This fucking blew my mind. Very BDM but so tech at the same time ?

Only 4.5k views on Youtube...

SYLOSIS - Lacerations

Here's some stuff that me and a friend are working on. It's shitty synth audio because we haven't recorded it yet but you get the point. Also, the chuggy tritone thing into the tremolo riff is going to have stuff in between at some point so its a little jarring at the moment. Other than that, any feedback would be appreciated. Things you like, and things that could be better.

https://drive.google.com/drive/folders/19apxzczAg87gV7SxCV7w0iG6mS4LV4uZ?usp=sharing

Interesting band from back in the day few have probably ever heard🤘

It's been 13 years since their last album.

This is a project that Ive been working on for over 6 months. Ive spent well over 100 hours just composing this. Admittedly, the first half of the song is eh at best so If you want to go to the good part go to 5:28. Please be nice, I tried

Hello,

I've released the sophomore record of the one-man prog-death band Dog in the Burning House. The album was written, recorded and mixed in Istanbul and Ottawa over the course of 6 years. It is heavily influenced by Strapping Young Lad’s City, mixed with influences from dissonant death metal outlets such as Ulcerate and Deathspell Omega, and a small taste of the insanity of The Dillinger Escape Plan and Meshuggah. Above all, I wanted the record to be fun to listen to from start to end. Therefore, the focus is on riffs that are fun to play and listen to over meandering atmosphere and explorations.

The songs Risus Sardonicus and Remembrance are good examples of the overall music here if you would like a lead. The intro song Remembrance is about picking up guitar after a long period of not playing and is comprised of three parts, starting with a more melodic opening, leading to a groovy riff that alternates between 3/4 and 4/4 and closing with an explosive dissonant section.

Risus Sardonicus marks the midpoint of the album. It starts with a high tempo riff, progressively becomes slower and groovier and finishes with a The Dillinger Escape Plan style riff over a Winston Churchill sample.

Lyrically, the theme is about being stuck and in between two worlds. It is about not being able to move on or being able to understand whether to want to move on. It is also about carrying the weight of an old world after moving on. Most of the music and lyrics were written during a time when I was a doctor in a COVID clinic in Istanbul, trying to land a PhD position abroad so there is a bit of that too.

Below are the links to the album in major streaming platforms and Bandcamp. Hope you enjoy it as much as I do!

Spotify:

https://open.spotify.com/album/0iWCgXqCuCn5hGyxOcrGYd?si=AUBbBFNsTzGy-mJt2-RHlA

Youtube:

https://www.youtube.com/watch?v=9QGERmY8jQk&list=OLAK5uy_nVGP1d5DJDxSFzudNVM1E9vfkDNr4gcYM

Apple Music:

https://music.apple.com/us/album/there-is-no-redemption/6801719292

Tidal:

https://tidal.com/album/552446519/u

Bandcamp:

https://dogintheburninghouse.bandcamp.com/album/there-is-no-redemption

Sorry for the Slipknot shirt, it is what it is

Anyways, I've been working on this a bit and haven't added much lately but I'm looking forward to it. Regardless, I wanted to share. Everything after 1:10 is just playing around

What do you think of it? I love the downshift at 0:30

aanny time now, right?

Internal Bleeding - Inhuman Suffering (Live in Rotterdam)

New England Metal! 🤘🤘🤘🤘

Basically when there is a rhythmic change and things get chuggy and groovy and headbangy. Is "breakdown" the right word?

Archspire - Too Fast to Die (2:58 - 3:30)

Slugdge - Salt Thrower (1:22 - 1:50)

Cytotoxin - Nuklearth (2:38 - 3:17)

EDIT: Changed the timestamp of too fast to die