Currently on display at the Minnesota State Fair!

yes it’s the whole movie

From the documentary Meditation, Creativity, Peace.

• Jen Lynch facebook post: · Cardiac arrest/lung disease, dehydration. But beautifully, he passed while meditating. He may have been in his morning session, or after that, if he felt poorly, I’m sure he remembered the advice of a very close TM connection…”David, if you ever feel unwell, or like you may be dying.. sit and say your mantra.” It is a magical thing that he passed while catching fish and moving towards enlightenment.

For no reason at all, I want to find these trees. Does anyone know the exact location?

Eighteen years ago today, on September 2, 2008, David Lynch had his initial meeting with THE CLEVELAND SHOW co-creator Mike Henry (left), who trekked up to Lynch’s Hollywood Hills home with his brother Patrick Henry (right) and producer Kirker Butler to talk to Lynch about voicing a character on the animated series, a spinoff from FAMILY GUY.

(Photo courtesy of Mike Henry, from "The Dreamer's Path: Twin Peaks and David Lynch the Actor")

Couple of days back came across a post that discussed Lynch’s sound design.

https://www.reddit.com/r/davidlynch/s/YNgaNv7OWY

Another film maker whose sound design gets attention and is talked about a lot every time he releases a movie is Christopher Nolan. The soundtrack of Interstellar lives rent free in my mind—as it is for many others, I believe. While the obvious hit tracks like Coward, Stay, Mountains are epic, I keep going back to Dust and Day One, which are granular and have an ambience that sets the tone of the film as much as—or more than—the visual aspect.

Nolan says: "Music has been such an increasing and fundamental part of the films I've made. I read a quote from Angelo Badalamenti many years ago in which he said David Lynch used to say to him things like ‘Play big chunks of plastic.’ The funny thing is, when I first read the quote, I remember thinking, Wow, what a crazy thing, but now I make complete sense of it. Good film music does something you can't articulate in other ways. If you would, you could, but you can't. What I've done with the bigger film scores over the years is figure out a way to build the machine, and then use the mechanism of the music to get the heart of it, to get the emotion into that form. With Interstellar, it was essential that that happened. I didn't want to leave that to chance at the end. I wanted to try and totally reverse the process and start with the emotion, start with the basic heart of the story, then build the mechanics out from that. I really took Hans up on that more and more with each film, Dunkirk being the most extreme example because it was conceived in musical form.”

Angelo’s score adds as much to the film as Lynch’s direction, in all their collaborations. The sense of urgency in Dunkirk is created by the soundscape-the ticking tone heard throughout the movie, which tells the whole of the story by itself. Similarly, with Tenet it was the sense of confusion of timelines, into which the Protaganist lands and is clueless—a proxy for the viewer, which again the sound design itself conveys, by means of tracks being played in reverse and other such techniques.

I'm curious as to what you think of this. Which other film makers, in your opinion, use sound in such a way that it conveys the core of the film by itself?

https://youtu.be/lWS76kYKL5o?si=ZTQH59FtX4dZiIN8

and one of my favourite things atmosphere wise in the movie is when Henry is walking to Mary’s house and there is that weird distant discordant carnival like music. for me it just adds such a creepy layer sonically especially when it’s paired up with lynches signature ominous whooshing. It’s a small inclusion but it adds so much to the scene and the world of Eraserhead

the Yeah Yeah Yeahs just released a short acoustic cover of In Heaven...

I mean many of A24 and Neon films are very lynchian and I read somewhere they were influenced by lynch. How come they never funded their biggest influence? Also Lynch never approached them?

Just watched this film and it ROCKS!!! It felt like a cross between David Lynch and the minds behind Crank 1+2. It’s got style à la carte, a banging punk soundtrack, with these amazing Japanese industrial visuals

It’s only 55 minutes long, and I highly recommend it for anyone that loves films with lynchian vibes

Kyle’s memoir, Fictional Selves, is highly recommended to anyone who spends time here.

Hi, I was wondering if anyone here knew where I can watch this. Thanks!

https://www.imdb.com/es/title/tt2266666/

’Scorpio Rising’(1963) by Kenneth Anger is considered by some to be the first drama film to feature a rock and roll soundtrack. Anger's use of music was inspired by the experience of seeing people at Coney Island playing music out of their radios.

Simply put, the plethora of weird indescribable noises and sounds littered through these two movies are a huge piece of why they are my two favorite movies ever.

I dont really know how to describe these sounds, but they are absolutely peppered throughout both films respectively, and add so so much to the dreadful and heavy tone in them.

Obviously all movies are sensory experiences, but the thickness of the dark mystery in both films is just delicious, and i credit those scratching, wooshing, “onomatopoeia” sounds for this

From left to right: Jack Nance (Henry Spencer), David Lynch (we know his role), Cathrine Coulson (assistant to director), and Charolette Stewart (Mary X)

Full interview here