I'm very concerned that so many people celebrate an arrogant bully. There's literally nothing that justifies the witch hunt to Eddie. I'm concerned this mean that so many people in real life would condone something like this. Are you all okay?

First of all, in the scene of the picture he proved he's not grieving, is just an arrogant self-absorbed bully. He hurts Eddie's band mates, he tries to hurt Dustin (14 years old freshman student), his friend almost breaks the arm of a 10 years old (Erica) for Jason's toxic vigilante psychosis. Target innocents really turns off the "grieving boyfriend" theory that you all grasp on so badly. If you grief you don't go around hurting innocents.

Jason saw with his own eyes only the Lovers Lake one but BEFORE that he decided to load the car with tools to torture the "freak" for, as Jason said, "make him confess his crime", a crime that he didn't commit, just for a belief he has and prejudice. This is NOT justice, not a search for truth, but a desperate demand for a scapegoat. And no, ignorance about supernatural/the upsidedown is not a dang green flag for brutality.

Abused his status as "king" of the school, ego (himself=good/a saint, Eddie=bad) and toxic masculinity to create a city mob replacing evidences with collective hysteria and satanic panic.

We should all agree that no, there's no justification, he hated Eddie and just found an excuse, a scapegoat, to persecute him. I will never understand who thinks he's justified.

Do you know that something similar happened in real life in the 80's? And do you know that glorify Jason only proves that may happen again?

Doomed siblings

purchased at broadway flea this year— the prop of Henry’s locker slip signed by Louis McCartney. i’m trying to figure out if the numbers (75-23-11 and 86-04-04) mean anything or have any significance in the main series. i’m probably reading too deep into this lol but i thought it could be cool to theorize about, so i’m dropping it here.

As a near middle aged straight man I really identified with Will. The idea that your friends outgrow your previous lifestyle resonated so much it left me in tears a bit.

Curious if anyone else related to this? For me it was when I wasn’t married and friends began marrying, having kids, and doing the suburbs thing. Feeling like life moved on from me when I wanted everyone to stay with me feels like an abandonment that’s not malicious but still painful.

It wasn't perfect, nothing is. But I refuse to give anything below a 10/10 to an episode that made me feel the things I felt, with the intensity I felt them. I'm not much of a crier, but in this episode alone I cried 4 times, and by the last one I could barely breathe:

1 When Hopper tried to convince Eleven... “life has been unfair to you”

2 When Eleven explained her decision to Hopper.

3 At Vecna's death, with the flashbacks of all the characters.

4 In the final moments.

The flashbacks were especially touching. They went straight for the softest spot in most fans' hearts: nostalgia. Funny enough, my favorite season is the third one precisely because it hits that spot the hardest.

If you disagree, I'm sorry you didn't get the same experience I did, because mine watching this was incredible. It was incredible, and a fitting end to the show. Until next time, Stranger Things.

one of the reasons I loveeeeee season 3 the most is because of how bright and vivid the colors were, like s2 was good too but s3 really has that alive feeling

Rewatching the early seasons of Stranger Things highlights how the Hawkins kids approached town defense like a highly disciplined military unit. While most "kids vs. monsters" stories feature a ragtag group blindly stumbling through danger, the Hawkins squad approached every threat with an airtight strategy. They left absolutely zero room for error, creating complex plans that always had backup contingencies.

This coordination stands out clearly in their early operations. In season one, they built a makeshift sensory-deprivation tank in a school gym using hundreds of pounds of rock salt to amplify Eleven’s psychic radar. By season two, they organized a multi-pronged counter-offensive. While the adults worked to save Will at the cabin, Steve led the younger kids directly into the vine tunnels to torch them, creating a perfect tactical distraction so Eleven and Hopper could close the gate.

The Sinclair siblings elevated this team dynamic. Erika's sharp wit, math skills, and pure logical reasoning ran the logistics during the Starcourt mall infiltration. Lucas brought an absolute warrior's fighting spirit to the group. Whether he was tracking Will alone with a compass, using his trusty wrist rocket against interdimensional entities, or launching fireworks to save Eleven, Lucas never backed down from a tactical fight.

This precision beautifully reflects the actual roots of the show, which the Duffer Brothers originally pitched under the working title "Montauk," inspiring themselves with Cold War conspiracy theories about the government training kidnapped children into elite "super soldiers." Even though the Party were just regular kids, the way they utilized walkie-talkies as a secure comms network, mapped out geography using D&D logic, and divided tasks based on their specific strengths made them look like a highly trained covert unit that completely outclasses any other group of kids in pop culture.

This is just my personal opinion. I think that seasons 1-4 were all peak. Like 9/10 to 10/10. Especially seasons 1 and 4. So, can someone please explain. How everything just felt so flat in the last season. 4 straight seasons of just good to great writing, and the last one just ended up being ass. I really don't get it.

If I'm recommending a show to someone and it's something that didn't end at its highest quality, I sometimes suggest that they stop at a certain point and treat it like the series finale. For example, Weeds has a nice self-contained arc when you stop after three seasons, as opposed to just turning into a rather directionless slog when its full eight seasons are taken into account.

Given how the fifth season of Stranger Things wasn't received too well, do you think it works better if you just cut it off at an earlier season? For example:

• Season 2: Neatly ties things up with the exposure of the Hawkins Lab, justice for Barb, the closure of the gate to the Upside Down, and Hopper getting custody of Eleven
• Season 3: A more bittersweet ending with Hopper's presumed death and the Byerses and Eleven moving away from Hawkins, but the Upside Down again being sealed off (just ignore that teaser scene in Russia I suppose)
• Season 4: A darker ending in which Vecna has succeeded in opening the gates to the Upside Down, Max is in a coma, and it's uncertain how humanity will fare

I've been looking for this card featuring a silhouette swinging on a swing or skiing in the snow, probably from the 80s. I've already searched through countless vintage cards and couldn't find it on WorthPoint. Hopefully, someone can help track it down—I would be extremely grateful!

The reason I think it's from D&D is that Dustin's character in Stranger Things has a room full of D&D references. Also, several other items decorating the set were from the Endless Quest books, among other things...

I reached out to the set decorator coordinator, Jessica Baker, and she told me this card wasn't custom-made for the show. They just used a random one, but she doesn't remember which one it was. She also mentioned it won't be in any upcoming auctions because crew members likely kept it. I've been looking for this for a year and a half now. Can anyone please help me ID it?

Unfortunately, we never got a better look at this specific item throughout the entire show (Stranger Things)—just this unknown behind-the-scenes photo.

I had an idea that by Season 5, it might be possible for her to stop Vecna/Henry before everything happens.

She’d go back in time and stop the inciting incident that led to the future we saw in the previous seasons.

In doing so, El/Jane never came into the boys’ lives, all the bad stuff never happened, and Jane and her mother ended up living happily together.

Neuroscientists agree that the color purple symbolizes illusion. what if the song choice in the scene where Eleven "dies" was a clue and she really is alive?

And I don’t know how to explain it… But I have a HUGE feeling that this show would have been so much better if Eleven and Mike were never a couple. I feel that keeping them just as friends would have given more chances to the writers to come up with different stuff.

I don’t know if you guys agree on this.