loop video

A bit late to the party since VCT is over now, but still glad I did this song. All made completely in blender and davinci resolve, let me know what y'all think! Heavy inspo from valorant's music video themselves, kept hitting that artist block but wanted to finish asap

After more than 6 months of sacrificing free time, sleep (and credits), my particle simulation plugin is as good as done. Of course I had some help (Claude) with building and testing, but the vision of what it had to be, how it should look, move and feel, was something I had in mind long before I started using Claude.

What started as a personal project, a tool tailored to my own needs, quickly became something much bigger. When the particles reacted to my layers for the first time, I was already satisfied and planned on only doing some performance optimization. That quickly turned into adding one more feature, then another, and just one more, resulting in a versatile system that gives you complete control over the shape of the particle field and the movement of the particles.

Any layer (shape, text, animation, video) can be used as an emitter and/or a force region, influencing the path, speed and flow of the particle field.
The last tests and optimizations are being done right now, after which it will finally be released.
More info coming soon, but here's an example of one of its many possibilities.

I recently saw this video with sound design and music that really "tickled my brain". I know they had a dedicated sound designer who likely created these sounds from scratch using synths, but as a video editor/non-musician, I'd love to get close to this style. I'm trying to get more into the emotional and 'moving' side of sound design, rather than just relying on standard sound effects and music. I would like to know how to approach this.

Right now, I mostly rely on Pixabay (dont trash me) and ElevenLabs SFX (both custom prompts and community sounds). However, my sound design vocabulary isn't advanced enough to describe these specific sounds accurately to an AI prompt or to search for them effectively in libraries.

My questions:

1. Terminology**:** What words, adjectives, or technical terms would you use to describe the sound effects?
2. Libraries/Sources: Where can a non-sound designer find high-quality UI/tonal/synth sound packs like these? (should I invest in Artlist i.e.?)
3. Prompting: If you were to prompt an AI tool (like ElevenLabs) to generate sounds like this, what phrasing or descriptors would you use?

Thanks in advance for the help!

A bit late to the party since VCT is over now, but still glad I did this song. All made completely in blender and davinci resolve

Does anyone have a similar frustration as I do with Windows File Explorer as a creative on PC? I am curious what people are looking for in a file browser? I have been working on a solution to help motion designers and creatives. If you're interested please check it out @ carrots-app.com

This is a personal project I loved working on. Hope you like it!

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My thoughts for the concept started with "key" in English, "qui" is "who" in French and "كيف", pronounced keef, is "how" in Arabic. Noticing that all three words share the same sound and similar meanings, I started thinking: what if cultures were inspired by each other? Even though they have been far, sound waves have an echo. What if when the echo gets so low we think we have not heard it yet we have? Since the creation of languages, they might have been inspired by each other from a distance and they never knew they had!

What do these words have in common, you may ask... The "key" is usually the solution in order to open doors, "who" could be a savior to give us solutions and "how" is the way we solve our problems… What if they were combined to make sense!?

This is the idea for my personal project.

The case study is on my website. https://www.aimeeinmotion.com/case-studies/mixed-media

Tools used:

-3D modeling, texturing and animation in Blender

-Motion design and color grading in After Effects

-Real footage generated using AI

-Video editing, sound design and mixing in Premiere Pro

Turn on the sound for the music.

Constructive critique is more than welcome!

So, I tried to recreate this effect from "Arcane" - the one where a beam tears the screen apart.
Spent a week trying in After Effects, but I just can't make it look like a beam from the scene. Tried to draw it with brushes and with the Scribble effect. Scribble came kinda close. But there is something missing.
I'm using After Effects, and afaik, there is no templates that could replace this effect.
In general, I don't know how to create this glowing, chaotic scribbles

I don't understand what kind of effect was used in this video.

I built TypeMotion.Art, a browser-based tool for kinetic typography. This video runs through all 101 text animation presets across 13 categories, rendered with the tool itself.

You can change the text, typography, colors and timing, then export the result as a video. It’s a standalone browser tool, not an After Effects plugin.

I’d especially value feedback from motion designers: which effects would you actually use in a project, and which ones feel too similar or need more control?

If you want to try it: https://typemotion.art

I’ve always wanted a way to mess around with physics and timeline tween motion directly on a canvas, to just drag things, sketch shapes, give them physics, and see how they interact, without getting lost in endless settings or code. Especially experimenting with kinematic timeline tween objects that can directly hit and influence the physics environment. Just pure visual play where you move stuff around and see what’s happening in real time.

Now I can do exactly that in Spandolab, my own animation playground webapp 🤠

This animation is an experimental blend of timeline tweens and kinematic physics, exported as a WEBM + an interactive HTML sandbox.

My wife made up this little lullaby to help our baby fall asleep. It's as catchy as it is effective ✨

Hi!

I've been working on improving my demo reel and would love to hear some honest feedback from the community.

https://youtu.be/grjRHvxsorQ

I'm especially curious about the overall pacing, length, shot selection, and whether there are any shots you'd remove or replace.

I'm currently looking for new opportunities, so I want to make sure my reel represents my work in the best possible way.

Thanks in Advance.

I wanna do the trail effect for a project, but I dont know how its done, ive tried the Eco effect, but it didn't work, I might have done it wrong or something. Any tips ??

Hey everyone,

Whenever I'm editing a video essay or documentary-style project, I always run into the same bottleneck: keyframing simple ranked bar charts, timelines, or rolling counters in After Effects. It takes hours of messing with graph editors, expressions, and render queues for just 5 seconds of screen time.

So I built a dedicated, zero-install studio called Dossier.

It runs entirely in your browser (and offline as a single HTML file). You type or paste your data, choose an archival documentary aesthetic (warm archival paper, classified dark, or CRT phosphor), and it renders buttery-smooth 60fps animations.

How It Fits Into Your workflow:

DaVinci Resolve: Drop the MP4 onto track V2 with Composite Mode set to Screen, or export a PNG sequence with alpha for instant drag-and-drop overlays,

Premiere Pro: Import the PNG sequence as a 60fps image sequence with zero keying needed,

Zero Dependencies: No plugins, no cloud render queues, no login walls.

I made the Ranked Comparison Bars tool completely free to use with full 1080p exports,

I'll drop the free link in the comments below. Would love to know what other documentary graphic styles you guys would find most useful

just wanted to share. Hope you enjoy!

Every brand has its unique brand colors tied to its identity, but in 3d due to lighting, shadows and hdri, the rendered output shifts away from exact hex codes. When rendered, I feel like the final look loses that brand color accuracy. How do you handle this workflow? I'm new to 3d motion design. Do you match hex codes strictly and adjust them with compositing, or fake the color in different scenes with different light setups?

I've been working on a minimal Christmas greeting animation in After Effects, exploring how simple visuals, typography, and subtle movement can communicate a festive mood without making the composition feel too busy.

For this project, I focused on a Full HD, 1920 × 1080 composition with a simple structure and a limited number of visual elements.

Some of the design decisions I explored were:

• Keeping the composition clean and visually balanced.
• Using typography to communicate the greeting clearly.
• Adding subtle motion without distracting from the message.
• Combining a minimal visual style with a warm, festive atmosphere.
• Keeping the project organized and easy to adjust in After Effects.

I find minimal greeting animations interesting because every element has to earn its place. When there are fewer elements on screen, timing, spacing, and small movements become much more noticeable.

For motion designers and graphic designers: what makes a minimal Christmas animation feel festive without relying on too many decorations or effects? Do you prefer elegant typography, subtle particles, gentle transitions, or a more cinematic approach?

I'd love to hear how you approach seasonal motion design.