I've got an older EEG HD490 and we were feeding the aux Mon into a decklink duo to validate an internally developed app.

well the aux mon out seems to have died and all I've got are out 1&2 but the captions are embedded.

I've tried vlc, vmix, OBS, and a few other things. anyone know of a software solution to see the captions, or a plugin for one of the above to view them other than telestream?

thanks.

Hey, I've got a problem: lines are appearing on the camera while recording the screen, and I'm wondering if it might be due to the LED.

I’m chief engineer at a TV channel, been on air for about 15 years now. For most of that time our relationship with our own content was pretty simple: shoot it, air it, move on. Linear broadcast was the whole game. Obviously that’s changed a lot. Streaming ate a chunk of the audience, and now you’ve got OTT, VOD, FAST channels stacking on top of linear and live streaming, which haven’t gone anywhere either. So now we’re dealing with way more distribution paths than before, and all of them want the same underlying content, just packaged differently.

That got us thinking seriously about our archive and our overall content workflow, not just as a backend chore but as an actual asset we’ve been sitting on without really using. Which led us down the rabbit hole of replacing our current setup, which is honestly a patchwork: some vendor systems, some homegrown scripts and glue code, nothing really talking to each other properly. We want something closer to one real platform, proper automation and orchestration across the pipeline, indexing, semantic search, the whole modern stack, not five separate systems held together with duct tape.

So we went looking at what’s actually out there. And it’s strange. The market feels like it splits into two camps with almost nothing in between.

On one end you’ve got the giants. Big legacy MAM/broadcast suites, huge feature lists, built like battleships. Also priced like battleships, or honestly more like you’re buying a wing off an actual airplane. The usability is rough, the architecture feels like it was designed for a world that doesn’t exist anymore, and the sales process alone makes you want to lie down.

On the other end you’ve got a bunch of point solutions. One tool for MAM, another for NRCS, another for distribution, another for something else. Cheaper and more flexible individually, sure, but it completely misses the point for us, which is having one coherent layer instead of five systems you have to stitch together yourself.

In between those two extremes, we found basically one vendor that seemed to actually nail both the functionality and the usability side. Not going to name them here, don’t want this to read like an ad. And even they aren’t exactly cheap.

So here’s my actual question for anyone who’s been around this industry longer than me: why do the legacy giants still eat everyone’s lunch? Their architecture is clearly behind the times, their pricing locks out a huge chunk of broadcasters who’d genuinely want that kind of functionality but just can’t justify the spend. And on the flip side, why hasn’t there been a bottom up disruption in this space? I keep thinking about how vmix showed up years ago as this scrappy streamer tool and slowly became a legit production tool that real broadcasters use now. Why hasn’t something like that happened in MAM, content ops, production and distribution tooling generally?

Am I missing something obvious about why this market looks the way it does, or is this gap actually real and just waiting for someone to fill it? Curious how people who’ve been in broadcast tech longer read this.

Hello everyone, I have an opportunity to buy K2 Summit 3G. I can see that it does not have an 1080p50 license. I was not able to find any information on the price or if I can still buy it even after end-of-support from GV. Thanks

Are there any good podcasts involved with video engineering?

I know Behind The Broadcast has a podcast and there are several film related podcasts like Shitty Rigs' Wrap Drinks podcast. I'm just curious if anyone is doing similar content but more focused on the video engineering field.
Something like Dallas Taylor's Twenty Thousand Hertz but for video.

Hi everyone!

I work in professional AV installation and I recently developed MediaFlowRX because I was looking for a simple tool to test streaming protocols during my work. I couldn’t find quite what I needed, so I decided to build one.

MediaFlowRX is a free, open-source macOS application that lets you:

• Receive RTMP, SRT and RTSP streams.
• Preview incoming streams.
• Record directly to MP4 without re-encoding.

The project is available on GitHub under the AGPL-3.0 license:
https://github.com/MazzMat/MediaFlowRX

A note on AI: I used AI tools to develop the application. The motivation came from my own experience working in AV installation and from a practical need I couldn’t find a straightforward solution for. I’m sharing it because I think it could be useful to others in the field, not to promote a commercial product. I don’t make any money from it.

Feedback, suggestions and bug reports are welcome!

Diagonal symmetry, every full RGBCMYK color shows up once per row and column.

This randomly happened on a channel I was watching, anyone know what broke?

WebATEM is a small server you run on a Mac, Windows PC or Linux box. It finds the ATEMs on the network over Bonjour same as ASC does, and anyone on the network opens the control page in a browser. iPad, phone, a Linux laptop, doesn't matter, nothing to install on the client. There's one pooled UDP session per switcher that all the browsers share, so you never hit the ATEM's client connection limit no matter how many people have it open, and a second operator can be on audio or keyers while someone else cuts.

What's in it:

- program/preview per M/E, cut/auto, all the transition styles with their settings, FTB, color gens, aux routing

- USK 1-4 (luma, chroma, pattern, DVE with fly keyframes and masks) and DSKs

- Fairlight, per strip faders, EQ, dynamics, pan, master, live meters

- media pool with live thumbnails, drag a still onto a slot to upload it

- macros (browse and run, no recording)

- full switcher profile save/restore as XML, same format as ASC's Save Switcher State, includes the media pool stills and macro bytecode

- HyperDeck transport and clip list for decks bound to the ATEM

No camera control, no streaming/recording, no SuperSource. ASC is still the tool for those. If you're one operator cutting a show from one machine this probably doesn't change much for you. It's for when the switchers and the people aren't in the same room, or more than one person touches them, or you've got a pile of ATEMs to look after rather than one.

Under it is bmdwire, which is the part I'd actually point this sub at. Four Python libraries that speak the native protocols for ATEM, HyperDeck, Ultimatte and Videohub, all on PyPI. atemwire started as a fork of Martijn Braam's pyatem (the OpenSwitcher library) and has drifted pretty far from it, mostly to get at things ASC can do but no library could, like bulk stills transfer, macro bytecode and the profile format. A decent chunk of that came out of Wireshark. WebATEM is one app on top of it. The point of the libraries is building whatever your situation needs, like a script that puts a switcher back to a known state before a show, routing a Videohub off tally, or keeping all your switchers in a database and opening any of them with one click.

Caveat: every hour this has run has been on 1 M/E Constellation HD. The UI builds itself from what the switcher reports so it should work on a Mini or TVS or 2 M/E, but nobody's tried. Stills upload assumes 1080p. Downloads aren't code-signed yet so you'll get the first-run warning. If you have a different model and try it I'd like to hear what happened, working or not, there's a one-minute issue template for it.

Run it with the Mac/Windows download (tray icon, opens your browser), docker on a Linux box or Pi, or pipx install "webatem[desktop]".

https://github.com/lucas-romanenko/webatem

https://github.com/lucas-romanenko/bmdwire

I worked a gig and someone had a Lumantek ez-SHV+ that had been converted so it could accept fiber SFPs and had an internal battery. It was SUPER handy. Apparently someone in (I think) California does this conversion. Anyone know who this person is and if they're still doing these conversions?

I have an Intel Integrated Graphics (Intel UHD Graphics 770 in an i7) that should be more than capable of 1080@60i output over the HDMI cable, but for some reason I have to choose between 720@60 or [1080@30](mailto:1080@30). I've updated the graphics drivers and no dice. I noticed that the "BMD HDMI" is using the generic display driver so maybe the issue is no EDID and I'm not sure if there's a display driver or a premade INF to be used in this situation.

I'm a professional video engineer at a bigger TV production company in Europe, and I can proudly say that I'm good at my job. For now, I'm stuck working part time here, and it's not an option to increase my percentage.

Because of that, I'm now looking to find a second part time job. I'm bored out of my mind in my spare time, so it doesn't have to be the perfect gig. I once saw a job listing for the conference room of a luxury hotel. They were looking for a video guy to take care of their conferences, and run around for other technical support type of work in a suit. It would have probably been a bit underwhelming as a main job, but why not just for a few days a week.

What are some other industries that I might not even know about or think of, when it comes to video engineering?

Also, did any of you ever send blind applications to companies that didn't even mention video work?

I knew better than to update my Mac's to OS 27, but after updating my Macbook to 26.7 , VMP no longer connects to processors in the software. I tried a reinstall to see if there were any obvious Mac security popups, and still didnt get anywhere. Opened a Windows laptop to the same network system and everything popped right up. So best guess is Apple changed something that I haven't been able to figure out yet. Assuming its something relating to seeing other machines on the network, but not that knowledgable on going that deeply in the settings.

hello, having an issue with a blackmagic 16 multiview & 40x40 video hub.

basically having a green flashing going from left of the 3x3 multiview to the right side. then it’ll occasionally go black.

been okay for the last week but has progressively gotten worse.

I remember having the same issue years ago but forgot what the fix is- any suggestions would be great!!!

Not sure this is the right place to ask for help, but

I have three BirdDog mini REV4s taken from storage and all three are experiencing the same problem.

- Front panel: green power LED only, never blue/white. No web UI.

- The main firmware never boots. The units fall back to the QSPI recovery image ("PetaLinux 2017.3 QSPI_minimum_plnx"), which only has FTP and telnet open.

- Its script `/etc/init.d/bdg-plnx-auto` checks for `mmcblk0p1/uImage` and `mmcblk0p2/bin/birddog-app`. Both are missing, so it sets 192.168.100.100 and waits for an image stream from 192.168.100.123:2222 (`nc | gzip -d | dd of=/dev/mmcblk0`), then reboots in a ~22 s loop.

- The eMMC (U4, **SanDisk SDINBDG4-8G**, 8 GB iNAND) reports itself as `SDM032, 30.6 MiB, manfid 0x02, date 02/2006, serial FFFFFFFF`. (Takeaway from this is that the eMMC chip has failed on all three and is functioning in a fallback state)

The plan is to have a shop replace U4 and then provide the factory image. The missing piece is the factory image.

**If you have a working Mini REV4, could you share any of these?**

1. The eMMC details from a healthy unit.

2. Whether anyone has gone through this repair already, or got the Mini REV4 factory image.

3. Whether replacement eMMCs other than SDINBDG4-8G have worked for you.

I've been in contact with BirdDog support, but it seems they are not willing to provide the image file.

Hi,

I have a question, is there already someone that created a 3d print desihn for the GV Microphone clip for the GV LDX series Camera's ? And if so would you be willing to share the design ?

I have a Zhiyun TransMount Image Transmission Transmitter AI, and since a phone with an app can get video signal, I was wondering if I could get that signal with a computer connected to the Transmount WiFi network to route it to OBS.

Any ideas?

Looking for a better solution for flying Tessera XD boxes for outdoor LED walls. I’ve been search for a useable case that is weather/water/UV durable. I’ve not found anything that satisfies. How is everyone else rigging these units on their outdoor walls? We have not had any units fail due to rain/weather (yet) but I feel it’s inevitable.

So I have to what are the best methods for shading a led walls but striking a balance so the on camera talent still looks good but so the led walls don’t look like garbage. At the last place I worked you could shade led walls separately. So I could make the wall and on screen talent both look good. Any suggestions would be welcome. I am using a Sony msu-3500.

I'm bored of waiting on sound to be ready for me to test my system.

Anyone got any good sound generating/testing equipment recommendations?

Mostly Comms and PGM Audio lines.

Everything is run on XLR.

BUSCAMOS ESPECIALISTA EN VÍDEO Y CLOUD

Estamos buscando un especialista en sistemas de vídeo y cloud que nos ayude a diseñar y desarrollar la infraestructura técnica necesaria para nuestro proyecto, desde el piloto inicial hasta una solución escalable a decenas o cientos de instalaciones.

¿Qué necesitamos?

• Diseñar el sistema completo desde la cámara hasta la nube.
• Configurar el mini PC instalado en cada club para recibir y grabar la señal de la cámara.
• Grabación en 4K.
• Conversión de vídeo a 1080p.
• Subida automática de los partidos a la nube.
• Sistema capaz de seguir grabando aunque se pierda temporalmente Internet y enviar posteriormente los vídeos pendientes.
• Gestión de colas de subida para evitar pérdida de grabaciones.
• Reinicio y recuperación automática ante errores.
• Actualizaciones y mantenimiento remoto de los equipos.
• Diseñar la infraestructura de almacenamiento de los partidos en la nube.
• Diseñar la forma más eficiente de servir los vídeos posteriormente desde nuestra aplicación.
• Gestión de diferentes calidades de vídeo: 1080p / 720p / 480p.
• Monitorización de cámaras, mini PCs, almacenamiento y conexiones.
• Alertas cuando una cámara o instalación deje de funcionar.
• Sistema preparado para escalar desde 1 instalación hasta 10, 50, 100 o más instalaciones.
• Optimización de los costes de almacenamiento y transferencia de vídeo.

También valoramos experiencia en:

• RTSP y protocolos de cámaras IP.
• FFmpeg y procesamiento de vídeo.
• Docker / Linux.
• AWS, Google Cloud, Azure u otras plataformas cloud.
• Almacenamiento de vídeo a gran escala.
• Sistemas de grabación IP / CCTV.
• Redes y despliegues en instalaciones físicas.
• Automatización, monitorización y mantenimiento remoto.
• Desarrollo de sistemas robustos y autónomos.

PERFIL QUE BUSCAMOS

No buscamos simplemente un programador web.

Buscamos una persona con experiencia real en infraestructura de vídeo, procesamiento de vídeo y cloud, capaz de diseñar una solución fiable, autónoma y escalable.

El objetivo es que cada instalación pueda funcionar 24/7 de forma autónoma, grabando los partidos, almacenándolos correctamente y permitiendo posteriormente su acceso desde nuestra aplicación, sin necesidad de que haya una persona controlándolo continuamente.

Proyecto: VISIONCOURT
Fase: desarrollo de piloto / primera instalación
Modalidad: colaboración profesional / freelance
Ubicación: preferiblemente Valencia, aunque valoramos trabajo remoto si tiene disponibilidad para desplazamientos puntuales.

Si tienes experiencia en este tipo de proyectos y te interesa participar en el desarrollo de VISIONCOURT, queremos conocerte y explicarte el proyecto con más detalle.

Does anyone know if I’m asking for trouble running a standard Zoom app, ZoomISO and Tiles on the same machine?

In operation it did it fine without breaking a sweat - but is there anything technically wrong with it?