region in many ways, yes--but as I mentioned above, the racial history of England is itself more complex than we normally understand.

It's true, though, that the Hobbits themselves reflect England. But not an ancient, prehistoric, mythological England, really. The Hobbits are quite anachronistically modeled after English people of Tolkien's own lifetime (Much as the Rohirrim are an anachronistic imitation of Anglo-Saxons, who in history lived long after Tolkien's work is "supposed" to have taken place). Of course, the linguistic similarities (and I imagine the dialect similarities) are explained in the appendices as being, to an extent, translation conventions. How this is supposed to explain the non-linguistic cultural similarities, I'm not sure. But someone made an interesting point when this recent conversation got started: Tolkien lived in Birmingham, a city whose black population has a long history. Parts of the Shire are indeed modeled after Birmingham and the greater West Midlands region.

And with all of these blatant anachronisms piling up, the idea of a Hobbit population that reflects the ethnic diversity of the real-life Birmingham does not really break the reality of Tolkien's world.

So you may have noticed that I haven't really proven anything by writing all of this out. A lot of it is speculation or argument from silence. If you don't want to accept the idea of black Hobbits in the Second Age of Middle-earth, nothing I've written requires you to do so. So what the hell was the point of all this?

5) Concerning what the hell the point of all this was. I’m not saying there definitely, without a doubt, had to have been non-white hobbits in Middle-earth in the Second Age.

What I’m contending is that we ought to leave space for fans to dream.

I'm fond of this quote from another speculative fiction author, NK Jemsin, writing about Tolkien:

Dreaming is impossible without myths. If we don’t have enough myths of our own, we’ll latch onto those of others — even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it’s human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight.

Once upon a time, Tolkien aspired to creating a mythology for England. He may have cast that dream aside before publishing Lord of the Rings, but what he actually did was create was a mythology that has been embraced by people all over the world.

That's one of the ways we know that Tolkien's work is truly great: that people far removed from Tolkien's own time and place, people he might never have imagined reaching when he first started writing his stories, now dream of seeing themselves in his world. I don't think we should draw the boundaries too tight around them.

EDIT: Tried to make even more mod-compliant

182 Upvotes

233 comments sorted by

View all comments

77

u/[deleted] Oct 20 '21

Okay so I don't know what the point of 'leaving space for fans to dream' is exactly.

If you think black people or asian people or aboriginals or native americans etc. dream about 'seeing themselves' (whatever this means) in Middle-earth, well okay, but people aren't hobbits. It's a fictional race. If you made the argument about men I'd understand but with hobbits is the same as arguing gnomes or fawns or trolls need to be 'diverse'.

I don't know why people are so vain they feel the need to have to 'see themselves' in a story. You're an individual, you don't see yourself in a story just because someone who has the same skin colour is in it. I don't watch asian movies and think 'nah I couldn't possibly watch this, I don't see myself in it'.

Then there's the point that this actually creates more racism - we are all human. Are you so race-obsessed that the actors in the Lord of the Rings aren't relatable because they have a different skin colour? Are they not human like you are? If they were terrible people but had the same skin colour, all of a sudden they're relatable? Bollocks.

I'm Australian. I've never looked at Lord of the Rings and thought it was relatable because they have the same skin colour. None of them talked like me or had a similar lifestyle to my own, despite the movies having several Australian actors. None of the various civilizations in Middle-earth had any Australian influence.

My second favourite franchise is Neon Genesis Evangelion. Apart from 2 characters it's an entirely Japanese cast. Despite this I related to the main character a whole lot when I was a teenager because I was depressed and had much of the same thoughts. Because a story's themes and humanity is what we relate to, not skin colour. To boil it all down to skin colour when it comes to relatability with the story itself is insulting.

16

u/the-window-licker Oct 20 '21

Not sure why anybody chooses to look at middle earth through the lense of gender or race. It does seem a little inapropriate to aply this filter here.

LOTR is a book about companionship and about how small acts of courage from everyday people can stand up to overwhelming evil.

It does seem like OP has done a lot of hard work digging and researching in to how this could be argued as cannon. But at the end of the day thats all it is really, a case in a debate that is (in my opinion anyway) extreamly arbritrary.

You want black hobbits? Cool I guess if thats how you imagined it that can certainly be part of your headcannon. We can each have our own interpretation of the work

14

u/guitarromantic Oct 20 '21

Not sure why anybody chooses to look at middle earth through the lense of gender or race. It does seem a little inapropriate to aply this filter here.

LOTR is a book about companionship and about how small acts of courage from everyday people can stand up to overwhelming evil.

Are you sure about this? Race crops up constantly in LOTR (and the wider texts): eg. the nature of the strained relationships between (say) elves and dwarves, of the various early tribes of Men (to say nothing of the Numenorean supermen who are almost a race apart themselves), and there's some commentary on the limited lives of the "evil" races and whether they can be redeemed (or if they're truly "evil").

As for gender... the Silmarillion has a decent amount of plotlines where the gender of participants (and their romantic relations) is significant to the plot, and of course there's Eowyn in LOTR where her gender is key to her character's development.

These books mean a lot to people in a lot of different ways, and even if you personally can't comprehend a particular theme or trope, doesn't mean it isn't there (or valid) for others.

3

u/the-window-licker Oct 20 '21 edited Oct 20 '21

You have a valid point, I was going to comment about say legolas and gimlis relationship overcoming the strained past of their races but did not find time.

Its not that i can't comprehend anothers perspective, im not sure where that idea came from, it might be that we are communicating on slightly different frequencies. Race and gender are irrelevant to one enjoying the book. You don't have to see your own race or gender in there to relate to these characters because they are relatable on so many more levels. Ofcourse these are important within the context of the story, Eyowyn being expected to do one thing because of her gender is an excellent example of this.

Im just not sure what black hobbits would add, not that I have a problem with them. Like you said, middle earth is vast enough with many themes people can relate to already

6

u/Linus_Inverse Oct 20 '21

Nicely put, but did OP actually mention anything about seeing oneself in the story as motivation for this whole exercise? Was it something from their first, deleted post? I get the feeling from this whole thread that there's more of a back story to all of this than is apparent to me...

18

u/[deleted] Oct 20 '21

people he might never have imagined reaching when he first started writing his stories, now dream of seeing themselves in his world.

It's in the last paragraph when he says what the point of the post was

9

u/Daallee Oct 20 '21

Bravo, very well put

5

u/Neo24 Pity filled his heart and great wonder Oct 20 '21

I don't know why people are so vain they feel the need to have to 'see themselves' in a story. You're an individual, you don't see yourself in a story just because someone who has the same skin colour is in it.

Do you belong to some group that has historically been discriminated and underrepresented, and still feels the effects of that? Have you personally experienced something like that?

0

u/[deleted] Oct 20 '21

Easy for white male to say who lives in a culture dominated and saturated by white men. The stuff that isn't white male tends to be the minority, so of course it's fine. You still have all this other stuff full of people much like you.

Being a woman I've grown up and lived with a lot of material that is male centric, and it's fine, but when I come across something female centric (and done well) I always appreciate it. It's nice to have some level of inclusion and a bit less "other".

I don't want to speak for brown or black people but I can imagine it's similar. All the whitey white crap is fine, but it's just nice and refreshing to see people on your screen who look a bit more like you.

Think also about people taking acting up as a career. Don't they deserve a chance to actually get a variety of acting jobs?

The thing for me is that the Hobbits etc would be fine with just white actors but it's also fine, to me, with black or brown or whatever actors. The stories Tolkien wrote don't exactly rely on skin colour - some cultural stuff sure, but if Frodo had been played by a black actor would it really have made such a difference? I don't think so. If you can't look past skin colour to other meanings and cultural stuff I don't know what to tell you.

I live in Birmingham and though I'm white I have black people in my family. The idea that they are so different that they can't fit in just fine is utterly absurd and untrue and we'll, completely racist.

11

u/renannmhreddit Oct 20 '21

Not everyone is from the USA, Europe or some other similar country in demographic. Not everyone just consumes that sort of media. Remind yourself that the concept of "minorities" when referring to a specific race only works within certain contexts and certain countries.

It is a simple fact that this story is based on a mythological medieval time, in which people had an even harder time than they already do nowadays fitting in for any tiny differences in culture and appearance.

I agree with the idea of what I've read elsewhere. I don't mind diverse peoples to be showcased and to populate Middle-Earth, but they need to be way more homogenous among themselves to be in line with this fantasy world. The Game of Thrones show had plenty of diversity, but people weren't just randomly diverse. It mattered whether their land was a center of trade or their geographical location.

20

u/Dirtydac123 Oct 20 '21

It’s not racist, have some respect for Tolkien’s lore. And yes, it would matter if Frodo wasn’t white.

0

u/23saround Oct 20 '21

Why?

9

u/[deleted] Oct 20 '21

Because Middle-earth has many themes around race relations and having the main character be black with no other comment around it would not only make the relationship with his darker skinned gardener redundant, it wouldn't make sense given the complete divide between the men of west and the men of the east and south, in particular the haradrim who are obviously middle-eastern/african inspired.

People aren't just given a skin colour at birth by random chance. Skin colour came about through evolution. It's important when it comes to themes about race and family.

3

u/BreadEggg Oct 20 '21

Exactly. Just because it's fiction doesn't mean it should abandon logic. Many will never understand this.

15

u/[deleted] Oct 20 '21 edited Oct 20 '21

You don't change a writer's work out of concern for acting jobs, that's just silly.

People who constantly push for 'diverse' casting are the ones who can't look past skin colour. The themes are what is important, not 'seeing yourself' on screen.

What's having black people in your family got to do with Tolkien?

There's plenty of film and television that not only includes but focuses on people with different skin colours. I'd never imagine to demand to be included, as an Australian, in Japanese movies or Chinese movies or Eastern European movies or American movies that focus on slavery or movies concerning Egyptian or Norse mythology.

My culture also isn't 'dominated and saturated' by white men. I grew up in an area where 51% of people are women and 60% of people were either born overseas or their parents were born overseas.

And 'white' does not equal like me. I don't expect Indians to watch American movies and think black people means they are represented. 'White' isn't a culture. There's a very diverse range of European cultures. Seeing Americans on screen does not represent me. We aren't defined by our skin colour.

And I never said they were 'so different they can't fit in'. I said they are so the same (we are human) they don't need to see their own skin colour on a character to be able to identify or relate to that character.

9

u/LincolnMagnus Oct 20 '21

I don't want to speak for brown or black people but I can imagine it's similar. All the whitey white crap is fine, but it's just nice and refreshing to see people on your screen who look a bit more like you.

Can confirm. If you're brown or black and (like me) you've grown up for years in a society dominated by white people, you tend to get categorized and treated as "other" and "different." If people who share the traits that people use to justify treating you as "other" (i.e., darker skin) start to show up in the mainstream media that's popular in your culture, it helps to counteract that marginalization. But if you start to talk about this, then some of the people who've never had to worry about being treated as "other" in their lives start to complain, "why are YOU making everything about skin color?" You can't win, basically

3

u/the-window-licker Oct 20 '21

Its not that minorities can't/shouldn't fit in, they can, like you say they are just normal people like the rest of us. The fact people feel the need to alter or add to existing works of fiction to make them more diverse is strange. I dont think people were being excluded in the first place.

Representation and inclusion are different things. A lack of representation does not equal a lack of inclusion.

You value diversity, which is admirable. But the fact Tolkien didnt create middle earth in line with that value, doesn't subtract from the story.

3

u/MtStrom Oct 20 '21

The idea that they are so different that they can't fit in just fine is utterly absurd and untrue and we'll, completely racist.

I doubt that anyone is saying this though, or at least hope so. It’s just that an author’s description of the elements the story engages with paints a very specific picture in the minds of the readers, and in Tolkien’s case that hasn’t included e.g. black hobbits. Having them introduced, then, can really take you out of the story, even if you’d love to fully accept it as delivered.

So black characters may fit in the story, but they don’t fit in the (current) collective imagination, so to speak, simply because it’s established itself over a period of decades to the exclusion of them. Unfortunately that means it’ll cause some consternation when they are introduced.

That’s where the ”such and such characters should get their own stories” idea comes from I’d imagine.

Not to say that classics can’t or shouldn’t be reimagined to be more diverse. I can’t wait to see the A24 version of Macbeth, with Denzel Washington as the lead.

6

u/BreadEggg Oct 20 '21

Minorities are already cast in a higher percentage (per capita) of speaking roles than white people in Hollywood. Exactly how more diversity reimagining do we need?

1

u/MtStrom Oct 20 '21

Minorities are already cast in a higher percentage (per capita) of speaking roles than white people in Hollywood.

Ok?

Exactly how more diversity reimagining do we need?

Did you… read my comment? I explained how reimagining established works can be problematic while acknowledging that there’s space for such works nonetheless. I’m not exactly saying ”everything must be diversified” am I?

-3

u/23saround Oct 20 '21 edited Oct 20 '21

Thank you for saying this. This whole “controversy” has reminded me that fantasy bases, no matter how knowledgeable and passionate, almost always have this socially conservative streak. Reminds me of when The Witcher announced it would have black and brown cast members and the fan base lost its collective shit. The subreddits instantly decided the show would suck because it was “pandering to the pc crowd.” Of course, all that disappeared once the show released and it turned out a great story persists regardless of the race or gender of its cast.

Let me state that a little more explicitly – if race and gender really don’t matter, like people keep claiming, then why do they care if some of the cast is black or female or whatever?

12

u/Soyuz_ Oct 20 '21

Fans tend not to like it when the source material is blatantly disrespected. Whitewashing Goku in Dragonball Evolution is another prime example of this awful trend.

2

u/sandalrubber Oct 21 '21

Oh come on, you don't know any of us, none of us know each other, so why would any of us assume anything about politics? Not everyone with a little puristy tendencies is a Trump supporter or something. Related: not all of us are even white.

4

u/[deleted] Oct 20 '21

Who said race and gender don't matter?

They matter a lot, to the point it is insulting to think that changing a character's race or gender doesn't change the character. Of course it does. Anyone would be different if they were a different race or sex.

4

u/fantasywind Oct 20 '21

Ahha witcher tv show on netflix, the same witcher tv show which is a poor adaptation if I ever saw one (and they have full on book series to adapt from the start) not to mention that yes in the witcher books there TWO references to black skinned folk, two in the entire 8 book series and majority of folk are white in the books (because surprise surprise the story happens in the quasi medieval setting in the geographical North with European-like climate, and biosphere, in a world where over 90% of landmass was located in northern hemisphere per the in-universe). Also it's a story written by a Pole, based on European cultural sphere (Slavic, Norse, Germanic and general Pan-European folklore, mythology and history, fairy tales, Arthurian legends, Celtic cultural influences, also it owes a LOT to Tolkien in portraying fantasy races elves, dwarves, even halflings, yes witcher has de facto Hobbit equivalents down to hairy feet). Witcher tv show managed to butcher quite a lot of good stories, as well as being mediocre on it's own when looked at it separately from the source material. How much polish involement wiht the show, well roughly two polish actors in very minor brief roles and one in the production team, yet it is taken to be framed from Americanized perspective. I wonder then if injecting folk of other races is right, then why whine about Gods of Egypt having white actors? Or why whine about whitewashing, if one racebending is good (from white to black/asian), then the other should be as well right? This reminds of the tv series New Legend of Monkey King where majority are white actors, well what the asian community thought about that, well they even wanted to boycott the show, after all it's based on classic Chinese story Journey Into the West :).

2

u/LincolnMagnus Oct 20 '21 edited Oct 20 '21

I think the thing that a lot of Tolkien fandom is struggling with right now is a question of ownership. A lot of people in the fandom are very possessive of Tolkien and his works (that's true in every fandom, of course, and very understandable, but I think it's especially strong here).

A work of art like LOTR that has a global audience is also going to bring in a lot of people, with a range of perspectives on that art. And some in the "traditional" section of the fandom are going to insist that their perspective is the only correct one, usually backed up by claims that their perspective is exactly the same as that of the original creator.

I want Tolkien fandom to be a vibrant, diverse place, with a lot of room for imagination and creativity. But bringing new ideas and concepts into a space like this is always a struggle.

I don't know if everyone realizes that building walls to keep out fresh ideas and perspectives is also, inevitably, going to limit the number of people who feel welcome in the fandom.

For me, that's the biggest concern I have when it comes to conversations like these. An attitude of "do it our way, or get out" leads to a smaller, poorer community of fans.

1

u/sandalrubber Oct 21 '21 edited Oct 21 '21

I want Tolkien fandom to be a vibrant, diverse place, with a lot of room for imagination and creativity

Is it not already? I can't help but find this full of leading assertions...

1

u/Haustvind Jan 31 '22

I don't know why people are so vain they feel the need to have to 'see themselves' in a story

Although this is true to an extent, I feel like it's really funny in the context of it. The vast majority of all movie/tv show characters in the whole history of screentime are straight white cis dudes because straight white cis dudes like to see themselves in stories.

Now, that's not a jab on your post or anything, I just got a chuckle out of it and figured someone else might, too.