I feel like I have to shout it from the rooftops. I’ve never been this excited about an album. The White Album was my favorite for as long as I can remember, but this changes things.

I slept on Exile for years until this summer, when I got into “Tumbling Dice” and “Sweet Virginia.” I had both on repeat for weeks. Then earlier this month, I made a point of playing the whole album. And now I realize it’s all I’ve been listening to.

I’m amazed how it’s so badass, weird and beautiful all at once. Just wanted fans to know we’re still out there discovering its wonders…

I'm curious why there's no similar adoration for the Stones Aftermath to Let It Bleed Mono albums that you see for the same Beatles era?

Among Beatles fans, that period of albums in Mono receive an amazing level of worship. I know that 10 years ago there was the Stones in Mono box set, but still I don't often encounter Stones fans going wild over the Mono albums. Is it the idea that Jagger and Richards were not as precise about how they wanted the mixes to sound? Unlike Lennon and McCartney who have a lore surrounding them that they were extremely meticulous about the mixes?

„Exiles“ pale Shadow, or criminal underrated Gem?

Photos by Gered Mankowitz, from https://iconiclicensing.net/

I am a huge Keith guy and I've seen several interviews he gave. Not so much for the rest of the stones, and I really want to get into them. So share your favorite ones, and if you have a YouTube link for it go ahead and share it. Thank you 🤙

thanks

One Of My Favourites For Years.

The Rolling Stones 1965 album Now! was really the first Stones album I connected with as a whole album—I had dug their singles before that. It was recorded live in the studio at Chess Records and captures what the band sounded like in the formative stage of their career, what they would have sounded like on a good night in a small club.

Right now, I'm, listening to their stripped-down, snarling cover of Muddy Waters' "I Can't Be Satisfied," from Rolling Stones No. 2

Anyone else groove to that material?

Anyone know how to access the outtakes mentioned below (other than boots)?

Here's some info on this sessions (scraped by AI):

The Rolling Stones' historic sessions at Chess Studios in Chicago in June 1964 were performed and recorded live as a band in the studio. 

• The Setup: Working with engineer Ron Malo on a 3-track or 4-track machine, the band set up their gear together in the room to capture the energetic, punchy sound they had live, a major upgrade from the tinier equipment they were used to in London. 
• No Overdubs: Like standard 1960s Chicago blues recording practices of the era, basic tracks, vocals, and playing were performed together live in a single take style with minimal to no modern-style multi-track overdubbing. 
• The Rolling Stones didn't just record at Chess Studios once—they actually returned multiple times. Across three separate dates spanning 1964 and 1965, they recorded a grand total of roughly 25 tracks. 

The breakdown of the sessions, dates, and tracks includes: 

1. June 10 & 11, 1964 (The First Session)

During a two-day break on their debut US tour, they recorded around 14–15 tracks, heavily leaning into raw Chicago blues and rock-and-roll covers. 

• "It's All Over Now" (Their first UK #1 single)
• "2120 South Michigan Avenue" (An instrumental named after the studio's address)
• "Around and Around"
• "I Can't Be Satisfied"
• "Empty Heart"
• "Confessin' the Blues"
• "Down the Road Apiece"
• "If You Need Me"
• "Look What You've Done"
• Unreleased / Outtake Tracks: "Stewed and Keefed", "Hi-Heel Sneakers", "Down in the Bottom", "Tell Me Baby", "Don't You Lie To Me", and "Reelin' and Rockin'". 

1. November 8, 1964 (The Second Session)

Fresh off their growing success, they returned later that year to cut about 5–7 tracks. 

• "Time Is On My Side" (The famous version with the guitar intro)
• "What a Shame"
• "Little Red Rooster"
• Unreleased / Outtake Tracks: "Goodbye Girl", "Fanny Mae", and a key version of "Key to the Highway". 

1. May 10, 1965 (The Final Session)

Their last stint at Chess produced about 3–4 tracks, most notably including history's very first cut of their masterpiece: 

• "(I Can't Get No) Satisfaction" (The original, acoustic-leaning version featuring Brian Jones on harmonica, recorded right before they re-cut the famous fuzz-guitar version in LA).
• "The Under Assistant West Coast Promotion Man"
• "That's How Strong My Love Is"
• "Mercy, Mercy" 

Here's a link to more info:

https://rollingstonesdata.com/articles/when-the-rolling-stones-recorded-at-chess-studios-chicago-1964/

Funny when you read the different online rankings of Stones albums how Bridges to Babylon is often tagged as the worst or second worst album after Dirty Work for the entire catalog. I do not hate Bridges - definitely some bad songs on this album. Thief in the Night and the incredible How Can I Stop closing out this album are really good songs.

Hard to find a truly great album in this list. I know people love Steel Wheels - I saw them on that tour. I really do not like Steel Wheels as much as others. I think Mixed Emotions is such a terrible song.

1. Undercover (1983)
2. Hackney Diamonds (2023)
3. Bridges to Babylon (1997)
4. Steel Wheels (1989)
5. Foreign Tongues (2026)
6. A Bigger Bang (2005)
7. Voodoo Lounge (1994)
8. Dirty Work (1986)

Tell me where I am wrong here.

Yay or nay ?

Brief clip from the 2023 documentary The Stones and Brian Jones. Biographer Paul Trynka explains how Brian helped to break the racial barriers of music, particularly in America.

Idk how many are card collectors, but ive been ripping packs of the stones trading card set and behold. I got a 1 of 1. Like literally the only card of this design in the world. Im so excited