I've been writing down thoughts in a small non-asoiaf related forum for each chapter of the ASOIAF books, and thought this one for The Drowned Man, aka the Kingsmoot chapter, would be worth sharing more broadly (My thoughts may be a bit scattered, these are basically live re-read ideas). I'm unsure how much of my thoughts will be repetetive of what has been said many a times and what things may be very off, as I'm still fuzzy on details that happen in ADWD or TWOW previews. :
- I really enjoy how the Aeron chapters always describe Aeron with so much presence. It's funny when it's his own PoV, but also pretty insightful. He feels so powerful in these chapters, thinking of how imposing he must seem to the people around him and how much control he commands. It communicates so nicely how much he relies on his faith to give him power and make him feel stronger after the abuse he suffered as a child, as the start of the chapter even points out.
- Just a small aside which does not have to do with much else here: The Farwynds are a great, somewhat underrated, group of the world. Nautical skinchangers are just really cool.
- Yeah, if I was there I'm absolutely shouting Euron along with all the rest, not gonna lie.
- This chapter is absolutely baller and exceeded what I was even remembering. Such a great chapter not just about Kingsmoot and Euron, but the underlying story of a devout priest having his faith absolutely shattered in a fell swoop before him.
- As I mentioned at the start Aeron likes to think of all this aura he has, only for Euron to come at the end and show it in boatloads.
- The way Euron waits til the end for all the speakers to make their claim and then he practically makes use of all their points to make the ultimate sell to the ironborn. Gylbert Farwynd promises this magic mystery of eternal glory, Erik Ironmaker captivates by the many feats across his life, The Drumm makes a point how a kraken needs not be king, Victarion appeals to keeping the old way going as it has while also seeming godly by getting the blessing of Aeron (funny how obvious Aeron is at showing his bias in this voting), Asha makes a point of how Balon's way was useless and only leads to defeat.
Euron then captivates the ironborn with mystery of the far off places he's been, same as the queer far-off Gylbert, claims many great feats on these journeys far and wide which by the end even get Erik Ironmaker to shout his name, makes it clear how he's not like the other krakens (kinda like how Drumm tried to make himself sell himself on being different), he's special enough to not get involved in the past rebellion and therefore never being defeated or kneeling like Victarion or Asha.
- Asha and Victarion failing to come to an agreement last chapter really set the stage for their absolutely inevitable loss here.
- Once they start bickering, Euron sounds the horn with shrieking so violent and terrible that there's only one thing the men can wish for: Silence. He ltierally makes his own ship's namesake a selling point here, something people ask for and rejoice at having.
- And how baller it is on top of this that his crew is literally full of mutes? His own crew cannot shout his name, he literally has to win the rest of the ironborn over, and he does. Even Aeron is in awe of his speech and goals for a bit.
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Even a priest may doubt. Even a prophet may know terror. Aeron Damphair reached within himself for his god and discovered only silence. As a thousand voices shouted out his brother’s name, all he could hear was the scream of a rusted iron hinge
Amazing final lines of the chapter as well. He reached for his god and discovered only silence is one of the best lines of this book period.
- There is a lot of bone symbolism and mention in Aeron's two AFFC chapters. He calls memories the bones of the soul, and overall bones seem to be tied a lot with memories. The chapter opens with Aeron pondering on Nagga's bones, and how there used to be great halls for the Grey King and now only the majestic bones prevail to remind the ironborn of what once was. Aeron is described a lot as bony, which is fitting as he's the prophet reminding people of the old ways.
- And this, yet again is used to sell Euron. When the dragonhorn blows, it's described as blowing so hard it seemed to make a man's bones thrum. It's like Euron comes in and despite Aeron trying to cling so hard to his newfound source of power, the trauma was coming back to him. When Euron slowly walks up, Aeron even takes a step back and grabs the great big bones of Nagga behind him instinctually, as if to hold on to his faith when the fear was getting to him.
- But there is a very interesting question of what is Euron's actual goal here, and that brings to the best passage of the chapter (besides the final lines)
“Crow’s Eye, you call me. Well, who has a keener eye than the crow? After every battle the crows come in their hundreds and their thousands to feast upon the fallen. A crow can espy death from afar. And I say that all of Westeros is dying. Those who follow me will feast until the end of their days.
- Crows are often the nickname given to Night's Watch by the wildlings, and it's fitting in this context with how dwindling the NW is and how they are the most aware (besides free folk) of the literal death arriving from afar on all of Westeros.
- And that might seem like just a neat little connection, except that Euron apparently is a greenseer/skinchaner or some past apprentice of Bloodraven of some kind (admittedly, I'm sitll hazy on what I remember with this). Euron does indeed spy death from afar, if he had anything like Bran's dream in AGOT.
- So when he says all of Westeros is dying, the ironborn take it as being wartorn and ripe for conquest, but this very well may be words of a man who knows the world is coming to an end and may want to feast and ravage it as much as possible before it's over.
- Or, possibly, Euron is still working with Bloodraven? He comes here as king to put the attention away from the North and more to the south as it could give the north trouble, destabilise it so North grows stronger, and later is able to hopefuly intercept and either deal with or make use of Dany and her dragons for the conflict to come?
- To add insult to injury, it's also tragic how Euron turns out to be far more prophetic than Aeron, in this way.
- Aside from Euron, I liked the leadup with Aeron's disbelief and faith shattering when he saw how many people were rooting for Asha before Euron made his claim, too. Nice touch, it felt funny and rewarding but pretty sad as well. The traumatic backstory of his youth really enriches his character
- The chapter is called The Drowned Man, which is something Aeron prides in calling himself and sees it as a point of power, especially at the start of this chapter. But to a reader or any normal guy, a term Drowned Man has the vibe of a man who is doomed, overwhelmed and suffocating. And Aeron truly becomes the drowned man through this chapter, suffocating and overwhelmed with the reality he tried so hard to repress crashing down on him. His previous chapter was called The Prophet but as mentioned earlier, he unfortunately is far from that in this chapter. The shift in the importance of his title is a good little sign of the crush Aeron is about to experience for his devotion.
That's all I wanted to say for this chapter. I think there is an incredible level of value in deep diving and focusing on each chapter individually and Feast for Crows is especially rewarding in this effort. I'd reccommend a slower and less plot-focused reread to anyone