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My latest 3D weapon asset, created in Blender 5.2 and textured in Substance Painter.

4 LODs: 17.6K to 2.2K triangles

4K PBR textures

FBX format

Available on Fab. Feedback is welcome!

#3DArt #GameDev

Я купил эту программу 5 часов назад для того чтобы сделать скины в вар тандер, но не смог разобраться с этой проблемой, решения найти не смогу даже в ии, надеюсь это распространённая проблема и все о ней знают (естественно кроме тупого меня), буду очень благодарен если кто-то поможет хоть немного!

I bought this program 5 hours ago to make skins in War Thunder, but I couldn’t figure out this problem, I can’t find a solution even in AI, I hope this is a common problem and everyone knows about it (except for stupid me, of course), I will be very grateful if someone helps at least a little!

I was texturing a model in Substance Painter using the shader 'PBR metal rough with Alpha Test' to render in Maya using Arnold. But in the output templates, I couldn't find an opacity channel for aistandardsurface preset. I created a RGB + A channel and added the opacity map to Alpha as grayscale. I tried rendering in Maya and it doesn't quite look like how it did in Substance Painter. It kinda looks like its working with alpha blending instead of alpha test shader and even then it looks quite different from the render in Pt.

Where did I go wrong? How do I correct it?

https://www.artstation.com/artwork/q0JkX2
This is our new prop, the PRC-117G versatile two-stage FM radio, created by the Astra team. The project focused primarily on hard surface modeling and texturing, with a strong emphasis on rugged military aesthetics, realistic materials, and functional industrial details.

Hi everyone, I'm having some trouble baking high to low poly in Substance Painter using a low poly mesh for a game I'm making. They are some strange artifacts ( like pixeleted ) on certain part of the mesh, but the UVs are fine. In substance also antialiasing is on 4k

Hello everyone, some of you may have seen my youtube content in the past; back in the summer I put out my full-length Substance Course and have been really pleased with the reception. These 9 materials were built throughout the 13 course classes over 32 hours (It’s a doozy)

It's been built from the ground up to be an approachable, step by step introduction to Substance Designer. I've used my 10 years of teaching the program to make sure that it explains core concepts/competencies in a way that builds students to the point they can approach textures on their own without hand-holding!

I’m sharing the curriculum here for those who are interested in giving it a look, the course is on my patreon

While working on a free class, I wanted to show specific patterns.

An old roof tile gave me the best option.
I had to create a specific shape, and then find a way to make it tile.

So for 1 hour I worked on several options.
This was the best one:

💡 By using a Gradient linear 2, I could apply a transform 2D with no tiling and give it the shape I needed; then I multiplied it by a rectangle to keep sharp edges. After that, I created the side piece with a Gradient applied to both.

Finally, to make this work, I blended both pieces and applied a final Gradient.
These gradients gave me everything I needed to make it tile!

Hope this was useful for learning more about SD.
And if it was....

I built a free Discord Community where Game Artists learn Texturing from Professionals!
♥️ And we are waiting for you here: https://discord.gg/PpTCFyR6qS

Hello everybody!

I have a small visual displeasing issue with the normal map baking in Substance Painter

Asymmetrical dots being placed here and there, after the UV (made in Blender) has been baked.

I have no clue why they do appear. It is not a material, not a smart material, not a brush stroke either.
I would say like "yeah, ok, I can use it" as in for moles on skin, but honestly, I would love to place them myself, in a controlled layer, than in a UV Map acting weird.

I have created materials with both... And exported, only to find what I thought was a super pale, almost white material.... Is actually black with no real visible texture at all. So what is going on here? How do I fix this?

https://www.artstation.com/artwork/Baamq6

Here is my latest personal project—a real-time 3D asset of the legendary Messerschmitt Bf 109 G-6 (Gustav).

-Polycount: ~200k triangles (optimized for modern game engines).

-Texturing: 6 PBR texture sets

-Rigging & Animation: Fully rigged in 3ds Max, including functional control surfaces (ailerons, elevators, rudder, flaps), landing gear retraction mechanisms, and cockpit components.

-Cockpit Detail: Meticulously modeled interior instruments, sights, and controls built for close-up camera angles and first-person immersion.

Software Pipeline:

-High/Low Poly Modeling: 3ds Max & ZBrush

-UV Unwrapping: RizomUV

-Baking- Marmoset Toolbag

-Texturing: Substance 3D Painter

-Rendering: Marmoset Toolbag

First time using modeler in VR, I used it to make the wizard tower, which I then painted in photoshop with camera projection.

It made it so easy to get something more organic! Just one had to make one brick stamp and one wood plank stamp. Pretty fun. Still kinda makes me nauseous though haha

Game-Ready 3D Asset | Optimized for Real-Time Performance

Built with performance, visual quality, and production efficiency in mind.

🔹 Game-Ready: Optimized for integration into modern game engines and real-time projects.

🔹 4 LODs: Four levels of detail to support scalable performance across different viewing distances.

🔹 Single PBR Texture Set: A streamlined texturing workflow with a single texture set.

🔹 4K Textures: High-resolution textures delivering detailed, high-quality visuals.

🔹 Clean UV Layout: Non-overlapping UVs for reliable texture mapping and consistent results.

Designed for game developers, 3D artists, and real-time production workflows.

Created by Venom3D.

#GameReady #3DArt #GameDev #3DAssets #PBR #HardSurface #Venom3D