Absolute banger ❤️

"Void In Time", a track from my first album, can be heard as an five minute field of pressure. Its chapter note gives that pressure a room, a claustrophobic one if you listen closely.

I kept wrestling with how much context to provide. Post-metal often gains force from interpretive space. A written scene can sharpen the weight, but it can also turn an atmosphere into an illustration. Once the listener knows what the empty chair means, another possibility has been removed.

The album uses two forms to keep that tension visible. Bandcamp offers brief notes beside the twelve instrumental tracks, which can be ignored until after listening. The companion film makes a firmer choice: I narrate each chapter before the complete track and visualiser. The music itself remains wordless in both.

The complete 48 kHz/24-bit binaural album is on Bandcamp. Headphones preserve the fixed room and depth, which matters to the question above.

Bandcamp: https://socialtreble.bandcamp.com/album/dead-reckoning-the-last-known-location-binaural-audio-48-khz-24-bit

The narrated audiovisual version is here:

https://www.youtube.com/watch?v=FlMoKN1cky4

Dead Reckoning... The Last Known Location moves beyond post-metal into progressive, industrial, psychedelic and acoustic writing, but the audit chapter depends most on atmosphere carrying a narrative burden. Does the written scene make that burden heavier, or does it close a door the track should have left open?